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Ajouter une intrigue dans votre langueA brainless android wakes up to be taunted by a large bee.A brainless android wakes up to be taunted by a large bee.A brainless android wakes up to be taunted by a large bee.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Richard Williams
- Andre Wally B
- (archives sonores)
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This is the first short made by the set of people who went on to be Pixar's founders and the company's core creative people. It is much more of proof of concept experimental work than a true story. Indeed, the storyline-such as it is-is a basic scenario and largely exists to allow the filmmakers to test various animation techniques, i.e. 3d models, point blur etc. To that end the film is enjoyable as a piece of history. On its own the short is rather dull and simple-the animation is *exceedingly* dated.
I do like that the short still has the distinctiveness of Pixar.
I do like that the short still has the distinctiveness of Pixar.
This is an extraordinary and historic film, however viewers should not assess this film by the standards of current animation, but rather in its (truly ground-breaking) historical context.
This film is the CG animation equivalent of the first flight of the Wright Brothers (which lasted only 12 seconds). Much like that famous first flight in 1903, this 1984 film paved the way for all that has followed.
It is not the first CG animation ever made, but it is the first to feature a plot, characterization and expression, motion blur, and deformations (eg stretching, squashing). When it was demonstrated at the 1984 SIGGRAPH there was a crowd response bordering on hysteria, as nothing even close to this had ever been done before.
So watch this film with appropriate awe and reverence, for it is the birthing of an entire new art form which we completely take for granted now.
This film is the CG animation equivalent of the first flight of the Wright Brothers (which lasted only 12 seconds). Much like that famous first flight in 1903, this 1984 film paved the way for all that has followed.
It is not the first CG animation ever made, but it is the first to feature a plot, characterization and expression, motion blur, and deformations (eg stretching, squashing). When it was demonstrated at the 1984 SIGGRAPH there was a crowd response bordering on hysteria, as nothing even close to this had ever been done before.
So watch this film with appropriate awe and reverence, for it is the birthing of an entire new art form which we completely take for granted now.
It was proof that motion blur techniques and complex 3D objects could be used against a partially rendered background. This was the birth of the greatest animation studio currently working today. The seed that enabled The Graphics Group to form, what is now known as, Pixar. Therefore automatically assigning this animation short as an important part of animation history. A refreshing new method into filmmaking, especially back in 1984. Colourful 3D shapes conjoined together to create models. Unfortunately though, its conceptual proof does not make for an engaging story...or anything engaging for that matter. A man/creature/thing gets chased by a bee. Simple. Totalling at less than two minutes long, it contains no characterisation, interactivity or memorability. Nearly a third of the short itself is introductory and closing credits, consequently leaving approximately one minute to establish some sort of entertainment. Too bad it fell flat. The primary focus for innovation meant that its actual purpose as entertainment was lost. However I appreciate the technical prowess and astute innovation, acting as a stepping stone for the pinnacle company of animation that we know and love today.
I gotta admit that if you watch this film today and don't understand the context for it, then you will most likely not be particularly impressed. It's such a very simple animated short and one that seems amazingly ordinary--something you could easily make today given the right rendering software and a home computer. However, think back to 1984. People rarely had home computers and those who did had systems that had major compatibility issues--with not much more power than a modern calculator (less in some cases). There were no hard drives--those that did exist were minuscule. Macintosh computers were yet to come and IBM compatible computers used primitive versions of DOS and many were using Commodore and other simple computers. And, most importantly, most games were either text only or had very, very rudimentary graphics. In this context, ANDRE AND WALLY B is absolutely amazing and breathtaking. The Pixar folks were not yet a big company but just a few individuals doing work on huge computers and they had to design all the software themselves!! And, in spite of all this, the graphics were lovely and the story of a cute bee quite watchable--even though it was really more an experimental film than anything else. Oddly, while this film is not terribly exciting today, I still prefer it to a couple of the later Pixar films (such as RED'S DREAM). A great start.
This is a short from Pixar, their first, I believe. It looks it, too. The animation is good, but there's not much here to speak of and it looks more like test footage than a full, coherent cartoon-a dry run, if you will. They did much better work with later efforts. Not bad, but nothing special here either. Worth seeing.
Le saviez-vous
- AnecdotesJohn Lasseter made this film to entertain his children; ironically, it frightened them instead.
- Gaffes[This goof only happened in its original SIGGRAPH release] Throughout most of the film, the characters were incomplete and made of pencil test line drawings over the completed backgrounds. This was corrected when re-released.
- ConnexionsFeatured in Troldspejlet: Troldspejlet Special: Tegnefilm på computer (1989)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Adventures of André & Wally B.
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2min
- Couleur
- Rapport de forme
- 1.20 : 1
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