L'usine de canard

Thought up by veteran MTM writer-producer Allan Burns, "The Duck Factory" was set backstage at an animation studio specialising in "The Adventures of Dippy Duck." This delightful but short-lived comedy got a video release when Jim Carrey's career took off, and disappointed people expecting to see him clowning around the place; as the talented young animator newly arrived at the studio and who's charged with retooling the show (his first suggestion is to kill off a main character, but when the producer objects, Skip [Carrey's character] quickly bounces back with "Did I mention this takes place in outer space?" As anyone who's seen enough Hanna-Barbera shows will attest, this gambit is hardly unrealistic...), he mostly plays straight man to the more off-tilt people around him. He's never been as good since. (I'm serious.)

As a lifelong cartoon fan, this behind-the-scenes show was a treat - one episode taking potshots at well-meaning but often misguided PC consultants was particularly good (the show fell victim to whining about cartoon violence and agreed to tone it down, but the results were so dire that they went back to the old fashion - and this was several years before "The Simpsons" did the episode with Marge taking on Itchy and Scratchy!). Plus the cast included the great Don Messick as the star of their voice cast and Jay Tarses as the show's writer who wanted to be more; "The Duck Factory" may only be a footnote in the MTM story, but it deserved to be more. And note: Apart from the abortive pilot "Carlton, Your Doorman" (as in "This is..." - it revolved around the unseen character from "Rhoda"), this was MTM's only foray (so to speak... if you're not a cartoon fan, you won't get the joke) into animation.

"Where's the cat?" (QUACK!)

I'm surprised no one mentioned that the fictitious "Duck Factory" studio was purportedly inspired by the true-life animation studios of Jay Ward, which brought us Rocky & Bullwinkle, Mr.Peabody & Sherman, Dudley Do-Right, etc. Ward was an infamous penny-pincher who worked his staff under almost sweat-shop conditions. Although he always pleaded poverty, Ward managed to squirrel away a sizable fortune for himself. (Which is the set up for this show's pilot.) To his defense, Ward surrounded himself with some of the best writers and voice artists in the business, most of whom were thrilled to work with him. Their enduring product speaks for itself.

I actually saw this sitcom when it first appeared on TV in 1984 (I must of been the only one). But since I myself was a cartoonist and fascinated by the whole process, I couldn't wait to see this show set in a cartoon studio. I remember enjoying the episodes and that Jim Carrey gave a believable, controlled performance and I was always a big fan of Jack Gilford. Needless to say, the show didn't last (wasn't really given much of a chance). The network didn't promote it at all - but it does show that Carrey can give naturalistic performances. I do admire Carrey's work, but he seems to have fallen into the Robin Williams trap - be manic and crazy at comedy - practically shouting out, "Love me, accept me" and then get all brooding and quiet when they try their dramatic turns. I'm all for actors trying to stretch their wings, but don't get angry when people don't exactly jump up, applauding and throw awards at you. (Truman Show, Man/Moon). As for Duck Factory, it is a sweet little show with good performances.

The basic concept was earnest, young art school grad Jim Carrey lands his dream job at a venerable animation studio only to find the crazy people who work there are running the place into the ground and it is up to him to be the responsible grown up who keeps it all together. See the irony? One of the greatest physical comics ever, a man who is himself a living cartoon character, is locked into a straight-man role, while everyone else on the show is supposed to be a lunatic. Carrey is such a good actor that when he emerged a decade later as a wild man on "In Living Color," I was absolutely amazed. It didn't help anything that this show took the time slot of the truly inspired "Buffalo Bill" show with, oh, you know, Dabney Coleman, Gina Davis...

What I remember about The Duck Factory, is that The Today Show had Jim Carrey on to promo the show. He was shy, not like he is now. One of the things they showcased, was his ability to do impressions simply by changing his face. He did Henry Fonda from On Golden Pond, simply by putting on a fishing hat. He looked dead on, just using his rubber face.

I liked the show, but it just didn't stick around long enough to catch on. And I always wondered what happened to Jim Carrey, since Today touted him as a budding superstar. When he reemerged on In Living Color, I understood why he was a little prickly at being tagged "an overnight success." He clearly spent a lot of years trying to climb back up after Duck Factory.