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Ajouter une intrigue dans votre langueA Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense... Tout lireA Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense of his own life.A Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense of his own life.
Norman Chu
- Anthony Fang
- (as Shao-Chiang Hsu)
Maria Jo
- Irene Chou
- (as Chih-Hui Hsuan)
Jung Wang
- Doctor (Guest star)
- (as Yung Wang)
Man-Biu Pak
- Taoist
- (as Wen-Piao Pai)
Wai Lam
- Casino Patron
- (as Wei Lin)
Avis à la une
This weirdo tale revolves around lies and deception, lots of revenge, and even more black magic.
When our leading star's wife is killed he seeks revenge by acquiring the local Voodoo dude. Who for some weird reason, was played by two dudes, which they tried hiding up that fact by loading the second player with tons of make-up....pretty weird/funny. Anyways, when Mr. Voodoo comes into play all the people who were bad to the wife prior to her death "will never know peace again", or something like that. And ain't that the truth.
When you Seed a Ghost, you better know the results, because they're f@cked up. Just like this movie. And that's a good thing! With a high amount of nudity, some sex and even a fight scene for good measure, the movie delivers loads of entertaining qualities. It's like an action/horror/fantasy/comedy flick rolled into one. And when the end comes you're only treated to a sorcery fight with one of the most fun and silliest ending I've seen in a long time. There's a lotta blood flying.
I've gotta mention the direction and cinematography, for a flick like this (and I say that with love), it had some pretty inventive shots. Definitely surprising.
The flick unfortunately kinda dragged at parts though. You once in a while will realize that something entertaining hasn't happened in a little bit. But don't dismay, since the movie does entertain pretty consistently. And also, maybe fault to the writing, you just never really care for any character. But with a movie like this, I only came into it looking for the "goods" and that's what I got.
Seeding of a Ghost is a truly weirdo hybrid of a flick that should be watched if you like to watch different movies. It's really a recommendable flick just because it seems to be one of the best this whacky genre of action/horror/fantasty/comedy combo flick has to offer. Definitely one of the most bizarre times I've had in a while watching a movie.
When our leading star's wife is killed he seeks revenge by acquiring the local Voodoo dude. Who for some weird reason, was played by two dudes, which they tried hiding up that fact by loading the second player with tons of make-up....pretty weird/funny. Anyways, when Mr. Voodoo comes into play all the people who were bad to the wife prior to her death "will never know peace again", or something like that. And ain't that the truth.
When you Seed a Ghost, you better know the results, because they're f@cked up. Just like this movie. And that's a good thing! With a high amount of nudity, some sex and even a fight scene for good measure, the movie delivers loads of entertaining qualities. It's like an action/horror/fantasy/comedy flick rolled into one. And when the end comes you're only treated to a sorcery fight with one of the most fun and silliest ending I've seen in a long time. There's a lotta blood flying.
I've gotta mention the direction and cinematography, for a flick like this (and I say that with love), it had some pretty inventive shots. Definitely surprising.
The flick unfortunately kinda dragged at parts though. You once in a while will realize that something entertaining hasn't happened in a little bit. But don't dismay, since the movie does entertain pretty consistently. And also, maybe fault to the writing, you just never really care for any character. But with a movie like this, I only came into it looking for the "goods" and that's what I got.
Seeding of a Ghost is a truly weirdo hybrid of a flick that should be watched if you like to watch different movies. It's really a recommendable flick just because it seems to be one of the best this whacky genre of action/horror/fantasty/comedy combo flick has to offer. Definitely one of the most bizarre times I've had in a while watching a movie.
First off this film is pure exploitation. This is sex and violence and really gross, even by todays standards. Its not the best film ever made, but if you want gore and worms and gross things with your beautiful naked women this is for you. This film belongs in the exploitation hall of fame.
A very bare bones explanation of the plot has a beautiful woman having an affair because she is bored with her husband of a couple of months. She wants to run off with her lover, who is also married, but he won't go. Getting out of her car on a lonely stretch of road she finds a phone and calls her husband who's cab driver. While she is waiting she is raped and killed by two guys. The husband uses the services of a black magician he once saved to get revenge on the killers and the lover. Its gross fun from that point on.
The sex is early on as we see the very beautiful wife naked in the shower and having sex with her lover. Proving that this is exploitation at its finest we have a slow motion topless jog along the beach.
This film has a reputation for being gross out royalty and its nice to report that this certainly is the case. This is a film that will have you going "yuck" quite often. Done before CGI this film is helped by knowing that what you see is what you get, people really are spiting up insects and such.
