Camila

This film is about a doomed relationship between the daughter of a rich fascist-type landowner in Argentina about 1830 or so (after the successful revolution against the Spanish). The new government, it seems, feels that the end justifies the means and repression is used to keep control of the fledgling nation.

Camila finds that she is not attracted to the macho rich suitors but instead finds herself drawn to the new Jesuit priest. Despite common sense and many obstacles, they run off together. What I found most interesting in the movie was the character of her father, who was instrumental in tracking them down and exacting punishment.

In many ways, the plot reminded me of The Thorn Bird mini-series combined with a fascist-like backdrop. A pretty good film overall. Be aware, however, of the nudity. It's NOT as much as you might expect in such a film but considering he's a priest, it's bound to offend some.

"Camila" is a love story set in Colonial Argentina. Camila is a young woman hungry for change and knowledge of the unknown. She meets Ladislao, a young priest whom with she immediately falls in love with. The two decide to escape in order to fulfill their desire for each other. They settle in a remote village but still must face the consequences of their decision. Directed by Maria Luisa Bemberg, "Camila" tells the story of a passionate woman who will fight for what she desires and is willing to sacrifice everything for it. The film is true to the times in which it is based and true to the characters it is based on. Rosas, the dictator at the time, is portrayed in a way that is also true to history. The director Bemberg is also a passionate woman and filmmaker who struggled with censorship in the making of this film, but prevailed. Although it is based on real people, some of the characters are shaped in order to benefit the ideals of the director, but a good film nonetheless. I also recommend "I, the Worst of All" by the same director.

After watching Camila, I thought that the movie displayed true history of Argentina. The idea of religion and social class are demonstrated thoroughly throughout the movie. Camila takes on a strong role as a lady who is determined to be with her man. However, this man is a priest and has to obey to the church and g-d. Rosas helps define the true meanign of dictatorship with his brutality toward everyone. Camila is independent and very passioniate therefore the she has many conflicts with Rosas. After watching the movie, i did notice that the director is byased and sticks to her beliefs and attitudes. The main idea is for Argentina to protect its national reputation. Overall, this movie portrays many historical aspects and should be shown in other classes.

A former friend of mine, who was very much into foreign films, "accidentally" rented this movie for both of us to watch after the dissolution of my relationship with a Jesuit, in 1999. Perhaps she was trying to assure me that I was better off now, because I would not be shot by a firing squad for having slept with a priest? Never mind that I was being treated for post-traumatic stress disorder and was suffering through nightmares of Jesuits trying to murder me and make it look like suicide. After watching this movie, I was left numb and freaked-out by the residual irrational feeling that Camila might have been me in a former life?

Nine years later, I'm more able to assess the movie apart from my own experience of the Catholic priesthood and its extremely misogynistic tendencies. I admire Camila for having had a strong mind and will of her own, but I would tell her or any other woman involved with a priest that these men just aren't worth our sacrifice of self for their sakes, much less martyrdom.

"Camila" is a love story that is based on true events. It is a unique movie in that it draws the audience to it with the promise of passion, but it keeps the audience intrigued with its historical representation of Rosas' Argentina. The forbidden love affair between Camila, the daughter of a wealthy land owner, and Ladislao, a young priest, is defeated by the intensity of Argentina's patriarchal society. Maria Luisa Bemberg's presentation of the power of Rosas' regime is historically accurate, as is her depiction of the passion and independence of Camila.