Robin of Sherwood

This is one of my favorite series, all categories, all time.

I was fortunate enough to get a hold of the whole series on VHS a few years ago. I loved it when I saw it back in -91 -92, when I was about 12. I love it as much, or more, today, which is remarkable considering my (hopefully) improved film appreciation and criticism skills. Most of the movies I liked back then I'm not that fond of today, besides for the nostalgia factor. That factor is present here as well, but there's so much more to Robin of Sherwood than nostalgia.

There are only a few bad things about this series. First, the picture and sound quality is so-so, at least in the first couple of episodes. Fortunately, it gets better. Secondly, you could have wished for a bit more blood and realism in the fighting scenes, although I know that was not an option in this case.

So, on to the good things! And there are a lot of them. First of all, Michael Praed IS Robin Hood. I don't think I have seen him in a single role since then, which only strengthen this fact for me. He delivers such a believable performance as Robin. Jason Connery had an impossible task replacing him. The fact that Michael Praed hasn't become a bigger name as an actor is unbelievable. Or perhaps that was his fate, to do this one role perfectly, then disappear.

I love Nickolas Graces Sheriff of Nottingham. He is really not a complex character, but totally rotten. The relation between him and Gisburne is just hilarious. Actually, just looking at de Rainault sitting in his throne, bored, glaring, makes me laugh even before he has said anything. Another actor that deserves extra praise is Ray Winstone as Will Scarlet. You can really feel the sadness inside of him as well as his hate for the soldiers who killed his wife. Winstone is an actor that finally has gotten his well deserved Hollywood breakthrough (in films as The Departed and Beowulf). There are a lot of other great actors here, too.

I love the portrayal of the Robin gang. They are having fun, playing, laughing, you really get a feel of the camaraderie between them, the closeness that comes from a tight bound group such as this. Those bonding scenes are so important.

I think that it being UK produced with British actors really made it better, compared to for example the -92 feature film version with Kevin Costner, that just feels fake, fake, fake. (Christian Slater as Will Scarlet, come on..) The cast being able to speak English with British accent makes it more believable, and I get the feeling that the actors, as well as the director and writers, behind the series can put themselves much more into the shoes of the Robin Hood gang than an American crew could have. The music is wonderful, Clannad is perfect for the feel of the series. The music is another of those things they just nailed.

An exciting addition also is the fantasy and magic spice that is put in there. It's not over the top, but believable and just makes the whole thing better and more interesting. I also love how nicely the mix of comedy, adventure and drama is blended.

Those are a few of the things that makes this series so alive and so genuine. It's by far the best Robin Hood version I have ever seen. I won't wrap up with the "Nothing's forgotten" quote. But one thing that never will be forgotten, for me, is this fantastic Robin Hood retelling. See it.

My dad taped a bunch of these off TV when they were imported here to the States and he recently re-purchased them off the net in two gift packs dividing the two seasons and two Robin Hoods as "The Praed Collection" and "The Connery Collection". Since I grew up watching this by many fires on misty and snow bound nights, it is probably my favorite telling of the Robin Hood story.

What I liked best about this show growing up and still like best (although I do have more appreciation for Judi Trott) was the mysticism of the show. All the other tellings told of Robin Hood's rise to heroism and then his ultimate triumph and then that was it and while it was certainly fun, this series seemed to have more meat to its bones because of its introducing all those mythical elements. The music was also pretty cool, haunting and beautiful.

After watching this and "Excalibur" one misty day, I noticed that some of the myths here were similar to Arthurian legend. Herne is to both Robin Hoods (Praed, Connery) what Merlin was to King Arthur. And the two Robins are later given a magic sword, Albion (which later became the name of our family dog).

The show ran for about 4 seasons I think, the first two featured Michael Praed as Robin of Loxley, and the last two featured his successor, Robert of Huntington, played by Jason Connery (Sean's son; Sean also played Robin Hood in case you didn't know, in "Robin & Marion" opposite Audrey Hepburn's Maid Marion). But both Michael and Jason's characters become known as Robin Hood and/or the Hooded Man. I was surprised to read in the archives of reviews that many people prefer Jason over Michael, since people often get more attached to the first guy (maybe it's name recognition). I think they're both capable actors and they both brought something different to the show, but while Michael and Jason's Robin Hoods were both likable characters, I think I like Michael better as he had that dark, brooding intensity about him. This is not to say that Jason, while more of a pretty boy, did not have his moments (the best part of Jason's reign was watching him struggle to prove he was a worthy successor). What I find ironic is that Jason's character, Robert/Robin 2, has the noble man who rejects his heritage origin that is often attributed to Michael's character, Robin of Loxley.

