Nom de code: Oies sauvages

Woohoo! Another Antonio Margheriti jungle actioner, this one starring Lewis Collins (from Commando Leopard!) and Klaus Kinski (from Commando Leopard!) and Lee Van Cleef (from Death Rides a Horse etc) and Ernest Borgnine (from also good eighties action film Skeleton Coast) and Mimsy Farmer (from the Black Cat, Four Flies on Grey Velvet, that Pink Floyd film and other stuff). I'm knackered from thinking of all those films those folks were in. Goodnight! This one isn't as good as Margheriti's The Last Hunter, but then I'm hard pressed to think of a better action film than that, but it's on a par with Commando Leopard, suffering slightly from the lack of John Stiener being a Glaswegian, but then helped by a depressingly old looking Lee Van Cleef as a helicopter pilot and helped immensely by eternally middle aged and jolly Ernest Borgnine. These guys are all on hand to help out Lewis Collins, a soldier heading for the jungle of some country I couldn't quite figure out in order to destroy drug factories! Collins and Cleef and a few other jungle warfare guys head off for the jungle and start blowing the absolute crap out of everything, picking up a junky Mimsy Farmer on the way. She's doesn't have too much to do in this one I'm afraid, but then again it's all about the action and less about the acting, so let's get to the bit where I mention the helicopter with the flamethrower attached.

Near the end the get double crossed by either Borgnine or Kinski (you guess which one) and can only escape by wasting scores of bad guys and countryside with a flame thrower attached to a helicopter. Margheriti gets to break out his famous miniature sets at this point (and also during a really daft car chase near the start) but you can't mark the guy down for effort.

This is yet another impossible-not-to-enjoy Italian trash film made by one of Taratino's heroes. I wonder why he never takes the hint and makes a decent action film with barely any dialogue?

Code Name Wild Geese is one of those many movies that bases the plot around mercenary action in a jungle; actually, to be fair, given that every cheapo movie seems to have done that in the past few years, at least this was one of the first. (Is ANYONE really interested in mercenary-in-a-jungle movies?) Most of the action is perfunctory, predictable stuff. Lee Van Cleefe is wasted (as usual) in this; Lewis Collins does his hard man routine.

This movie wouldn't really be worth commenting on except for the chase scene. It's absolutely hillarious! Collins' character revs his car up in a tunnel when he realizes he's blocked in, and drives sideways, YES SIDEWAYS, along the wall of the tunnel! How does he do this? Well, aside from the fact that this is physically impossible, of course he doesn't... we're treated to a exquisitely appalling display of movie miniatures, intercut with grim expressions on Collin's face. It's priceless and worth the cost of a rental alone.

This action-packed picture concerns upon a troop of commandos-for-hire(Lewis Collins, Manfred Lehmann)is assigned by a businessman as financial backers and the Drug Enforcement Administration DEA(in charge of a histrionic Ernest Borgnine) to obliterate Golden Triangle between Laos , Cambodia and Thailand. The commando is led by captain Wesley, a tough, two-fisted mercenary . He contacts an inmate, expert on helicopters(Lee Van Cleef in similar role to Snake-Kurt Russell in rescue in N.Y). The adventure starts when the veteran band of mercenaries land deep inside the jungle to destroy opium traffic and smuggling commanded by General Khan. Another mercenary( Klaus Kinski)as back-up , in case they run into problems. They help out the jungle's inhabitants along with a kidnapped reporter(Mimsy Farmer). The mission meets an unexpected turns and twists when they're betrayed. Meanwhile they find a Catholic priest(Alan Collins or Luciano Pigozzi ,the Italian Peter Lorre)ruling a mission in middle of jungle. The jungle countrymen are submitted to drug-lords and the Reds Jemeres .

