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Having already sustained a shoulder injury previously, an aging professional football player by the name of "Terry Brogan" (Jeff Bridges) is not exactly a hot commodity for a team looking to add fresh new talent. Adding to that, his arrogant attitude isn't helpful either and as a result he is subsequently cut from the team by an underhanded owner named "Ben Caxton" (Richard Widmark) who only cares about the bottom line. To that extent, when a local gambler named "Jake Wise" (James Woods) offers him $10,000 to track down a former girlfriend by the name of "Jessie Wyler" (Rachel Ward) who has stolen money from him and fled to Mexico, he reluctantly accepts the job. What he doesn't know is that Jake hasn't been totally honest with him and that Rachel means a lot more to him that he lets on. Now rather than reveal any more I will just say that this was a good film by and large but there wasn't a great deal of chemistry between the characters with all of them being rather unlikeable as well. In short, although this remake of "Out of the Past" certainly wasn't bad by any means, it didn't quite have the same appeal as the original film and I have rated it accordingly. Slightly above average.

Ex football player Terry Brogran (Jeff Bridges) takes a job from sleazy friend Jake Wise (James Woods)--to find his ex girlfriend Jessie Wyler (Rachel Ward) who shot him and ran away with a large amount of his cash. Terry tracks Jessie to Mexico...and immediately they fall in love. That's the first hour--the second hour becomes very convoluted with murders and double crosses all over the place.

Interesting movie which is a semi-remake of "Out of the Past". In fact Jane Greer from the original plays the mother of her character here! The original was a strong, well-written film noir. This is not film noir--it's a combination romance/mystery/melodrama. Also Greer played a totally amoral woman in the original--here Ward isn't amoral, just misunderstood. Also Bridges is all pumped up and him and Ward work wonderfully together. Their frequent very R rated sex scenes really work. And it looks great--a portion of the film takes place in Mexico. Still there are definite problems here.

One character, Edie (Swoosie Kurtz) is introduced to provide some REAL clumsy exposition...and doesn't pop up again until a HOUR later. I had forgotten who she was! Alex Karras is incredibly bad in his role. The plot gets way too confused. And the movie isn't sure what it wants to be. It switches gears so much I thought I was gonna get whiplash! The best part of the movie--an incredible car race down Sunset Blvd. Has NOTHING to do with anything in the movie! The acting is pretty good. Bridges (in one of his few commercial films) and Ward LOOK fantastic, have great bodies and are both good in their roles. Woods is, surprisingly, pretty wooden. Greer isn't in much but she IS very good. And Richard Widmark hams it up in his small role.

Also the film has a surprisingly somewhat downbeat ending. And there's a wonderful title song by Phil Collins (nominated for an Academy Award).

A very interesting movie. I give it a 6. A sizable hit in its day--but that's because of the steamy sex scenes between Ward and Bridges.

The single thing that stand out most for me in this film is the very last shot of Rachel Ward looking at the camera while Phil Collins, singing the title song, says "How can I just watch you walk away, when all I can do is watch you leave".

If you've ever been part of a couple where 2 people loved each other so very much, but it had to end because circumstances like jobs, school, parents, etc. made it impossible to continue, this movie is for you.

If you've lived through a time in your life when you and your friends/lovers were immortal-young lions-with the world at your feet, but one day you sense a change of seasons in the air... a change that for shadows the coming of the real world you always knew was there but that you had hoped against hope to avoid, you'll love this movie.

Great characters, solid performances, top notch script, beautiful natural scenery in Mexico, great soundtrack and a real "LA in the 80's" feel. For the most part the film holds up well today and the "look" is timeless. Very few holes in the plot, if any, and a fine supporting cast.

Against All Odds is an less than effective remake of Out of the Past that RKO noir classic that starred Robert Mitchum, Jane Greer, Kirk Douglas and Rhonda Fleming. Not that the players in this film are bad, far from it. But the whole basic structure of the story was completely changed.

What made Out of the Past the classic it is, is the moody tension and overwhelming sadness surrounding the leading characters. Most of all Jane Greer who is an evil temptress beyond description bringing death and destruction to all around her.

Jane Greer is in this film, but as the mother of Rachel Ward who plays the part Greer had in the original. Ward in this one is just a spoiled young woman who runs off with bookie James Woods to upset mom and then runs off with him.

Greer is the owner of a professional football team in Los Angeles which she runs with her high priced fixer of a lawyer Richard Widmark. I think they're characters are modeled on Joan Payson who was the original owner of the New York Mets and M. Donald Grant who was reputed to be the hard character Widmark portrays.

Anyway Jeff Bridges gets into the act when he's cut from Greer's team and goes to work for Woods trying to locate Ward. The rest of the film is pretty much following the plot of Out of the Past until the ending which is completely different. Remember how everyone ended up in the RKO film and the same doesn't happen to most of them.

Still it's not a bad film, but Against All Odds just won't be a classic.

Parts of "Against All Odds" are absolutely magnificent. The Mexican location photography is terrific. Rachel Ward looks great as does Jeff Bridges. The chemistry between them is mostly believable. I liked James Wood's smarmy, pompous, character. Alex Karras seemed miscast, as did Richard Widmark. The story piles on a thickening plot that occasionally wanders off course, and is probably more complex than necessary. No police are involved, and bodies too conveniently disappear. The ending seems especially forced, with an outcome that is less than satisfying.

The film is beautiful, however the characters are mostly unlikeable, including Rachel Ward's. Nevertheless, I still enjoyed this partially flawed movie. - MERK