Gremlins

Made in a time when they had to make use of practical effects instead of CGI, 'Gremlins' still holds very well by today's standards. It's hard to believe this film was made almost four decades ago!

The film is an interesting mix of comedy and horror. There are some really silly, illogical moments, but 'Gremlins' is not to be taken too seriously. You might sit shaking your head wondering why the creatures would do the silly things they do, but hey, it's all in the name of fun, right? Since these are also fictional creatures, who's to say what they are capable of and what their behavior should be?

Towards the end all hell breaks loose, and some scenes are disgusting (in a comedy-horror good way), and it's wonderful! The film has a good, fairly suspenseful, action-packed final act.

Some films are not what they seem. Take "Gremlins" (1984) for example. It is the story of a small-town kid who acquires a strange creature that spawns a pack of menacing green beings that terrorize the inhabitants of the cheery little area.

A silly idea, yes, but surely a fun one, and surely one to be cherished. It isn't technically a great movie, or even a very good one, but it doesn't mean to be. The genius lies in the modest scale of the film -- it isn't just a crude horror film with evil alien species (see "Critters"), but a tongue-in-cheek parody of the rest, that still manages to fit in a few thrills along the way as if by accident.

Thank Joe Dante for this movie. And thank him for providing us with magnificent and imaginative films over the years. He is one of cinema's great underrated directors, the man responsible for bringing other creatures to life very often, whether it is werewolves or small toys or Looney Toons.

The movie is centered around Billy Peltzer (Zach Galligan), the small-town kid mentioned above who is handed a Mogwai by his father (Hoyt Axton), who picked the puffy furball up in Chinatown during one of his routine salesman trips. Billy's father is a sort of failed inventor, reminding us of the frizzle-haired Doc Emmett Brown played by Christopher Lloyd in "Back to the Future," only not quite as eccentric. "Back to the Future" came out a year after "Gremlins," and the two are similar in the way they entertain -- silly little ideas that nevertheless become almost genius. Time travel was a myth before "Back to the Future," which turned it into an adventurous notion, a way of being able to transport people back in time to see their own parents. (H.G. Wells himself hadn't even approached these topics, and I can guarantee he would have never sparked a relationship between the sibling and his mother.)

"Gremlins" is milestone movie-making magic, a simple idea like "Back to the Future," stretched out into a bigger picture. I won't kid you -- it's not as complex as "Future" is, but it doesn't need to be, and certainly doesn't want to be. It relies on humor and charm, and it has plenty of it.

Billy works at the town bank, hounded by the city grouch (Frances Lee McCain) and threatened by the vice president (Judge Reinhold). His long-time sweetheart (Phoebe Cates) works there, too, and at the local bar, occupied by drunks at night (and on occasion some nasty gremlins). The town loon (Dick Miller) is convinced there are gremlins about, and soon he is right.

"Don't ever get them wet," Billy is more or less told by his father. "And don't feed them after midnight." (See if you can spot the huge flaw in that rule.) Well, the small little Mogwai, Gizmo (voiced in burps and small cutesy sentences by Howie Mandel), does get wet, and spawns a set of fellow furballs -- all apparently mean-spirited and vile. And after tricking Billy by cutting the power on his clock, they get fed after midnight -- and basically evolve overnight into a bunch of green, nasty little gremlins, all of which continue to spawn throughout the town and cause absolute chaos.

Will Billy defeat the gremlins, get the girl, and save the town? Take a wild guess.

Everything Joe Dante touches is usually magic. Even his live-action/animation film "Toy Soldiers" was a load of fun because of its charming disposition. Dante doesn't try to make his films anything other than what they are -- charming and wildly, wickedly funny -- and that is undoubtedly the key to the outrageous success of "Gremlins," one of the biggest box office moneymakers ever released.

I wasn't a huge fan of the sequel, even though I have it in my DVD collection right next to the original. It lost the darkness of campiness of the original and went for all-out laughs (many of which failed) instead of the laugh-out-loud laughs of the original, which were concealed within a film that actually made sense (in some ways) and still managed to be dark and fun. The sequel also introduced the mandatory Goofy Idiot Character. In fact, it had two -- a Donald Trump-like manager and a gremlin that more or less belonged in The Three Stooges, and definitely not in a movie about menacing creatures. In fact, another of the first film's highlights was the way it made its creatures dark, hurtful, and just plain funny. (People complained that the launching of Frances Lee McCain out a window was too much, but come on.)

As a whole, I didn't think that the sequel worked especially well. But it has as big a fan following as the original in some respects, for those who favor goofy, pointless cash-ins over original, hysterical movies.

I wouldn't expect many people to love "Gremlins" as much as I do, but its charm is certainly worth commenting on -- and so is its wicked humor. Dark, chaotic and pretty darn infectious, the film's sense of humor quickly kicks into boot even during the campy voice-over narrative. The whole film is campy. And unlike something like "Critters" (which I loathe), this film is endearing and fresh and funny and has a bunch of likable characters -- especially Gizmo, the favorite and most infamous little critter ever seen on screen, and Stripe, the lead gremlin whose unfortunate frying incident at the end of the film actually makes you sad. No sequel for that little creep.

5/5 stars.

