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6,9/10
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Ajouter une intrigue dans votre langueWhen household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society.When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society.When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Timothy O'Brien
- Skinner
- (as Timothy Eric O'Brien)
Donald V. Allen
- Officer William Rennard
- (as Don Allen)
Anna Spheeris
- Anna
- (as Anna Schoeller)
Avis à la une
I grew up in the early 80's hardcore punk scene in NYC and like most punks at the time had seen Penelope Spheeris' DECLINE OF WESTERN CIVILIZATION (the best punk documentary ever made) and was impressed when SUBURBIA(later renamed The Wild Side) came out in a few theatres. It was, and still is, the most accurate depiction of what being a hardcore punk was like. Okay, as a film, the production was shoddy, the acting was sub par, and the story was weak. But most of the actors were local punks. . The depiction of the punks was right on the mark....the clothes, the attitude, the music, the just hanging out, etc. Unfortunately, all the new kids who just got into punk in the last decade think this movie is all wrong. Even one of the commenters on this site mistakenly complained that this movie has it all wrong and punks aren't like that. Well guess what kids? The punks in this movie not only acted like real punks, most of them were real punks. (before you were) The scene has changed over the years. This movie is accurately representative of what it was like back in the original (real) scene days during the Reagan administration.
Suburbia is one of my favourite films. Its cheap in places with tacky sounds, however that only adds to its charm. The characters have appeal and the situations seem real. There is nothing pretentious about it, the protagonists are not made out to be either good or evil, just drifting teenagers who don't think through what they do. The director draws us along with some sympathy for the TR even when they are up to no good, as its clear that deep down they don't actually mean any harm to anyone. A lot of people have rated this film with 10's, I can't see that (and gave it a 7) as it is still basically a cheap B movie. But definitely a good one.
While arguably not Spheeris' best work, it was her first, and in my opinion, most ambitious. The film was shot on a threadbare budget with non-professional actors, with most of the action taking place in an abandoned tract house in a suburb slated for demolition (the area is now a highway). The punk rockers are outcasts from society who attempt for form a "family" of their own, that they call "The Rejected" (The irony of it all, outcasts being anti-social together). The film bogs down at times, and often relies on reversed clichés, but was a very good effort for a documentary film-maker who was making her first dramatic feature (Some of the themes of being an outsider were used, with greater success, in Spheeris' feature DUDES). Yes, it could be called "punxploitation", but I was one of those scruffy kids with a ragged haircut and ripped jeans when this film was released, and I identified with it. (Not to be confused with Richard Linklater's "subUrbia").
During my career as an "angry youth," this film, along with "Made in Britain," (Tim Roth) "Clockwork Orange," and "River's Edge," were required viewing. Penelope Spheeris did a class-A job of depicting what it was like to be young and different in a time in America when outward weirdness invited violence by jocks or other assorted meatheads. Kids who dye their hair blue and get their eyelids pierced at the mall in 2000 should watch this film and see what the consequences for "expressing one's self" were for old schoolers who think Marylin Manson is nothing more than a cheap Vaudeville rip-off artist. Think the type of stuff depicted in this film doesn't still happen? Think again - the killing of punker Brian Deneke in Texas a few years ago will shatter that notion. This film is kind of hard to find on video. You generally won't find it at Blockbuster. Try the mom & pop places.
10jensav
I love this film. What can I say? Yes, the acting is bad, but this would be because for the most part, these kids are actual street kids and not "actors". So, get past the low budget and the bad acting for a second and look at the story. Kids (punks) who live in an abandoned house and are rejected by society. How much more realistic can you get? This movie is a cult classic, and for those into punk, a must-see! Why? Because it has performances by D.I., The Vandals and others. Also, you can catch Flea in what's probably his first film, credited as something like Mike B. The Flea. Check it out!!
Le saviez-vous
- AnecdotesPenelope Spheeris cast real punk rockers instead of seasoned actors in the interest of realism.
- Citations
Jack Diddley: Where's that house, Flea?
Razzle: Over there... Hey, my name's Razzle, man.
- ConnexionsFeatured in Film House Fever (1986)
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- How long is Suburbia?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Suburbia
- Lieux de tournage
- 145 E Palm Ave, Burbank, Californie, États-Unis(Elks Lodge)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
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