The problem for me was that it seems oddly paced. Don't get me wrong the plot moves, but at times it seems a bit talky, which is odd since what you see is what you need to see and hear.
See this film.
I rated it as a 7 out of 10, but thats for most people who want to see a gross out horror film from overseas. For hardcore exploitation film fans or those who love gross effects this is a classic and should be 10 out of 10.
A very bare bones explanation of the plot has a beautiful woman having an affair because she is bored with her husband of a couple of months. She wants to run off with her lover, who is also married, but he won't go. Getting out of her car on a lonely stretch of road she finds a phone and calls her husband who's cab driver. While she is waiting she is raped and killed by two guys. The husband uses the services of a black magician he once saved to get revenge on the killers and the lover. Its gross fun from that point on.
The sex is early on as we see the very beautiful wife naked in the shower and having sex with her lover. Proving that this is exploitation at its finest we have a slow motion topless jog along the beach.
This film has a reputation for being gross out royalty and its nice to report that this certainly is the case. This is a film that will have you going "yuck" quite often. Done before CGI this film is helped by knowing that what you see is what you get, people really are spiting up insects and such.
The problem for me was that it seems oddly paced. Don't get me wrong the plot moves, but at times it seems a bit talky, which is odd since what you see is what you need to see and hear.
See this film.
I rated it as a 7 out of 10, but thats for most people who want to see a gross out horror film from overseas. For hardcore exploitation film fans or those who love gross effects this is a classic and should be 10 out of 10.
Angry men chase a sinister warlock through a misty cemetery. He runs into a street and under the wheels of a taxi driven by Chow, but then appears in the back seat of the speeding taxi. Irene, who deals cards at a Hong Kong casino, tries to pressure her boyfriend, Fang, into divorcing his wife so they can be together; she's married to Chow, who is diddling on the side, as well.
These characters, like the viewer, are stuck in a dull soap-opera for awhile, but SEEDING OF A GHOST shoots into high gear after Irene is raped and murdered by two young thugs. An enraged, grieving Chow blackmails the warlock into casting spells on the killers, Fang, and assorted friends and relatives.
From there, the filmmakers throw in every sick twist imaginable. Chow and the warlock exhume Irene's corpse. In the warlock's lair, and Chow is instructed to paint the decrepit body with coconut oil, "So she';ll feel better." As she comes alive, her killers start to hallucinate. One of the rapists is brought to her for some mystical necrophilia. This union culminates in a posthumous pregnancy, which is somehow transferred to the womb of Fang's expectant wife.
In the all-out, gory finale, the demon fetus liberates itself from the mother and goes on a murderous rampage. One character eats brains out of a coconut shell; there's an exploding toilet, strangulation by bra strap, gravity-defying sex, and (gulp) blood pastries. In one hideous sequence, Chow drains all of his blood into Irene's corpse as he slowly dies in agony.
SEEDING OF A GHOST is lively and competently directed, especially during two prolonged episodes in which magicians battle unsuccessful to put an end to the vendetta. Special effects credits are all top-notch, which will be of no comfort to viewers with queasy stomachs.
These characters, like the viewer, are stuck in a dull soap-opera for awhile, but SEEDING OF A GHOST shoots into high gear after Irene is raped and murdered by two young thugs. An enraged, grieving Chow blackmails the warlock into casting spells on the killers, Fang, and assorted friends and relatives.
From there, the filmmakers throw in every sick twist imaginable. Chow and the warlock exhume Irene's corpse. In the warlock's lair, and Chow is instructed to paint the decrepit body with coconut oil, "So she';ll feel better." As she comes alive, her killers start to hallucinate. One of the rapists is brought to her for some mystical necrophilia. This union culminates in a posthumous pregnancy, which is somehow transferred to the womb of Fang's expectant wife.
In the all-out, gory finale, the demon fetus liberates itself from the mother and goes on a murderous rampage. One character eats brains out of a coconut shell; there's an exploding toilet, strangulation by bra strap, gravity-defying sex, and (gulp) blood pastries. In one hideous sequence, Chow drains all of his blood into Irene's corpse as he slowly dies in agony.
SEEDING OF A GHOST is lively and competently directed, especially during two prolonged episodes in which magicians battle unsuccessful to put an end to the vendetta. Special effects credits are all top-notch, which will be of no comfort to viewers with queasy stomachs.
I have been putting this off for a few years (I have had the DVD since 2009) mainly because I thought it was going to be shockfest that outdid The Boxer's Omen in gonzo-style horror. Well it was not even close to The Boxer's Omen which still holds a place deep in the suppressed subconscious of my cranium (actually it is more weird and gross than actually scary). In fact this has to be one of the most overstated and over-hyped horror films of Hong Kong though this is not a horrible film.
