NOTE IMDb
5,9/10
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Un jeune danseur de jazz en difficulté rencontre deux danseurs de breakdance. Ensemble, ils deviennent l'attraction des foules de la rue.Un jeune danseur de jazz en difficulté rencontre deux danseurs de breakdance. Ensemble, ils deviennent l'attraction des foules de la rue.Un jeune danseur de jazz en difficulté rencontre deux danseurs de breakdance. Ensemble, ils deviennent l'attraction des foules de la rue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Adolfo Quinones
- Ozone
- (as Adolfo 'Shabba-Doo' Quinones)
Michael Chambers
- Turbo
- (as Michael 'Boogaloo Shrimp' Chambers)
Bruno Falcon
- Electro Rock 1
- (as Bruno 'Pop N' Taco' Falcon)
Popin Pete
- Electro Rock 2
- (as Timothy 'Poppin' Pete' Solomon)
Ana Sánchez
- Electro Rock 3
- (as Ana 'Lollipop' Sanchez)
Ice-T
- Rap Talker
- (as Ice T)
Teresa Kelly
- Vicky
- (as T.C. Laughlin)
Ric Mancino
- Joe the Cook
- (as Ric Mancini)
Avis à la une
A true b-movie classic... pop and lock it, baby. Everything about this movie is funny watching it today. The wardrobes are awesome. They're so bad that they're good. The acting is so stilted and straight that you can't help but dig it, and the storyline is very predictable, but somehow does the job, and gets you to remain interested in the story in a 80's kind of way. This whole film is almost camp now. But the Break dancing is off the chain... Breaking 2 - Electric Boogaloo is even better! I'm surprised movies used to be this simple? Amazing how times and movies change, seems like usually for the better if you're looking at it from a modern sensibility. It's dated, but totally cool and fun to watch with friends...
The plot is simple, the acting is spare, but the dancing, which is the whole reason for the show, is exceptional and still fresh after 20 years. If you love dancing, give a view. If you love dancing, it won't disappoint you.
Breakin' is one of the movies that put hip-hop on the map. It turned disco into a new form of enjoyment. During the early 80s disco faded and from 1981 thru 1983 music groups introduced funk and techno type beats. At that time there was no specific dance to these songs. But I guess a couple of guys from the Bronx created a new dance that interested thousands of people in the metropolitan area. There was graffiti in the subway that displayed a urban form of art. The big boom boxes (large am/fm cassette radios) that young guys carry along the street. This was all hip-hop. The movie just inspired urban youth to do something creative with their talent. Though sadly it quickly sudsided by the beginning of 85'.
I just viewed an old tape of "Breakin'" last night. It's been 17 years since I first viewed it at the movies. However, I can't believe the powerful effect it still has on me. Yes, admittedly, the plot is not original, the screenplay is truly by-the-numbers, and the acting is generally amateurish. Yet, in spite of these shortcomings, the movie is still catchy, sincere, and engrossing. That's because of the talented stars who really love what they do, namely, breakdancing and "poppin' and lockin'," along with the stimulating, get-on-your-feet dance music.
This movie is like a time capsule of the 80s, with hints of the future. Moreover, I still find it to be inspirational, motivational, and hypnotic. Looking at these streetdancers and the jazz dancer go after their dreams with sheer determination, talent, and grit makes me want to jump up and do the same thing! Yes, I'm nearly fifty, but looking at this movie gave me another shot of adrenalin to do what I need to do in my daily life. "Ain't no stoppin' us" is the endless musical mantra in "Breakin'"...nothing stopped the dancers, and nothing's going to stop me, either. Watch "Breakin'" for yourself, and you'll see what I mean. 9/10 Rating.
This movie is like a time capsule of the 80s, with hints of the future. Moreover, I still find it to be inspirational, motivational, and hypnotic. Looking at these streetdancers and the jazz dancer go after their dreams with sheer determination, talent, and grit makes me want to jump up and do the same thing! Yes, I'm nearly fifty, but looking at this movie gave me another shot of adrenalin to do what I need to do in my daily life. "Ain't no stoppin' us" is the endless musical mantra in "Breakin'"...nothing stopped the dancers, and nothing's going to stop me, either. Watch "Breakin'" for yourself, and you'll see what I mean. 9/10 Rating.
Back in 1984, hip hop as a social phenomenon didn't exist. Hip hop was still the "trendy" music from New York City that somehow was gaining the attention of Hollywood. For some, it was great, for others it was the beginning of something that has yet to be recaptured, the innocence of a new and fresh musical artform, and a culture.
Nonetheless, "Breakin'" is a film that takes place in California where Kelly (Lucinda Dickey) is hoping to make it with her dancing. He goes to the beach and catches a dance routine with a few breakdancers, Turbo and Ozone. She loves it, and eventually becomes their friend. One of them finds her attractive, the other chooses to pop his way through life. Kelly's family doesn't want her to be hanging around with the "hoodlums", but Turbo and Ozone simply want to hang out and have fun. Kelly finds herself learning the street-style of dance, and treats it as a serious artform rather than a bunch of guys dancing on cardboard for the hell of it. Looking back, it seems very much like a Hollywood version of what can really happen when two cultures clash (shades of "West Side Story"), but the film has good music, good dancing, a decent story, and it looks back at a time when hip hop as a whole was trying its hardest to gain respect.
Five extra points for Lucinda Dickey, who was easily one of the more beautiful actresses of the 80's.
Nonetheless, "Breakin'" is a film that takes place in California where Kelly (Lucinda Dickey) is hoping to make it with her dancing. He goes to the beach and catches a dance routine with a few breakdancers, Turbo and Ozone. She loves it, and eventually becomes their friend. One of them finds her attractive, the other chooses to pop his way through life. Kelly's family doesn't want her to be hanging around with the "hoodlums", but Turbo and Ozone simply want to hang out and have fun. Kelly finds herself learning the street-style of dance, and treats it as a serious artform rather than a bunch of guys dancing on cardboard for the hell of it. Looking back, it seems very much like a Hollywood version of what can really happen when two cultures clash (shades of "West Side Story"), but the film has good music, good dancing, a decent story, and it looks back at a time when hip hop as a whole was trying its hardest to gain respect.
Five extra points for Lucinda Dickey, who was easily one of the more beautiful actresses of the 80's.
Le saviez-vous
- AnecdotesIn the first "street dancing" scene, in which Kelly accompanies Ozone and Turbo to the beach, the audience watching the dancing is comprised of surfers and beach bums. A man in a black singlet claps with the music. It's Jean-Claude Van Damme in his first on-screen appearance. According to Van Damme, he tried hard to draw attention to himself by jumping in the air and doing flips, but they were not included in the film.
- GaffesIn the second dance battle scene in the club, Ice-T can clearly be seen rapping/talking into the microphone in the background yet we do not hear him at all. All that can be heard is music and the main characters dialog.
- ConnexionsFeatured in At the Movies: Breakin'/Firestarter/Hardbodies/Sugar Cane Alley (1984)
- Bandes originalesTibetan Jam
Written by Chris The Glove Taylor (as Chris "The Glove" Taylor)
Rap by Ice-T (as Ice T)
Produced by Chris The Glove Taylor (as Chris "The Glove" Taylor)
Meilleurs choix
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- How long is Breakin'?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Breakdance: la película
- Lieux de tournage
- 4323 Melrose Avenue, Los Angeles, Californie, États-Unis(Interior and exterior. Boogaloo shrimp's broom dance sequence in front of convenience store.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 38 682 707 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 047 686 $US
- 6 mai 1984
- Montant brut mondial
- 38 682 707 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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