• John Ulmer

This movie used to scare me immensely when I was younger. It was the first "scary movie" I saw as a kid, and I think that may effect why I love it so much today. Nostalgic purposes, indeed.

I think this movie is good for it's purpose. It's not meant to be some life-changing, or hysterically funny, or terrifying suspense movie. It's meant to give you some scares, some laughs, and entertainment. And it does indeed entertain.

We've heard since the 50's about little green men, and in this movie, they are there. And they don't even have to come from outer space, just Chinatown. The actual mogwai (what the gremlins are before they transform) are adorable. So at first you are surprised at how this cute little furry creature who sings a little song could produce other mogwais whom are not so nice. I won't give away how they reproduce or turn into gremlins, but it's all kind of strange, and very fantasy-like.

A great movies for adults to watch with kids for their first "scary movie". I watched it when I was three, and while it did scare me there for a while, I still loved it a lot. I would recommend maybe six years or older, and if they get too scared, tell them it's really just puppets. (It is.) Overall, this film is entertaining, very 80's, a little scary, and pretty funny.

Exactly 20 years ago today "Gremlins" opened in theaters across the U.S. It went on to be one of the biggest smash hits not only of the summer of 1984, but of the entire year. And in my opinion, it deserved to be a hit. I remember seeing this movie at a movie theater with some friends of mine right after it opened 20 years ago, and I said afterwards, "this is going to be a huge hit". And it was.

"Gremlins" is a story that plays like a darker version of Steven Spielberg's "E.T." Which is funny, because it was Spielberg himself who had the vision of "Gremlins" becoming a movie. Spielberg, along with his then collaborators Frank Marshall and Kathleen Kennedy (the trio founded the production company Amblin Entertainment), served as executive producers of the film. Spielberg got a then up-and-coming screenwriter named Chris Columbus to write the script (Columbus would go on to become the director of the first two "Harry Potter" movies as well as the first two "Home Alone" pictures), and Roger Corman protege Joe Dante to direct the picture (Dante directed 1978's "Piranha", a witty spoof of Spielberg's first smash hit "Jaws", and a segment of Spielberg's "Twilight Zone: The Movie" a year earlier). What they created was a movie that was great fun from start to finish.

"Gremlins" is about a young man who receives a very unusual Christmas gift from his inventor father. He gets a little friendly creature called a Mogwai, which is as cute as a button. But there's a twist. There are three rules that must be followed in caring for the Mogwai: Rule #1 - Keep them away from light; Rule #2 - Don't get them wet; and Rule #3 - Don't feed them after midnight. When the rules get broken, all hell breaks loose as mean-spirited little monsters turn everything upside down. "Gremlins" then turns into a super-duper special effects picture, with the creatures created exceptionally by Chris Walas (Oscar winner for the makeup job on the 1986 remake of "The Fly"). These monsters are scary to be sure, but also very funny with some of the antics they provide.

Even though the special effect monsters steal the show, the acting by the human actors is very good too. Zach Galligan makes the most of his film debut as Billy Peltzer, the young hero who tries to stop the gremlins; Phoebe Cates is effective as his girlfriend; the late Hoyt Axton is a hoot as the inept inventor father (some of his crazy inventions are hilarious, especially when the inventions backfire into slapstick catastrophes); Frances Lee McCain is good as the mother and housewife (who has one big scene with the nasty critters); Polly Holliday is wickedly funny as Mrs. Deagle, the meanest woman in town; and Dante regular Dick Miller is a riot as Mr. Futterman, the nice man who's always complaining about hand-made products being made out of foreign parts. Judge Reinhold and Corey Feldman have small roles as Billy's bank co-worker and good friend, respectively, and look for a quick cameo by Spielberg himself.

"Gremlins" was such a big hit in 1984 that it got re-released back in theaters the following year before it made its debut on video. The movie grossed over $153 million at the box office (combining the original 1984 release and the 1985 re-release). And it stands alone as a great creature feature. "Gremlins" was also imitated many times shortly afterwards. Following in its footsteps came 1985's "Ghoulies", and 1986's "Troll" and "Critters". All these movies spawned sequels of their own, and none of them came close to capturing the greatness of "Gremlins" (although the original "Critters" came the closest; it was the only movie out of that bunch that I mildly enjoyed). Six years later came the "Gremlins" sequel "Gremlins 2: The New Batch". It wasn't as good as the original, but it's still a good movie sequel. I'll take "Gremlins 2" as well as the original "Gremlins" over "Ghoulies" or "Troll" anyday.

***** (out of five)

Gremlins was a fantastic comedy film from 1984-the best year ever in my opinion for great movies.

Basically, a guy called Billy Peltzer picks up a new pet called Gizmo and after breaking a few rules he shouldn't have, ends up spawning a bunch of ugly creatures called Gremlins who proceed to terrorize the town.

The film is a success because it succeeds at producing both a comedy and a horror in one go which can't be easy. Most comedy horror films are a joke (such as some of the Ghoulies films which emulated the Gremlins series) but Gremlins is both funny and scary. It's funny seeing the Gremlins cause mischief but it's also scary throughout-they're not exactly pretty creatures and are quite scary as well.

Gremlins deserves a look from anyone interested in seeing a good comedy horror movie.