Les Loubards

This movie sucks. It is, however, the suckiest movie that I have ever wanted to watch about 50 times in my lifetime. This is the definitive punk-fiction film. No other movie more accurately portrayed what it was like to grow up in the punk scene in the eighties, and it's one of the only films to show what it was like to squat in the punk scene in Los Angeles. It's true, if you get a bunch of real punks and attempt to make them actors and get Roger"Carnosaur"Corman to produce it, you should probably expect something to this effect, but the hammy dialogue and acting are part of the charm. I wholly related to this movie as a teenager, and will always look back fondly upon it. Cheers to Penelope Spheeris, for creating a PR classic.

"Suburbia" is the definitive punxploitation film of the 80's, one of Hollywood's few explorations of that counter-culture. Director Spheeris, who also did "Dudes" and "Decline of Western Civilization" before going mainstream, knows enough to make a perfectly romantic (if not realistic) version of punks and skins living in the 80's: complete with shows (on a rickety sound stage, but there's a better circle pit than you're likely to find today), fights with rednecks, squatting, and dealing with a decade where every jock didn't have an eyebrow ring and green hair. You know what? Chickenbutt.

While arguably not Spheeris' best work, it was her first, and in my opinion, most ambitious. The film was shot on a threadbare budget with non-professional actors, with most of the action taking place in an abandoned tract house in a suburb slated for demolition (the area is now a highway). The punk rockers are outcasts from society who attempt for form a "family" of their own, that they call "The Rejected" (The irony of it all, outcasts being anti-social together). The film bogs down at times, and often relies on reversed clichés, but was a very good effort for a documentary film-maker who was making her first dramatic feature (Some of the themes of being an outsider were used, with greater success, in Spheeris' feature DUDES). Yes, it could be called "punxploitation", but I was one of those scruffy kids with a ragged haircut and ripped jeans when this film was released, and I identified with it. (Not to be confused with Richard Linklater's "subUrbia").

Suburbia is one of my favourite films. Its cheap in places with tacky sounds, however that only adds to its charm. The characters have appeal and the situations seem real. There is nothing pretentious about it, the protagonists are not made out to be either good or evil, just drifting teenagers who don't think through what they do. The director draws us along with some sympathy for the TR even when they are up to no good, as its clear that deep down they don't actually mean any harm to anyone. A lot of people have rated this film with 10's, I can't see that (and gave it a 7) as it is still basically a cheap B movie. But definitely a good one.

During my career as an "angry youth," this film, along with "Made in Britain," (Tim Roth) "Clockwork Orange," and "River's Edge," were required viewing. Penelope Spheeris did a class-A job of depicting what it was like to be young and different in a time in America when outward weirdness invited violence by jocks or other assorted meatheads. Kids who dye their hair blue and get their eyelids pierced at the mall in 2000 should watch this film and see what the consequences for "expressing one's self" were for old schoolers who think Marylin Manson is nothing more than a cheap Vaudeville rip-off artist. Think the type of stuff depicted in this film doesn't still happen? Think again - the killing of punker Brian Deneke in Texas a few years ago will shatter that notion. This film is kind of hard to find on video. You generally won't find it at Blockbuster. Try the mom & pop places.