Chow (Phillip Ko: The Boxer's Omen, Shaolin Intruders) interrupts black magic by inadvertently saving the life of a black magic priest who is being chased down by an angry mob. Because of this the priest says at best he will get very sick and at worst his whole family will die. Since this is a horror film we know which scenario is going to take place. A film with him just being sick would not be as fun. But it is especially hilarious that it seems that the angry mob gets off clean and that he picked up the priest far from where the incantation went awry. I am probably over-thinking this.
Chow's wife Irene has been cheating on him because of his lowly taxi driver job, taxi drivers are a deranged lot (ask Anthony Wong), and his hair (seriously one of the worst wigs I have seen, worse than a Sammo Hung haircut). She is enticed by playboy Anthony Fong Ming (Norman Chu Siu-Keung: Bastard Swordsman) who visits her job of dealing cards and showers her with money, gifts, better hair (to be fair to Phillip check out Norman's perm in Hong Kong Godfather) and affection. One night those two adulterers have a fight and she gets out of the car and goes off by herself. Never good to be alone late at night when ruffians are about. She is confronted by two young hooligans who chase her down, one rapes her and ultimately she gets killed (why she runs into an abandoned house I do not know, why there would be an abandoned house in an abandoned area Hong Kong I also do not know).
When Chow finds out she is dead, he is ultimately a suspect for about 15 seconds. Fong is another suspect and despondent Chow finds out about the affair. He gets bad ideas in his head and wants revenge at all costs for those involved and goes to the black magic priest (still dressed like a shirtless jungle native; I wonder if he goes to the store like that) to seek revenge. This requires that they dig out his wife's corpse and he is warned that his monomaniacal revenge will likely result in his demise as well. The corpse is used quite effectively and it is creepy, the most scary aspect of the film. You can see it on the cover of the DVD and poster.
Fans of horror could do worse by seeking this out. I do not think it is as unique/interesting/gratuitous as Black Magic or The Boxer's Omen out of the Shaw Brothers horror oeuvre and I would suggest seeking those out first. This film overdoes the sleazy exploitation aspect of it, elongates the nudity and the film comes off more as a voyeuristic exercise especially in the beginning which starts to drag on. The slow motion topless running scene becomes almost absurd in its length and its use of the zoom lens. But you do get the benefit of a few fight scenes decently done involving Phillip Ko (still mad about the outcome with Norman Chu) who proves once again that you should not mess with taxi drivers or Phillip Ko. You also get a variety of gross out moments, Taoist priests, scares all done better in a variety of Hong Kong films. However, when the ghost is seeded there are plenty of horror elements, while keeping the exploitation element alive, especially towards the finale that will be of interest to viewers. There you get to witness a creature that seems inspired by John Carpenter's The Thing while a segment from the soundtrack from Alien is played.
I have the R1 Image release and it has English and Spanish subtitles. It comes with the Mandarin mono dub only. The R3 IVL release comes with both the Cantonese and Mandarin dub. At the time of the Hong Kong audience would have heard the Cantonese soundtrack, but most of the transnational audience would have heard it in Mandarin. Since at the time post dubbing was the norm and multiple dialects were often used on set it does not matter as much to me. However, this is a controversial topic where some have to have the "preferred" dub. I personally would like a release from this time period to have both the Cantonese and Mandarin language, but I will take what I can get. There are plenty of the Image released Shaw Brothers trailers (not the original trailers) on this release, but no trailer for the movie.
Chow (Phillip Ko: The Boxer's Omen, Shaolin Intruders) interrupts black magic by inadvertently saving the life of a black magic priest who is being chased down by an angry mob. Because of this the priest says at best he will get very sick and at worst his whole family will die. Since this is a horror film we know which scenario is going to take place. A film with him just being sick would not be as fun. But it is especially hilarious that it seems that the angry mob gets off clean and that he picked up the priest far from where the incantation went awry. I am probably over-thinking this.
Chow's wife Irene has been cheating on him because of his lowly taxi driver job, taxi drivers are a deranged lot (ask Anthony Wong), and his hair (seriously one of the worst wigs I have seen, worse than a Sammo Hung haircut). She is enticed by playboy Anthony Fong Ming (Norman Chu Siu-Keung: Bastard Swordsman) who visits her job of dealing cards and showers her with money, gifts, better hair (to be fair to Phillip check out Norman's perm in Hong Kong Godfather) and affection. One night those two adulterers have a fight and she gets out of the car and goes off by herself. Never good to be alone late at night when ruffians are about. She is confronted by two young hooligans who chase her down, one rapes her and ultimately she gets killed (why she runs into an abandoned house I do not know, why there would be an abandoned house in an abandoned area Hong Kong I also do not know).
