L'été meurtrier
- 1983
- Tous publics
- 2h 13min
NOTE IMDb
7,2/10
5,8 k
MA NOTE
Une jeune femme sensuelle arrive dans une petite ville et se marie avec le mécanicien local. Était-ce le coup de foudre? Qu'est-ce qui lie sa présence énigmatique au piano de la famille?Une jeune femme sensuelle arrive dans une petite ville et se marie avec le mécanicien local. Était-ce le coup de foudre? Qu'est-ce qui lie sa présence énigmatique au piano de la famille?Une jeune femme sensuelle arrive dans une petite ville et se marie avec le mécanicien local. Était-ce le coup de foudre? Qu'est-ce qui lie sa présence énigmatique au piano de la famille?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 6 nominations au total
Avis à la une
Isabelle Adjani gives a brilliant, instinctive performance (and she also has several showstopping nude scenes, I might add) as an animalistic, untamed young sexpot who seeks vengeance on the three men that raped her mother 20 years ago. In the first few minutes, the film seems a bit confusing and pointless, but gradually reveals itself to be a multi-layered story with quite a few twists along the way. "One Deadly Summer" deserves more attention (but is difficult to find). (***)
One Deadly Summer is an astonishing French drama whose best quality is quite simple- you don't know what will happen next. As soon as the plot appears to be sorting itself out, something else happens which changes what we are expecting .Also, the film itself changes several times.Initially it seems to be a love story with some strange elements.Then the film appears to be becoming one of those rape/revenge thrillers, such as Angel Of Vengeance, I Spit On Your Grave, than suddenly things change and it becomes more of a very dark family drama, culminating in an emotionally exhausting dialogue scene between the female protagonist and her father. Despite all this the film does not seem disjointed or muddled.
At the film's core is an amazing performance by the brilliant Isabel Adjani, who like Monica Belucci manages something beyond the grasp of most American actresses, that of being incredibly sexy and being a superb actress. Her performance is truly heartfelt, sometimes extremely subtle, and sometimes truly barnstorming, but appropriately so. Director Jean Becker is not afraid to be innovative ,such as having different characters narrate bits of the film, and does a superb job of sequences like a flashback rape scene, which leaves the majority of that happens to the imagination yet still somehow gives some idea of the horror.
There is the odd unexplained aspect ,and the film does seem to be building to action which does not really occur, although the cynical, downbeat ending is really entirely appropriate. Despite all this, there is quite a bit of humour in the film which does not detract at all from it's power. A Hollywood remake would cut out most of the first hour- yes, the pace is slow but the gradual building of tension and detail is nothing short of masterful- and add a happier or at least more 'resolved' ending.In that case,maybe it's a good thing this shattering film is not better known.
At the film's core is an amazing performance by the brilliant Isabel Adjani, who like Monica Belucci manages something beyond the grasp of most American actresses, that of being incredibly sexy and being a superb actress. Her performance is truly heartfelt, sometimes extremely subtle, and sometimes truly barnstorming, but appropriately so. Director Jean Becker is not afraid to be innovative ,such as having different characters narrate bits of the film, and does a superb job of sequences like a flashback rape scene, which leaves the majority of that happens to the imagination yet still somehow gives some idea of the horror.
There is the odd unexplained aspect ,and the film does seem to be building to action which does not really occur, although the cynical, downbeat ending is really entirely appropriate. Despite all this, there is quite a bit of humour in the film which does not detract at all from it's power. A Hollywood remake would cut out most of the first hour- yes, the pace is slow but the gradual building of tension and detail is nothing short of masterful- and add a happier or at least more 'resolved' ending.In that case,maybe it's a good thing this shattering film is not better known.
Newcomer to the village, Eilane, (Isabelle Adjani), is certainly a stunner and soon she's driving all the boys wild but it's mechanic and fireman 'Pin-Pon', (Alain Souchon), who woos her and wins her even though on their first date he sees a side to her that would have most men fleeing to the hills. Eilane may indeed be gorgeous but she's also clearly psychotic or worse. Jean Becker's "One Deadly Summer" is just yet another in a long line of superb French thrillers in which bad things take place in bright sunlight and people seem to have an ulterior motive for everything while Adjani joins a long list of very fatal femmes. She's terrific as usual but then so is everyone else in a movie that sets out its stall early on and then proceeds to give to the cold creeps for the next two hours. If you wished you could call it Chabrolian but I think this is a darker film than even Chabrol might have given us. Well worth seeking out.
L'Ete Meurtrier is a compelling tale of vengeance which will surely appeal to all aficionados of thriller genre.Jean Becker embarked on a cinematic path wholly different in content as well as structure from the one taken by his legendary father Jacques Becker.There is a prevalent aspect of revenge running throughout all his films.L'Ete Meurtrier varies its tone and narrative style at regular intervals.It starts as an erotic drama and transforms itself into an agreeable account of retribution.Eliane takes cruel revenge when she learns that her birth was the fruit of her mother's brutal rape.Isabelle Adjani regretted having refused to do certain nude scenes in Luis Bunuel's renowned "Cet obscur objet du desir".This film gave her a chance to display all her erotic charms.She strips over and over again which boosted the film's Box Office success.L'Ete Meurtrier which won 4 Cesars in 1983 was fully dominated by Isabelle Adjani whose presence eclipsed all expectations.
It seems incredible, but I only got to see this picture 26 years after its release. A surprising plot that, at first, seems just like any other we would have already seen on screen. Allthou later it reveals itself to be full of surprises. Isabelle Adjani is at her peak of beauty and talent.
One thing was always on my mind while watching her figure and style. It seems as if the director Jean Becker had based her image on one of Milo Manara's characters. Adjani's body lines and her face were a form of inspiration for one of these two artists.
An absolute "must see".
One thing was always on my mind while watching her figure and style. It seems as if the director Jean Becker had based her image on one of Milo Manara's characters. Adjani's body lines and her face were a form of inspiration for one of these two artists.
An absolute "must see".
Le saviez-vous
- AnecdotesIsabelle Adjani originally turned down the part of Elle which Jean Becker then offered to Valérie Kaprisky, who accepted. Later, after reading the book by Sébastien Japrisot (on which the film is based), Adjani changed her mind and took on the role.
- Crédits fousPre credits title card: (in French translation) "I'll be judge, I'll be jury / Said cunning old Fury / I'll try the whole cause and condemn you to death." - Lewis Carroll
- ConnexionsFeatured in Fan des années 80: 1984 #3 (2012)
- Bandes originalesTrois Petites Notes de Musique
Music by Georges Delerue
Lyrics by Henri Colpi
Performed by Yves Montand
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- How long is One Deadly Summer?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- One Deadly Summer
- Lieux de tournage
- Mas Bérard, Gordes, Vaucluse, France(Pin-Pon's farm)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 13min(133 min)
- Mixage
- Rapport de forme
- 1.66 : 1
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