Frida, nature vivante

After watching Frida for my Spanish class, I learned a lot about the history of Frida and what exactly her trade mark meant. The movie displays the life of Frida and what she meant to the Mexican culture. Through her artwork, her life with her husband and her illness is all portrayed. The time period was during the depression and world wars. A lot of her life during the movie is seen through a mirror signifying her life was shattered in the end. A lot of Mexican culture is shown through her husband, Diego, as well as Frida. The lady who plays Frida in the movie looks exactly like the original and does an awesome job being Frida. This movie has a lot to offer. It demonstrates the Mexican history, culture, and life of others during this time period. I would recommend using this film to teach students about Frida as well as the culture and history of Mexico.

Frida is the story of a woman who has an obsession with the physical image of herself. During the course of the movie she suffers from a profound identity crisis. The viewer will immediately notice the lack of dialogue in this film. The absence of dialogue represents the fact that communication for Frida is visual, not verbal. Her works of art speak for her as she communicates her pain and suffering through her paintings. Frida Kahlo's obsession with her physical abnormalities drives her to paint herself disfigured and in pain and directly reflects her personal suffering. The viewer realizes that art is life for Frida. Art was the way in which she communicated but unfortunately, the public does not seem to get a firm understanding of her pain nor the manner in which she expressed herself.

The first thing you have to keep in mind is the format of the movie (8mm), and unfortunately the transfer to DVD was not made very well (the sound is pretty poor).

Nevertheless it is an interesting little movie that feels more like a surrealist's dream than a movie proper.

The dialogue is practically non-existent, thus you are left with small vignettes and images of relevant moments in the life of the artist, this may appear confusing if you don't know much about Frida and Diego, but if you do it is quite a poetic view abut their life together.

This is a movie made before Frida Khalo became a global feminist icon, conceived before all the hype generated by the rich and famous endorsing her and perhaps worth to watch just for this reason. reason.

Frida (1986)

If you manage to find this somewhere (I got my DVD on ebay) you'll see why the actress playing Frida is something of a small legend for her role. Ofelia Medina as the adult Kahlo is quite astonishing, highly believable, and often so Kahlo-like you have to remind yourself this isn't a documentary. She acting.

In fact, the whole movie is convincing in its realism even though it is not especially a "good" movie in other ways. What it lacks mostly is some kind of narrative drive. I don't mean you have to make up a fictional story line, certainly not with someone as amazing as Frida Kahlo, but there has to be something to keep the propulsion going. At the end she dies, and at the beginning she is young and being assessed with a childhood disease, but between it is a series of important things that happened to the artist.

So what you have is a collection of particular moments that really work--the accident aftermath is gruesome and terrifying, the final arrival in her bed at the exhibition is exhilarating--mixed with atmospheric filler, including lots of scenes of people playing music.

One surprising element all along is all the singing, including by Kahlo and even by Rivera. At one point they even have a comic operatic duet as they sing back and forth, quite hilarious and perhaps in keeping with two people filled with life. At times you might think the movie is a musical, but overall it's a low-budget, sincere, genuine feeling biopic. It's that genuine-ness that makes it worth the trip to ebay. Mexico comes across as the real deal, colorful and peppered with what seem like amateur actors, and filmed not in fancied up rooms and courtyards but simple, honest locations.

One of the revelations of this "Frida" is how the more famous 2002 "Frida" looks overly perfect, truly "Hollywood" in its slick, beautiful, colorful rendering of the same subject. Some of the scenes are so similar you realize that this earlier Mexican "Frida" was the template for the later American one (the Trotsky scenes in particular). Certainly the American one is better made and is easier to watch, and will move you. This Mexican one is more a corrective, a realization about who Frida really might have been, and about the falseness of even very good movies.

I bought this one while I was in Mexico, still trying to calm down the excitement over seeing Frida's house. I wouldn't compare it to the Hollywood version of Frida because, while both of them are excellent, Naturaleza viva adds something very authentic, very very Frida-like to the story. I agree, this movie is probably not for those not familiar with Frida's biography or the political events that took place during her lifetime. My favorite part was definitely the producer's ability to capture Frida's pain - the driving force of her entire existence. Ofelia Medina portrays Frida the way she was. Bold, unbreakable and, probably, somewhat insane. Like all artists. The movie is less dramatic than its Hollywood counterpart, but it succeeds in immortalizing Frida's personality. There's no need for a better-developed plot because, really, this film is about Frida the thinker, the artist, the lover. It's a window into her mind.