Conan, brisé par la mort de sa femme, accepte d'escorter une princesse en territoire ennemi et d'y dérober un artefact pour la maléfique reine Taranis, en échange de la résurrection de sa fe... Tout lireConan, brisé par la mort de sa femme, accepte d'escorter une princesse en territoire ennemi et d'y dérober un artefact pour la maléfique reine Taranis, en échange de la résurrection de sa femme. Mais la reine a de plus sombres projets.Conan, brisé par la mort de sa femme, accepte d'escorter une princesse en territoire ennemi et d'y dérober un artefact pour la maléfique reine Taranis, en échange de la résurrection de sa femme. Mais la reine a de plus sombres projets.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Olivia d'Abo
- Princess Jehnna
- (as Olivia D'Abo)
Sven-Ole Thorsen
- Togra
- (as Sven Ole Thorsen)
Ferdy Mayne
- The Leader
- (as Ferdinand Mayne)
Matt Conner
- Zeus
- (non crédité)
Erik Holmey
- Henchman of Queen Taramis
- (non crédité)
Juan Jaramillo
- Rich Man Outside Taramis' Palace
- (non crédité)
Terry O'Neill
- Village Heavy
- (non crédité)
André René Roussimoff
- Dagoth
- (non crédité)
Avis à la une
For fantasy-geeks like myself, this 1984 outing of the legendary swordsman is an interesting mix of highs and lows. The cinematography, costumes and settings are a high-point, remaining loyal to Frazetta's incredible illustrations.
Gone, unfortunately, is the first film's solid, adult screenplay. Howard's original, "Nietzschean" Conan is watered-down here, the director deciding to play for laughs (but Conan and his world just is'nt comedic).
Like the dialogue, the casting is sometimes hit and miss. Although Grace Jones (as the wild warrioress Zula) has been criticized as "over the top", she puts in a solid, believable performance. Sarah Douglas also shines as Queen Taramis, although we don't see enough of her! Arnie is adequate, as is Mako (who reprises his role here as a helpful wizard).
The film suffers most from poor special effects (an unforgivable crime for fantasy lovers)! It looks like they spent most of the budget on actors and settings, but even by 1980s standards, the monsters Conan faces were absurd.
Lessons were not learned, ending with the debacle of "Red Sonja" a year later. Arnie admitted that film to be "the worst he ever made". "Destroyer" amounts to harmless entertainment, lacking conviction, but watchable all the same.
Gone, unfortunately, is the first film's solid, adult screenplay. Howard's original, "Nietzschean" Conan is watered-down here, the director deciding to play for laughs (but Conan and his world just is'nt comedic).
Like the dialogue, the casting is sometimes hit and miss. Although Grace Jones (as the wild warrioress Zula) has been criticized as "over the top", she puts in a solid, believable performance. Sarah Douglas also shines as Queen Taramis, although we don't see enough of her! Arnie is adequate, as is Mako (who reprises his role here as a helpful wizard).
The film suffers most from poor special effects (an unforgivable crime for fantasy lovers)! It looks like they spent most of the budget on actors and settings, but even by 1980s standards, the monsters Conan faces were absurd.
Lessons were not learned, ending with the debacle of "Red Sonja" a year later. Arnie admitted that film to be "the worst he ever made". "Destroyer" amounts to harmless entertainment, lacking conviction, but watchable all the same.
I have been captivated by Conan's heroic fantasy world for many years. For this reason alone I am rating this film as 6/10. Do not expect a continuation of the first Conan film. 'Conan The Destroyer' is too light in its scope and Conan is not the same man anymore. The villains are also not as menacing.
Having said that it was good to see Grace Jones and Sarah Douglas and also Conan's companions had good lines and were very funny at times.
As a side note I found the adjective 'Destroyer' in the title quite misleading and unfortunate. For those of us that read the Conan novels we see Conan driven by his own motivations, and fighting his battles only if he had to and not for the sake of destroying. The film distributors could have picked something else to promote the movie.
Having said that it was good to see Grace Jones and Sarah Douglas and also Conan's companions had good lines and were very funny at times.
As a side note I found the adjective 'Destroyer' in the title quite misleading and unfortunate. For those of us that read the Conan novels we see Conan driven by his own motivations, and fighting his battles only if he had to and not for the sake of destroying. The film distributors could have picked something else to promote the movie.
Queen Taramis (Sarah Douglas) offers Conan the barbarian (Arnold Schwarzenegger) to bring back his love Valeria back from the dead. Conan and his sidekick Malak (Tracey Walter) is to escort Taramis' virgin niece Jehnna (Olivia d'Abo) to find a key and a jewel horn. Her bodyguard Bombaata (Wilt Chamberlain) accompanies them but Taramis tells him to double-cross Conan. On the way, Conan saves wizard Akiro (Mako) and Zula (Grace Jones) and they join the ragtag band of travelers.