When Chow finds out she is dead, he is ultimately a suspect for about 15 seconds. Fong is another suspect and despondent Chow finds out about the affair. He gets bad ideas in his head and wants revenge at all costs for those involved and goes to the black magic priest (still dressed like a shirtless jungle native; I wonder if he goes to the store like that) to seek revenge. This requires that they dig out his wife's corpse and he is warned that his monomaniacal revenge will likely result in his demise as well. The corpse is used quite effectively and it is creepy, the most scary aspect of the film. You can see it on the cover of the DVD and poster.
Fans of horror could do worse by seeking this out. I do not think it is as unique/interesting/gratuitous as Black Magic or The Boxer's Omen out of the Shaw Brothers horror oeuvre and I would suggest seeking those out first. This film overdoes the sleazy exploitation aspect of it, elongates the nudity and the film comes off more as a voyeuristic exercise especially in the beginning which starts to drag on. The slow motion topless running scene becomes almost absurd in its length and its use of the zoom lens. But you do get the benefit of a few fight scenes decently done involving Phillip Ko (still mad about the outcome with Norman Chu) who proves once again that you should not mess with taxi drivers or Phillip Ko. You also get a variety of gross out moments, Taoist priests, scares all done better in a variety of Hong Kong films. However, when the ghost is seeded there are plenty of horror elements, while keeping the exploitation element alive, especially towards the finale that will be of interest to viewers. There you get to witness a creature that seems inspired by John Carpenter's The Thing while a segment from the soundtrack from Alien is played.
I have the R1 Image release and it has English and Spanish subtitles. It comes with the Mandarin mono dub only. The R3 IVL release comes with both the Cantonese and Mandarin dub. At the time of the Hong Kong audience would have heard the Cantonese soundtrack, but most of the transnational audience would have heard it in Mandarin. Since at the time post dubbing was the norm and multiple dialects were often used on set it does not matter as much to me. However, this is a controversial topic where some have to have the "preferred" dub. I personally would like a release from this time period to have both the Cantonese and Mandarin language, but I will take what I can get. There are plenty of the Image released Shaw Brothers trailers (not the original trailers) on this release, but no trailer for the movie.
A taxi driver is warned that he will experience bad luck, after his path crosses with that of a strange practitioner of black magic. Sure enough, his beautiful young wife soon embarks on an affair with a suave gambler. Shortly after, he is accused of murder when his spouse is raped and killed by two thugs. And if that wasn't enough, the poor bloke is crippled after trying to beat up his dead wife's lover.
Suitably upset, he decides to enlist the help of the strange sorcerer who first foretold his run of ill fortune, and, by using the dark powers of witchcraft, attempts to exact revenge on the man who stole his woman, and the two responsible for her death.
As 80s Hong Kong horror goes, this movie from the Shaw Brothers studio is a fairly typical example: the story is bizarre, there are plenty of moments that defy logic and it is loaded with shonky creatures and OTT gore. Throw in some gritty fight scenes, a brutal rape, and quite a bit of female nudity (including full frontal) from cute Asian women, and the result is an enjoyable slice of Eastern sleaze that never bores, and even sometimes surprises.
This is perhaps the only film where one might witness a man being sodomised with a giant match-stick, a spirit impregnate a putrefying corpse in mid-air, and a finalé in which a multi-tentacled foetus creature erupts bloodily from its 'mother' and attacks guests at a party.
Suitably upset, he decides to enlist the help of the strange sorcerer who first foretold his run of ill fortune, and, by using the dark powers of witchcraft, attempts to exact revenge on the man who stole his woman, and the two responsible for her death.
As 80s Hong Kong horror goes, this movie from the Shaw Brothers studio is a fairly typical example: the story is bizarre, there are plenty of moments that defy logic and it is loaded with shonky creatures and OTT gore. Throw in some gritty fight scenes, a brutal rape, and quite a bit of female nudity (including full frontal) from cute Asian women, and the result is an enjoyable slice of Eastern sleaze that never bores, and even sometimes surprises.
This is perhaps the only film where one might witness a man being sodomised with a giant match-stick, a spirit impregnate a putrefying corpse in mid-air, and a finalé in which a multi-tentacled foetus creature erupts bloodily from its 'mother' and attacks guests at a party.
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By what name was Seeding of a Ghost (1983) officially released in India in English?
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