Robin of Sherwood

Ok, some facts to get a few potential misunderstandings out of the way: This is an early 80's British production. So, everybody expecting the highest US production standards and a gloss factor 10 should back off NOW! Everybody else will have an HONEST ball of a time rediscovering one of the most underrated, and at the same time most precious gems in Fantasy TV as well as movies. This isn't only the definitive blueprint of the 'modern' conception of the Robin Hood tale, as well as 'modern' fantasy, it's also a 25-part journey through high quality Fantasy story-telling as we've ever encountered it before or after. Too bold? I don't think so. Re-watch the excellent DVD collection (the last part will appear in November) and marvel at the originality laying foundations to almost every similar project going.

Be aware! It's old-fashioned and VERY simple! It's demanding and VERY clever! Contradiction? Not really. It's a child of its time as well as a prototype of what's to come. But everyone who's still kept a sense for the simple, as well as most precious prospects in story-telling, will be delighted. This is a unique gem that can only be surpassed by a greater budget coupled with at least a similarly good script. Let me tell you: That hasn't happened yet.

Re-educate yourself in the unique virtues of early 80's UK television. You won't be disappointed.

Schogger13

This is THE best fantasy series ever, particularly the first two seasons which are flawless. The scriptwriting is beautiful, the performances never bettered- Michael Praed is the most charismatic Robin Hood yet, and Judi Trott's Marion is head and shoulders over all others, but the acting laurels have to go to Ray Winstone as Will Scarlett- watching his intense performance as a man on the verge of psychosis really drives home the fact that Christian Slater was a pale imitation of him. The direction is, perhaps, consistently better than any other series, and that music...

Above all, it is the fact that it is the only programme that I watched as a kid that seemed BETTER when I saw it as an adult. If there is one TV series that deserves to be released on DVD it is this one.

There is nothing more I can add to what has already been said about the entire series. As well as taking me back to a time in my life when the words "mortgage" and "bills" meant anything to me - and when Saturday night prime-time entertainment didn't involve reality TV, people wanting to be pop stars and hour-long programmes to pick lottery numbers when I could do it myself in ten minutes at the most) - there is no other TV show or movie about Robin Hood that even comes close to being on a par with "Robin Of Sherwood."

Every member of this young cast brings their character to life, and the Merry Men are perfectly written and acted. The Sheriff Of Nottingham breaks away from the usual mustache-twirling, scenery-eating bad guy, and has more in common with a corrupt politician than his previous incarnations.

Michael Praed's Robin Of Loxley was certainly a better Robin than Jason Connery's, but that isn't to take anything away from Connery. Praed's swansong in "The Greatest Enemy" is one of the best episodes of any TV show I have seen in such a long time.

Richard Carpenter's knowledge of both the legend of Robin Hood and beliefs in England at that time clearly show here - and it goes without saying that if the people behind "Prince Of Thieves" had this much insight and knowledge of the source material, their "Raw-bin Hood" would not have been so dismal. Blatantly stealing elements from RoS, and yet ignoring others make this film merely a pale imitation of RoS.

Without wanting to sound harsh, Connery seems to have been chosen to garner a little publicity for this often under-rated show; the son of a former incarnation of Robin Hood playing a modern-day Robin Hood. Connery handles the part extremely well, but isn't the actor Praed was. That said, I do prefer the third season episodes and stories to the first two series'. No one would envy having to follow in the footsteps of a role made famous by someone else for two series, and there is - as in all the series' - an excellent camaraderie and relationships - between Robin, his Merry Men and his Merry Woman.

The addition of the "old religion" trying to continue, while the new religion of Christianty tries its hardest to stamp it out. It's ironic that this reminds me of "Prince Of Thieves" in relation to RoS: borrowing a lot of elements from the original, and tweaking them a little. Still, though, the old version prevails over time.

Clannad's soundtrack works excellently alongside the programme - and I doubt RoS would have been the success it was without it. If you don't already have Clannad's "Legend", go out this weekend and treat yourself.

All of the stars appear on the DVD boxsets and everybody has good memories and making this show. Now a huge star, Ray Winstone seems genuinely pleased to take time out to talk about his experiences and love of the show.

Whoever suggested in this discussion that Carpenter should bring all of the Merry Men back together as older, wiser outlaws is 100% right. Do it now.

"Nothing's Forgotten. Nothing Is Ever Forgotten."

Unfortunately, only four episodes of this series are commercially available, and it is not often re-run on television. Although the few available episodes can often be found in the children's or family sections of video stores, they deserves much more respect than this; this show is one of those rare incidences of really good television.

The show mixes magic and paganism into the familiar Sherwood tale, and music by Clannad adds to the mystical atmosphere. But the characters are anything but the swashbuckling cardboard heroes that the Robin Hood stereotype embodies, and we have come to expect.

Michael Praed (in my mind, the perfect Robin Hood), plays a fallible, conflicted Robin, who is nonetheless idealistic and strong. All of the Merry Men are fleshed out as full characters, with their own motivations and ideas, and Marion (Judi Trott) is represented particularly well. She avoids many female stereotypes: she is beautiful but not plastic, a fighter but still definitely feminine. The Sheriff of Nottingham (Nicholas Grace) and Guy of Gisburne (Robert Addie) are present as the classic villains, but they both go far beyond the usual limited parameters of these roles.

The characters are all comfortable and unselfconscious, as though they don't realize that they are legends. To me, this is their most appealing trait of all.

The creators of the show also deserve kudos for their brave move in replacing Michael Praed when he opted out after two seasons: instead of recasting another actor in the same role, a different Robin Hood was introduced -- a man of noble background (played by Jason Connery-- yes, the son of *that* Connery)as opposed to the peasant upbringing of Michael's Robin. The show thereby manages to address both accounts of Robin Hood's origin. (Many people prefer Jason's Robin. I personally still gravitate toward Michael. It is an ongoing debate among fans.)

Even after all this time, the show still has a devoted cult following, who gather for yearly conventions with the stars. Their devotion is understandable; "Robin of Sherwood" is the best representation of the Robin Hood legend that has ever been created for the screen.

Robin of Sherwood was part of my whole teen years and in a way after all these years and seeing it again on DVD now, it has not lost anything in all these years. My fascination is still there. I have never seen another Robin Hood story that had all these great color effects, the castles in the mist with red filter, the atmosphere it created. And for sure it is a series that tried to show how it could have been at that time, no beautiful styled castles, but you see the dirt and the fog in it. It has its own charm, and for me will always have. The mystical elements and also the two stories of Robin Hood that are shown here (Robin of Loxley and Robert of Huntingdon)have never been shown that way again. I love both Robins but personally I prefer Jason Connery as actor in this role.