This fast-paced film packs adventures, large-scale blow-up,routine plot, and lots of action for the most part. Cheesy scenes about a car races throughout a tunnel under construction with embarrassing scale models such the director previously made in his film ¨Car crash(1980)¨, but contains a better scenario on the bridge explosions and over the burning installations with helicopter scenes. Cinematography is quite nicely , capturing the atmosphere of everywhere, from Hong Kong's skyscrapers to a Thailand jungle pretty cool, furthermore some stirring images filmed with camera above the shoulder. Lousy musical score by means of synthesizer by Nemec and isn't composed by Ennio Morricone. The film is produced in middling budget by Erwin C Dietrich , habitual director and producer of soft-cores and Jesus Franco's usual financier.

The film was made in the wake of ¨Wild Geese¨(Andrew McLagen with Burton, Moore and Richard Harris) and Wild Geese II(Peter Hunt with Scott Glenn, Edward Fox, Barbara Carrera)which depended in their all star cast. And belongs a trilogy directed by Anthony M Dawson(Margheriti) formed by ¨Commando Leopard(1985)¨ and ¨Der Commander(1988)¨ repeating similar actors, Collins, Kinski, and Manfred Lemann, technicians and screenwriter, Tito Carpi.These jungle-setting exploitation films from the 80s will like to action lovers and euro-trash enthusiastic.

Italian director Antonio Margheriti serves up another entertaining action flick. The film has a great international cast, great music, great action and some great model effects. Seek this one out and enjoy, if only someone would release a widescreen version in it's correct ratio of 2.35:1. Quentin Tarantino you did it for THE BEYOND now how about for this. I recommend the following titles if you liked this THE LAST HUNTER, TORNADO, COMMANDO LEOPARD, THE COMMANDER and COBRA MISSION.

This was the first of a German-produced war trilogy by leading Italian "Euro-Cult" exponent Margheriti; I actually watched the follow-ups (COMMANDO LEOPARD [1985] and THE COMMANDER [1988]) prior to it but, as often happens, the original is still the best (if still not saying very much in this case). To begin with, it has the best cast: Lewis Collins (star of all three films), Lee Van Cleef and Klaus Kinski (who also turn up in the third and second entry respectively, the latter in a different role since he dies here), Ernest Borgnine, Mimsy Farmer and even that "Euro-Cult" stalwart noted for his resemblance to Peter Lorre i.e. Luciano Pigozzi aka Alan Collins, albeit uncredited (he did similar duties, again playing someone else, in one of the sequels). The title would seem to aspire towards a cut-rate version of THE WILD GEESE (1978), itself followed by an inferior (and entirely unrelated) second helping a year after this one; anyway, the war we are dealing with here is not strategic but moral – since the mission involves annihilating an opium compound deep into the jungles of the Far East (thankfully, we are spared the sight of slithering reptiles which is usually obligatory with this type of setting, and one of the sequels did in fact have such a scene). Collins is the tough leader of a crack squad who typically rubs his men the wrong way but eventually earns their respect; the aging Cleef is a helicopter pilot(!) who took the job in exchange for a prison sentence hanging over his head (besides, he can handle himself on a battlefield); Kinski and Borgnine are, ostensibly, the men who oversee the plan and put it in motion respectively…but the former, along with Collins' own superior, are revealed to have ulterior motives (incidentally, the hero's own son had lost his life to drugs); Farmer and Pigozzi, then, are people the team meets on the way – she is a journalist captured and rendered a junkie by the native militia later freed by Collins, and he a priest who also administers medicine to the wounded but winds up literally crucified for his beliefs. The film emerges to be undeniably proficient in the action sequences (especially the scene in which Kinski perishes via flame thrower in a large fuel depository – a set which would actually be re-used in its immediate follow-up!) but is otherwise fairly routine, indeed clichéd; mind you, it offers mild entertainment while it is on (particularly the verbal sparring between Kinski and Borgnine) but is in no way memorable and certainly far below the work Margheriti could turn out in his heyday (though he had always been somewhat erratic).