Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.
- Récompensé par 1 Primetime Emmy
- 4 victoires et 7 nominations au total
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Even though most people remember Knight Rider from the fad of the 80's to have vehicles as the stars of TV shows, Airwolf was a far superior product. Donald 'Quantum Leap' Belissario created this show about a high tech attack chopper, and oversaw its best years. Even though near the end Belissario left and the stories began to degrade, the earlier episodes are classic examples of good 80's TV, with good solid performances and breathtaking aerial sequences that put the Blue Thunder TV series to shame. A series that should be brought back.
In my opinion - the answer is definitely yes. I'm not speaking of the monstrous super-copter, or at least, not mainly of it. The character of Stringfellow Hawk, who is the main attraction of the show, is one you might find in nowadays shows. Not a shallow hero, but rather a complex and deep one. In fact, I found Hawk's character to be very similar to another, more recent one - that of FBI's legendary agent Fox Mulder. I'm sure many eyebrows must be raised right now but think of the following - Both characters are eccentric, isolated and have only one close friend whom they trust, both Hawk an Mulder are obsessed with a missing sibling and their lives are centered around that issue. Both have their own truth and won't hesitate risking their lives for that truth. Need I say more? Jan Michael Vincent was the perfect choice for Hawk's roll - Hawk and Vincent are one. JMV brought a lot of him self into his character, the two are one, practically inseparable. In on of the discussions forum I'm participating in, a question was raised regarding the possibility of making an Airwolf movie. I said that I hope no such movie will be made because I can't see anyone entering JMV shoes as Stringfellow hawk. All of the forum members agreed. All in all, I think that what made Airwolf the great show it was, is JMV and of course we must not put down Ernest Borgnines contribution. Airwolf will always remain a classic.
If you've read my review of the pilot movie for this series you'll notice I have nothing but praise for Airwolf. It really was the best show of the 1980's.
There were so many good things about this series. Alex Cord, Jan-Michael Vincent and Ernest Borgnine were very good in their roles (the lovely Jean-Bruce Scott joined them in season 2)and very convincing.
The plots were good. Throughout the series Airwolf went to battle against rogue dictators, wicked scientists and bad guys who wanted their hands on Airwolf.
The action scenes were always fantastic. The music accompanying the action was brilliant. There was always an action scene at the end where Airwolf went to war against the bad guys who usually had their own helicopter/plane.
It was a typical 80's show which aired when the cold war was still very hot. No-body knew who to trust. Even Michael Archangel played by Alex Cord seemed to have his own agenda. Stringfellow Hawke also had his own agenda. He was holding onto Airwolf until the government found his missing in action brother. Until that time Hawke flew Airwolf on missions to protect the free world.
A fantastic series.
There were so many good things about this series. Alex Cord, Jan-Michael Vincent and Ernest Borgnine were very good in their roles (the lovely Jean-Bruce Scott joined them in season 2)and very convincing.
The plots were good. Throughout the series Airwolf went to battle against rogue dictators, wicked scientists and bad guys who wanted their hands on Airwolf.
The action scenes were always fantastic. The music accompanying the action was brilliant. There was always an action scene at the end where Airwolf went to war against the bad guys who usually had their own helicopter/plane.
It was a typical 80's show which aired when the cold war was still very hot. No-body knew who to trust. Even Michael Archangel played by Alex Cord seemed to have his own agenda. Stringfellow Hawke also had his own agenda. He was holding onto Airwolf until the government found his missing in action brother. Until that time Hawke flew Airwolf on missions to protect the free world.
A fantastic series.
As a young teenager at the time, Airwolf was compulsory viewing for a generation who wanted their "Cowboys and Indians" to have amazing gadgets and whizz-bang explosions.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
This show was one of my favourites as a child. Everyone I knew wanted to be stringfellow hawke, if only for the chance to fly Airwolf. The characters were good and interacted well (hawke being the moody one, Dom the comic relief). The only bad thing was towards the end of Airwolfs run they changed all the characters (actually killing off "Dom" (or a lookalike)) and making String disappear giving the helicopter to the now magically rescued St John Hawke! IF you want to enjoy this show then under no circumstances should you watch the pathetic end season (aka Airwolf II) and stick with the original characters!
Le saviez-vous
- AnecdotesJan-Michael Vincent's addiction to alcohol and drugs was a constant problem during filming.
- GaffesAirwolf's control stick has two buttons controlled by the thumb: On the left side to enable "turbos", on the top to fire a missile. Throughout season 3 Hawke and Dominic sometimes press the top "missile" button to engage turbos.
- Citations
Dominic Santini: [after they've flown Airwolf into the Upper Atmosphere] Now, would mind telling me why the hell we did that?
Stringfellow Hawke: I just wanted to see if it could be done.
- Versions alternativesIn the Italian version Hawke's surname is "Stradivarius".
- ConnexionsFeatured in Jan-Michael Vincent Is My Muse (2002)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Lobo del aire
- Lieux de tournage
- Monument Valley, Utah, États-Unis(establishing shots of the Valley of the Gods)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
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