The rest of the cast was great too. Judi Trott was a beautiful and believable Marion who had to stand up to have a place for herself in Sherwood. Ray Winstone was an intense and dangerous Will Scarlet. Clive Mantle was a lovable Little John, as was Phil Rose as Friar Tuck, Peter L. Williams as Much, and Mark Ryan as the strong silent type, Nasir. Nikolas Grace was a great Sheriff, Robert Addie an over the top Gisbon.

A great show with great stories and a great cast. To this day I wish they could have gotten Michael Praed or Jason Connery to reprise the Robin Hood role for "Robin Hood: Prince of Thieves". I'll take them over Kevin Costner any day.

Ok, some facts to get a few potential misunderstandings out of the way: This is an early 80's British production. So, everybody expecting the highest US production standards and a gloss factor 10 should back off NOW! Everybody else will have an HONEST ball of a time rediscovering one of the most underrated, and at the same time most precious gems in Fantasy TV as well as movies. This isn't only the definitive blueprint of the 'modern' conception of the Robin Hood tale, as well as 'modern' fantasy, it's also a 25-part journey through high quality Fantasy story-telling as we've ever encountered it before or after. Too bold? I don't think so. Re-watch the excellent DVD collection (the last part will appear in November) and marvel at the originality laying foundations to almost every similar project going.

Be aware! It's old-fashioned and VERY simple! It's demanding and VERY clever! Contradiction? Not really. It's a child of its time as well as a prototype of what's to come. But everyone who's still kept a sense for the simple, as well as most precious prospects in story-telling, will be delighted. This is a unique gem that can only be surpassed by a greater budget coupled with at least a similarly good script. Let me tell you: That hasn't happened yet.

Re-educate yourself in the unique virtues of early 80's UK television. You won't be disappointed.

Schogger13

This is THE best fantasy series ever, particularly the first two seasons which are flawless. The scriptwriting is beautiful, the performances never bettered- Michael Praed is the most charismatic Robin Hood yet, and Judi Trott's Marion is head and shoulders over all others, but the acting laurels have to go to Ray Winstone as Will Scarlett- watching his intense performance as a man on the verge of psychosis really drives home the fact that Christian Slater was a pale imitation of him. The direction is, perhaps, consistently better than any other series, and that music...

Above all, it is the fact that it is the only programme that I watched as a kid that seemed BETTER when I saw it as an adult. If there is one TV series that deserves to be released on DVD it is this one.

Unfortunately, only four episodes of this series are commercially available, and it is not often re-run on television. Although the few available episodes can often be found in the children's or family sections of video stores, they deserves much more respect than this; this show is one of those rare incidences of really good television.

The show mixes magic and paganism into the familiar Sherwood tale, and music by Clannad adds to the mystical atmosphere. But the characters are anything but the swashbuckling cardboard heroes that the Robin Hood stereotype embodies, and we have come to expect.

Michael Praed (in my mind, the perfect Robin Hood), plays a fallible, conflicted Robin, who is nonetheless idealistic and strong. All of the Merry Men are fleshed out as full characters, with their own motivations and ideas, and Marion (Judi Trott) is represented particularly well. She avoids many female stereotypes: she is beautiful but not plastic, a fighter but still definitely feminine. The Sheriff of Nottingham (Nicholas Grace) and Guy of Gisburne (Robert Addie) are present as the classic villains, but they both go far beyond the usual limited parameters of these roles.

The characters are all comfortable and unselfconscious, as though they don't realize that they are legends. To me, this is their most appealing trait of all.

The creators of the show also deserve kudos for their brave move in replacing Michael Praed when he opted out after two seasons: instead of recasting another actor in the same role, a different Robin Hood was introduced -- a man of noble background (played by Jason Connery-- yes, the son of *that* Connery)as opposed to the peasant upbringing of Michael's Robin. The show thereby manages to address both accounts of Robin Hood's origin. (Many people prefer Jason's Robin. I personally still gravitate toward Michael. It is an ongoing debate among fans.)

Even after all this time, the show still has a devoted cult following, who gather for yearly conventions with the stars. Their devotion is understandable; "Robin of Sherwood" is the best representation of the Robin Hood legend that has ever been created for the screen.