It's sillier than the first movie. Its saving grace is that it's fun as long as you don't take it seriously. I think the dialog actually got more clunky. There is certainly nothing quite like this. Grace Jones looks crazy awesome. Mako and Tracey Walter are making jokes. Wilt Chamberlain is actually acting. At least he's not much worst than Arnie. Olivia d'Abo looks really pretty. This is one crazy group.
It's sillier than the first movie. Its saving grace is that it's fun as long as you don't take it seriously. I think the dialog actually got more clunky. There is certainly nothing quite like this. Grace Jones looks crazy awesome. Mako and Tracey Walter are making jokes. Wilt Chamberlain is actually acting. At least he's not much worst than Arnie. Olivia d'Abo looks really pretty. This is one crazy group.
Oh, I can understand why "Conan the Destroyer" is the way it is. The original, classic "Conan the Barbarian" was a hit, but the Hollywood bigwigs decided they could get x-amount more money if they made a more family-friendly sequel, thereby opening the franchise to the lucrative kid's market (never mind that, for as long as there have been "restrictive" movie ratings, kids have known how to get to see the movies they want). Take out the sex, tone down the violence, crank up the humor, and... out comes this movie.
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.
This is an epic adventure based on Robert E Howard's pulp tales with screenplay by the comic-book authors, Roy Thomas and Gerry Conway , it stars Arnold Schwarzenegger in the title role, the Hyborian Age hero . This time Conan with the help his partner (Tracey Walter), a magician (Mako, who repeats his role as wizard of ¨Conan the Barbarian ¨ by John Milius and written by Oliver Stone), an androgynous sidekick( Grace Jones who steals the show ), as a club-wielding tomboy, a giant hoodlum (Wilt Chamberlain) and a virgin princess(Olivia DÁbo) undergo on a risked trip to find a treasure whose sacred jewel contains a magic horn that relives a monster (manufactured by Carlo Rambaldi : ET) and leading a vibrant ending.
This violent following packs noisy action, full-blooded adventure, thrills, crude scenes and rip-roaring fights. Dumb images and unintentionally hilarious but amusing . Made on a grand scale with spectacular production design and colorful cinematography by Jack Cardiff, occasionally filmmaker. Big budget and lavishly produced by Raffaela De Laurentis, Dino's daughter. Impressive musical score composed and conducted by Basil Poledouris as vibrant as the original Conan. In other words, it seem likely Conan enthusiasts and juvenile viewers will be delighted. Followed by several low-grade imitations and rip offs, and spawned TV series starred by Ralph Moller. Furthermore a similar film realized in old-fashioned style also directed by Richard Fleischer titled ¨Red Sonja¨ with Brigette Nielsen as female lead , Sandahl Bergman and of course Arnold Schwarzenegger has a brief guest spot. And in production a new ¨Conan¨ by Marcus Nispel with Jason Momoa,Rose McGowan and Ron Perlman.
This violent following packs noisy action, full-blooded adventure, thrills, crude scenes and rip-roaring fights. Dumb images and unintentionally hilarious but amusing . Made on a grand scale with spectacular production design and colorful cinematography by Jack Cardiff, occasionally filmmaker. Big budget and lavishly produced by Raffaela De Laurentis, Dino's daughter. Impressive musical score composed and conducted by Basil Poledouris as vibrant as the original Conan. In other words, it seem likely Conan enthusiasts and juvenile viewers will be delighted. Followed by several low-grade imitations and rip offs, and spawned TV series starred by Ralph Moller. Furthermore a similar film realized in old-fashioned style also directed by Richard Fleischer titled ¨Red Sonja¨ with Brigette Nielsen as female lead , Sandahl Bergman and of course Arnold Schwarzenegger has a brief guest spot. And in production a new ¨Conan¨ by Marcus Nispel with Jason Momoa,Rose McGowan and Ron Perlman.
Le saviez-vous
- AnecdotesThe production had a hard time finding a horse for Wilt Chamberlain to ride because he was so tall that his feet touched the ground. They ultimately found one in Spain that was big enough and imported it to Mexico.
- Gaffes(at around 1h 8 mins) Just after Akiro reads the legend on the wall of the crypt regarding the woman-child with a certain mark, we are treated to a view of the mark that makes Jehnna so special on the swell of her left breast (a pink star shaped mark). However, earlier in the movie (at around 45 mins), when Jehnna first awakens in the castle of Toth-Amon as well as the scene a few minutes after this when she lifts the jewel/key from its place, this same area of her chest is perfectly visible but the mark is not there.
- Citations
Princess Jehnna: I suppose nothing hurts you.
Conan: Only pain.
- Versions alternativesThe film was cut for an 'All' (all audiences) rating by the Korean censors for cinema and video exhibition in South Korea in 1986 to reduce all of the violence sequences. It remained cut for 15 years. In 2001, the film made its debut on DVD with all the censored footage put back in with an uncut '15' (under 15s require an adult) rating.
- ConnexionsFeatured in At the Movies: Conan the Destroyer/Top Secret!/Under the Volcano (1984)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Conan, el destructor
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 042 035 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 958 872 $US
- 1 juil. 1984
- Montant brut mondial
- 31 042 035 $US
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