Un flic indépendant de Detroit qui suit une enquete de meurtre se mettre au plain milieu d'une culture tout à fait différente à Beverly Hills.Un flic indépendant de Detroit qui suit une enquete de meurtre se mettre au plain milieu d'une culture tout à fait différente à Beverly Hills.Un flic indépendant de Detroit qui suit une enquete de meurtre se mettre au plain milieu d'une culture tout à fait différente à Beverly Hills.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 victoires et 7 nominations au total
Avis à la une
I was pleasantly surprised. Not only was it actually funny (and not slapstick), it was an entertaining action movie with great stunts, good action sequences - especially the opening scene! - and darn good acting from Eddie Murphy. He was just hilarious. I loved the characters and the somewhat unusual circumstances they often found themselves in. Not only was Eddie Murphy's character, Axel Foley, funny, but his practical jokes on colleagues were also funny.
To add to this, it was a really good story. I found it interesting and fun to watch all the way. I also loved the soundtrack. You gotta love those 80s action movies! 'Beverly Hills Cop' was indeed a nice surprise.
Hey Axel you got a cigarette?
There was a time when Eddie Murphy ruled the world. After Trading Places had introduced us to his sharp comedic tongue, and 48 Hours had shown him to be a more than capable action character actor, Beverly Hills Cop fused the two together and propelled Murphy to super stardom. Directed by Martin Brest and produced by Messers Simpson & Bruckheimer, it's really no surprise that "Hills Cop" is shallow, simple (a fish out of water comedy standard) and utterly commercial. Yet with its gusto, humorous script (Daniel Petrie Jr) and neat plotting, it becomes a hugely entertaining film - led superbly by Murphy due to infectious comedy energy and superb knack for timing.
You're not going to fall for the banana in the tailpipe routine!
It's hard to believe that the likes of Sly Stallone and Al Pacino were first mooted for the role, so not as a comedy one imagines, but as it being a standard police action movie, but enter Murphy and it ended up as a fine blend of action and comedy. There's little digs at Beverly Hills and its smugness, a way of life that Foley, with his down on the streets toughness, can't comprehend, while opposing police methods also get a wry once over - wonderfully threaded in the relationship between Foley, Taggart (John Ashton) and Rosewood (Judge Reinhold).
Small gripes reside, such as Steven Berkoff's by the numbers villain being something of a let down and Ronny Cox is sadly playing filler time with an underwritten character. But this is about Murphy, the fabulous stunt work and the successful union of action and comedy. And hey! even Harold Faltermeyer's bobbing synth score, "Axel F," has a nippiness that remains quintessentially 1980s. 8/10
There are a lot of laughs here, and Murphy has tons of screen charisma. A lot of this will probably seem routine to modern audiences, but at the time this film established the action-comedy as one of the biggest genres of the decade. It also contains one of the signature 80's soundtracks, both the pop songs (several of which charted) and the score by Harold Faltermeyer, which includes the top ten single "Axel F." Directed by Martin Brest.
What helped make this film so great - the very fact that nobody involved KNEW it was great until it got rave audience reaction, is exactly what killed the sequel. Beverly Hills Cop Two rests too much on the laurels of the original, but then that is another story.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
Le saviez-vous
- AnecdotesEddie Murphy, John Ashton, and Judge Reinhold improvised most of their comic lines. Literally hundreds of takes were ruined by cast members, actors or the director laughing during shooting. During the "super-cops" monologue, Ashton is pinching his face hard and looking down in apparent frustration. He is actually laughing. Reinhold put his hand in his pocket and pinched his thigh really hard, trying to prevent himself from laughing.
- GaffesMaitland's German bonds are incorrectly labeled "10,000 Mark". The official name for West German currency was "Deutsche Mark." East Germany used "Mark", but bonds did not exist there. In German the comma functions like an American or British decimal point, so the bonds were worth 10 marks.
- Citations
Axel Foley: Did you see that shit? I can describe all of em.
Beverly Hills Cop #1: Please move to the side of the car, and put your hands on the hood!
Axel Foley: Why, what's with you guys?
Beverly Hills Cop #2: You heard what he said, sir. Do it right now, please!
Axel Foley: What kind of shit is this, man? Hold up, wait a second! You guys are arresting me for getting thrown out of a fucking window? I got thrown out of a window, man!
Beverly Hills Cop #1: Gun, partner!
Beverly Hills Cop #1: Sir, you are under arrest; you are to remain silent, anything you say CAN and will be against you in a court of law! You have a right to have an attorney present during questioning...
Axel Foley: Yeah, I understand, I understand the rights! I know this is bullshit, man... I got thrown out of a fucking window!
Beverly Hills Cop #2: Please get in the car, sir!
Axel Foley: Tell me, sir, what's the charge?
Beverly Hills Cop #2: Posession of concealed weapons, and disturbing the peace!
Axel Foley: Disturbing the peace? I got thrown out of a window! What's the fucking charge for getting pushed out of a moving car, huh? Jaywalking? This is bullshit!
- Crédits fousScott Murphy's character of Det. Owensby is misspelled as Det. Owenby in the credits.
- Versions alternativesRon Karabatsos played Rand in scenes deleted from the theatrical version. Rand is the police detective Axel Foley referred to when speaking to Inspector Todd.
- ConnexionsEdited into Yoostar 2: In the Movies (2011)
- Bandes originalesThe Heat Is On
Written by Keith Forsey & Harold Faltermeyer
Performed by Glenn Frey
Produced by Keith Forsey & Harold Faltermeyer
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Un detective suelto en Hollywood
- Lieux de tournage
- 609 E Channel Rd, Santa Monica, Californie, États-Unis(exteriors: Maitland's Mansion)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 234 760 478 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 214 805 $US
- 9 déc. 1984
- Montant brut mondial
- 316 360 478 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage