Aline et Cathy

Kate McArdle (Susan Saint James) is a single New York mom with Emma (Ari Meyers). She is divorced from the well-meaning but unreliable actor Max and working as a travel agent after a bohemian life. Her childhood friend Allie (Jane Curtin) gets divorced after 14 years from surgeon Charles Lowell who has moved on with girlfriend Claire. She was the submissive conservative housewife who had never worked outside the home and is going back to college. She moves in with Kate taking her kids Chip (Frederick Koehler) and Jennie (Allison Smith).

The first season is a six episode mid-season replacement. Jane Curtin is doing her comedic turns. It is a terrific start to a good sitcom. The show is bolstered by the compelling female friendship of Kate and Allie. Their daughters form a cute parallel friendship. It uses the new landscape of divorce. It has a sweet humor without going too silly. I also like the cold opening sequences of Kate and Allie talking on the streets of New York. They're like little nuggets of 80's New York street life. The kids started doing those openings when Susan Saint James got pregnant during the filming of the fourth season. The show does flatten out over the years. Ari Meyers leaves the show during season 5 for college and Allie marries Bob Barsky in season 6. The lost of Emma leaves a hole in the chemistry. There is always a threat of a guy breaking up the show and its original intent of life as divorced women together. Eventually, TV writing is pulling the show apart and it becomes more constructed. Anyways, six seasons is a pretty good run. Maybe it could have transitioned into a spin off of Emma and Jennie going off to college. If the show has to have a marriage, it should have been one of the girls. The show eventually runs its course. Binging this some thirty years later, it's amazing how much of it comes back to my memory.

"Kate & Allie" wasn't just a typical sitcom. It has a certain level of importance in the History of Women on Television. Show creator Sherry Coben clearly wanted to tell the story of independent females making it in the city. And the program's producer/director Bill Persky was partially responsible for another iconic independent TV woman: Marlo Thomas' Ann Marie from "That Girl." You might say this scenario was one possible evolution of that character.

Kate McArdle (Susan Saint James) and Allie Lowell (Jane Curtin) were two divorced women with kids, who were friends from school. Kate was a struggling travel agent with her daughter Emma (Ari Meyers) and a ne'er do well actor as her former husband. Allie was a Connecticut Doctor's ex with two: Jennie (Allison Smith) and Chip (Freddie Koehler) and presumably a decent alimony settlement. In order to help each other out, they all lived together in a sprawling street level duplex apartment in Greenwich Village. Kate had a bedroom, Allie had a bedroom, Chip, the lone bit of male representation, had his room and the two girls shared a room. What was the rent on this place in the 1980s? There was a slight "Odd Couple" element to the story lines, as Kate tended to be free-spirited and fun, and Allie typically was conservative and more realistic/pessimistic. Their ex husbands would occasionally appear but the focus was always on the two women, the issues they dealt with and the problems they faced trying to have careers and raise their kids well and even sometimes have a social life in New York City.

The charm of the show was in the chemistry of the players. There was a real sense of family coming from the five regular performers and that helped to create a believability that came through on camera. Somehow though, when Ari Meyers left the program, the spell seemed to have been broken. In the episodes where Ari was no longer a part of the cast, the program seemed to lack something. Perhaps the writing suffered, and the story lines fell into more typical sitcom style areas. The setting also changed as the women moved from their homey/funky Village digs into some sterile skyscraper, and the show only lasted one season after Ari's departure.

This was one of only two prime time series that were shot in New York during this era of television. The other was "The Cosby Show." "Kate & Allie" filmed at the iconic "Ed Sullivan Theater," which has been home to "Late Show With David Letterman" since 1993.

I wonder who I could write ??? OR who All who Liked the show

a Lot could write ??

WANT "Kate & Allie" to Start on "TV Land

from Beginning of Show thru all the Allie & Malcom episodes at least. I LOVED 82% of THIS SHOW,

PLEASE TVLand, begin carrying this great sit-com

Thanks and Thanks everyone who comments.!!

I Need 10 lines for this to post, but I can just repeat myself

because I want to start my collection of Kate & Allie And

my videos from that long ago time, are NOT good copies, they are rolling and jumping. SO I NEED NEW copies. Thanks

I first stumbled across KATE & ALLIE back in 1988, when the series was being transmitted by our national broadcasting service. At first I didn´t find the premise all that promising - two divorced mothers and their respective offspring sharing an apartment and their lives in New York.

I must have watched the initial episode at least 12 times before I decided to keep the recording.

What made me change my mind? First of all, there were the sterling performances by most of the actors, Jane Curtin and Susan St. James in particular. Slowly I began to appreciate that this series was not only funny, it dealt with real, everyday issues in a non-preachy way.

And finally - what REALLY convinced of me of the show´s high quality was the Queen of Deadpan herself, Jane Curtin. (So called by John Lithgow, her co-star in the current hit series "3RD ROCK FROM THE SUN, no less!) She can make even duff lines shine with her spot-on delivery.

KATE & ALLIE is one of the truly intellegent and mature sitcoms--an oxymoron?--on TV. As a New Yorker in love with my adopted city, I particularly appreciate the somewhat claustrophobic atmosphere of the program, especially in that cramped Greenwich Village apartment. Every week, the show would begin with a prolog with the characters actually filmed in the city. But most of all, I'm impressed with how Susan Saint James had matured as an actress. Her earlier TV characterizations as Peggy in THE NAME OF THE GAME and Sally in McMILLAN AND WIFE were of one-dimensional bimbos, but her portrayal of Kate McArdle is a well-rounded depiction, with shadings and nuances. She made Kate a real human being, one that could be seen any day in the subway or supermarket.