Electric Dreams
- 1984
- Tous publics
- 1h 35min
Un PC artificiellement intelligent et son propriétaire humain se retrouvent dans une rivalité amoureuse pour séduire une femme.Un PC artificiellement intelligent et son propriétaire humain se retrouvent dans une rivalité amoureuse pour séduire une femme.Un PC artificiellement intelligent et son propriétaire humain se retrouvent dans une rivalité amoureuse pour séduire une femme.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 2 victoires et 2 nominations au total
- Ryley's Receptionist
- (as Holly De Jong)
- Neighbor
- (as Regina Walden)
Avis à la une
Meanwhile Miles has a new neighbour in the form of Madeline (Madsen), Miles soon falls in love with Madeline and the pair start dating.
Everything seems to be going OK for Miles but there is a problem, his COMPUTER!!!! The Computer called Edgar is alive and jealous of the relationship, he too has fallen in love with Madeline and will do anything to wreck the relationship, he wants Madeline all to himself, funny stuff!!! The film has a really good 80's feel about it and has a brilliant soundtrack, the film itself would be average but it's a lot better than average thanks to the computer. Edgar the computer makes this movie a winner and a guilty pleasure!!! Highly recommended for fans of 80's movies, 7/10 for Electric Dreams.
Miles is the proverbial introvert who has a relatively good job, and is smitten by an arrival of the opposite sex in his building. But at the same time Miles, being a paper and pencil architect, is wondering how he can get his life organized. He goes for the obvious option of seeking a left brained solution. In other words; a computer.
But the logic circuits of keyboard, monitor and printer cannot compare to the ultimate solution of a second mind in the form of a the fairer sex. Miles discovers the thing that a computer can not give him, and Edgar, his computer, discovers what he cannot have and has always misunderstood about human feelings.
It's a simple film with lots of cinematic trickery to make it appear bigger than it actually is. It's a film about heart and mind, and about which wins out over the other. It's a classic tale of the mind finding the heart, and the heart finding peace of mind with another soul.
One of the appealing things is seeing various exteriors shot locally, including a local radio personality whom I used to listen to on KMEL, the Blue Angels, Palace of Fine Arts and a number of other places. The music is of course classic 80's fare, and the primitive electronic tones highlight's the time and theme
It's a delightful warm-hearted film that I waited many years to see again in its full widescreen glory, and relive some younger days when things were a little more innocent, and a little more lively. When computers needed dialup modems, electronic music had just come into its own, and video games were still using cartridges (note the Activision cartridges for the Atari 2600 behind Miles when he purchases his computer, Edgar).
Well, I waited well over 20 years to see it, and I'm glad I did. It's the kind of simple and loving film that I would be proud to shoot for the rest of my life. It has heart, it has warmth, it is a segment of 1980s San Francisco Bay Area that puts a smile on this viewers face. It is electronic romance San Francisco 1980's style.
Please watch it and enjoy, but try not to be too judgmental.
I've never been completely sure what I especially liked about the film. Virginia Madsen certainly has a big sister / first crush quality, with her woolly jumpers and body wrapped around a cello. Lenny Van Dollen is certainly as good an actor as anyone whose worked in this kind of film and offers work of quite subtle range. And the computer is heartbreaking. And the music is lovely. This is perhaps a film which is uncriticisable because it captures a time in life so beautifully.
Made in 1984, 'Dreams' has a plot similar in scope to 'Malkovich'. Miles subordinating of the newly sentient computer parallel's Craig Schwartz control of the film actor. As the computer operator uses Edger to woo the love of both their lives, so the puppeteer controls Malkovich to get into the panties of his 'business partner'.
There is no doubt the film has dated, although in its own way it uses visual techniques which at the time must have seemed as extreme as the flourishes of the latter film. Its use of pop video, in the sequences of high emotion, especially in the scene of where Miles is chased around the house, are at least echoed in the chase sequence at the heart of 'Malkovich'.
With all this in mind, its perhaps a time to re-assess this film as more than the fluff its previously been thought of as being.
This movie a great soundtrack with Culture Club and Philip Oakey & Giorgio Moroder0. The films style has a zippy pace and feels like watching a long music video. This aspect of the film hasn't dated, however some of the technology has which is fun to look back and view.
Overall, this is a lovable romantic computer fantasy and has a soft spot in my heart.
Le saviez-vous
- AnecdotesAs the voice of the computer, Bud Cort had to deliver his entire performance from inside a box on the set; his co-stars were never allowed to see him during filming. The director was afraid that if the other performers associated a person to the voice, they would react to it as if they were talking to a human being instead of a computer and the difference in reaction would show on camera.
- GaffesIn the final sequence when the theme song "Together In Electric Dreams" is being played, a person carrying an '80s boom box-styled hi-fi walks past; in the reflection of the tape deck of the hi-fi the crew and equipment are visible.
- Citations
Miles Harding: "You can play it for her, you can play it for me."
Edgar: What?
Miles Harding: Play it, Sam.
Edgar: What key?
Miles Harding: Your favorite.
Edgar: You want verses first, or the choruses?
Miles Harding: Any way you like.
Edgar: Yeah!
[instrumental bridge of Jeff Lynne's song "Video" plays]
Edgar: [singing] Hug, hold, squeeze and lick / Darling, I love you to bits / And I want to see your tits.
- Crédits fousAfter the closing credits have run, a multicolored question mark appears in the lower right corner of the screen with a computer-like sound. After this, the line "ELECTRIC DREAMS FINISHED" appears in green at the upper left corner. The question mark is replaced by the line "no more?" Then the green text is replaced by "TIME TO DISCONNECT". Both then disappear, and multicolored letters appear near the center of the screen reading "THE NED". The "N" is quickly deleted, the "E" moved over, and the "N" is reinserted to properly spell "THE END". As this disappears, Edgar's voice is heard laughing, and he says "H-hello? Hello? Good-goodbye."
- Versions alternativesWhen it aired on HBO, the opening card sequence identifying it as a Virgin Films production was removed and replaced with one for MGM with Leo the MGM Lion roaring twice during the opening music.
- Bandes originalesElectric Dreams
Performed by P.P. Arnold
Composed by Boy George (as George O'Dowd) and Phil Pickett
Produced by Don Was
©1984 Virgin Music (publishers) Limited/Warner Bros. Music Limited
Meilleurs choix
- How long is Electric Dreams?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La belle et l'ordinateur
- Lieux de tournage
- Twickenham Studios, Twickenham, Middlesex, Angleterre, Royaume-Uni(Studio, Miles and Madeline's apartment interiors)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 193 612 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 009 586 $US
- 22 juil. 1984
- Montant brut mondial
- 2 193 612 $US
- Durée1 heure 35 minutes
- Mixage
- Rapport de forme
- 1.85 : 1