S.O.S. fantômes

There is no set definition of the word "classic" but I'm sure this film qualifies as such or will in the near future, since it was so unique and popular....and remains so today, over 20 years old later. It's just one of those films that you remember seeing when it came out at the theaters. I doubt if anyone has forgotten the catchy theme song, either.

Despite numerous viewings, I still find this very funny as I suspect many people do, because it entertains so well. I know the story is ludicrous and I don't believe for one second in ghosts so I ignore the "theology" and just laugh at Bill Murray, Dan Ackroyd, Harold Ramis, Rick Moranis, Annie Potts and Ernie Hudson.

Murray, as he tends to do, grabs the spotlight more than the rest and delivers more laughs than any of the cast but my favorite was Moranis as the nerdy "Louis Tully." I wish his role had been bigger. All the guys, however, plus Sigourney Weaver, the love interest of the always-horny Murray, are fun. I even liked the sequel because most of this cast was included.

That's a big Twinkie.

One of Murray's best films for lines, still quotable, more than a decade later.

As a comedy, the pacing is terrific, the cast is top-notch, and it brought together Murray and Ramis, who made Groundhog Day (nuff said!).

Bill Murray is one of the best wise guys in the business. I was amazed to find out on the GHOSTBUSTERS 15th Anniversary DVD that Murray had little to do with the dialogue his classicly blase, fiercely cynical 'Dr. Venkman' cuts loose throughout this good comedy. Credit Dan Aykroyd and Harold Ramis with "getting into Bill's mind" as Ramis puts it and presenting Murray with a gag-a-second character. Murray also lends his own comic genius through his delivery and facial gestures (especially with his classic cross-eyed, curled-lip look). Together with a fun premise and above average special effects, GHOSTBUSTERS will never be a relic of the 80's and should always be a refreshingly humorous spook show.

Murray rules the screen, mauling his geeky para-psychologist partners and hitting on a young blonde while conducting shock therapy experiments on her. Aykroyd uses his standard machine gun delivery of obscure (or should I say made up) facts and anecdotes and Ramis is just enough for the ultra-dork 'Egon'. The funniest element in GHOSTBUSTERS happens to be Rick Moranis in a splendid role as a small-time accountant who has parties for clients only and becomes mixed up in some extremely supernatural events. Along with Sigourney Weaver, Moranis has the most difficult physical tasks to topple.

This was a picture I loved when I was a kid. I must have went some 12 to 15 years before I saw it again and I was alarmingly impressed. It has endured. The special effects are not only good, but they are comedic and add even more laughs throughout the 'Busters turbulent jobs. The DVD version has tons of goodies included and is an essential addition to any Saturday Night Live fan's movie library. SNL is the very essence and reason for GHOSTBUSTERS, where Murray and Aykroyd starred. Director Ivan Reitman created his meal ticket here and can pretty much do any comedy he wants now.

It is a shame John Belushi was not around to play one of the 'Busters, for he was originally cast. The movie is already well-paced and engaging so just imagine how frenzied the pace would have been with Belushi. Regardless, GHOSTBUSTERS is one for the kids, teens, and adults alike. It has spanned these phases for me and still works wonderfully.

RATING: ***

What's that you say? Ghostbusters, one of the most financially successful and over-hyped comedies of the eighties, underrated? Yes. Precicely because it was so over-hyped and made so much money, there has been a stigma attached to this film identifying it as a childish FX piece, when it is nothing of the sort. Most of the lines people remember("He slimed me," "OK. So? She's a dog," "When someone asks you if you're a god, you say YES!") are not its funniest or wittiest lines, which often are missed on first or even second viewing. I laugh every time I observe a gag or a quip that I somehow missed the other 20 times I viewed a scene; "Egon, this reminds me of the time you tried to drill a hole through your head, remember that?" "That would have worked if you hadn't stopped me", or, to the driver of a van from a loony bin, "Dropping off or picking up?" Brilliant.

Not only is Ghostbusters funny, it manages to include some truly scary scenes. And not just lose-your-popcorn moments like the fridge from Hell, but also scenes of quiet, thoughtful chill, like Egon's retelling of how the possessed apartment building came into being, or Winston recalling the Book of Revelation. Which other film has managed to combine the Marx Brothers with HP Lovecraft?

The special effects hold up well, besides some obvious studio sets and models, but what really creates this film's world is the stunning cinematography. Manhattan, perhaps the pinnacle of Gothic architectural evolution, is brilliantly utilised here to create a sense of menacing grandeur. After watching "Ghostbusters" I couldn't imagine the realm of the Old Gods opening into our world from anywhere else. The soundtrack is great, not the overrated theme (Which was in fact lifted from Huey Lewis' "I Need a New Drug"), but the wonderfully blusey "Cleaning Up the Town," the creepy proto-techno chiller "Magic" and also the wonderful score by the late and much lamented Elmer Bernstein.

Ghostbusters was an incredibly huge smash hit on its original release back in `84 and its not hard to see why - its a funny , exciting and imaginative thrill ride. There is a lot to like about ghostbusters , like bill Murrays constant and always funny wise cracks, the films constant shift from a light hearted comedy to intense ghost busting thriller and of course , the technically flawless attack of the marsh mallow man that is probably one of my favorite parts of this film.

In this day and age of computer generated fx wizardry the completely analogue special effects still look great ( especially the stay puft marsh mallow man , its rampage through the city looks incredibly real ! ) and the film it self is still better and more imaginative than a lot of event movies you will find in a cinema near you today .

And to top it all off Ghostbusters is one of the few films out there that actually had worthy TV spin off that was the "real Ghostbusters", a cartoon that i loved as a kid.

Ghostbusters is a film that truly deserves its iconic status.

The screen dwellers mark (out of 5 ) : * * * *