Ajouter une intrigue dans votre langueEx-guerrilla Kacper, possessed by late wife Maryna's spirit, is pursued by female werewolf. He recognizes werewolf traits in Julia, a countess involved with Austrian officer.Ex-guerrilla Kacper, possessed by late wife Maryna's spirit, is pursued by female werewolf. He recognizes werewolf traits in Julia, a countess involved with Austrian officer.Ex-guerrilla Kacper, possessed by late wife Maryna's spirit, is pursued by female werewolf. He recognizes werewolf traits in Julia, a countess involved with Austrian officer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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(1983) Wilczyca
(In Polish with English subtitles)
HORROR
Co-written and directed by Marek Piestrak that has Kacper Wosinski (Krzysztof Jasinski) just arriving to help his ailing wife, Maryna (Iwona Bielska) he has not seen in years who happens to be dying. But because she has done things while he was away that may have bewitched her, may have forced the way she was supposed to be buried. We are then see Kasper, a comrade in arms interact with his fellow superiors, Count Wiktor Smorawinski (Leon Niemczyk) and Count Ludwik (Stanislaw Brejdygant) who has just been married to a much younger wife, Countess Julia, who appears to have a history with a much younger high ranking cavalry man, Otto (Olgierd Lukaszewicz).
Despite the unmemorable ending and not scary at all, I thought much of it is reminiscent of a folklore or a mythical tale.
Co-written and directed by Marek Piestrak that has Kacper Wosinski (Krzysztof Jasinski) just arriving to help his ailing wife, Maryna (Iwona Bielska) he has not seen in years who happens to be dying. But because she has done things while he was away that may have bewitched her, may have forced the way she was supposed to be buried. We are then see Kasper, a comrade in arms interact with his fellow superiors, Count Wiktor Smorawinski (Leon Niemczyk) and Count Ludwik (Stanislaw Brejdygant) who has just been married to a much younger wife, Countess Julia, who appears to have a history with a much younger high ranking cavalry man, Otto (Olgierd Lukaszewicz).
Despite the unmemorable ending and not scary at all, I thought much of it is reminiscent of a folklore or a mythical tale.
"Wilczyca" by Marek Piestrak is arguably the most famous Polish horror film.Unfortunately this atmospheric flick is not well-known abroad.The action of "Wilczyca" takes place in Poland in the ninetieth century.Maryna dislikes his husband,a Polish patriot named Kacper.Before her death,she curses him.Her evil is transformed not only into a young countess Julia,but also into the wolf..."Wilczyca" is definitely a Polish horror classic that reminds me some Hammer productions.The film is loaded with traditional genre elements like tombs or silver bullets.The climax is surprisingly gory and the mood is quite sensual.Unfortunately its sequel "Powrot Wilczycy" from 1990,also directed by Piestrak,is nowhere nearly as good as the original.So if you ever get a chance to watch this film,don't hesitate to do this.8 out of 10.
After a long time away, a man returns home to find his wife in the throes of death. In addition, he discovers that another tragedy has occurred, and that black magic was involved. Leaving again, in disgust, the man dismisses the fact that he's now been cursed. Soon, he finds that no matter where he goes, a certain creature is following him.
WILCZYCA (aka: THE WOLF, aka: SHE WOLF) is a fantastic tale of witchcraft and lycanthropy, set in 18th Century Poland during the time of the Hussars, although the use of daguerreotype suggests the mid-19th Century. There is a cold, foreboding atmosphere, and this film contains some of the most haunting wolf howls ever recorded.
Of special note is Iwona Bielska, who plays a dual role as the witch and the Countess. She's quite beautiful, and her long, perfect teeth are truly wicked! She's as seductive as she is demonic.
A solid, slow-building occult horror movie with a gory finale...
WILCZYCA (aka: THE WOLF, aka: SHE WOLF) is a fantastic tale of witchcraft and lycanthropy, set in 18th Century Poland during the time of the Hussars, although the use of daguerreotype suggests the mid-19th Century. There is a cold, foreboding atmosphere, and this film contains some of the most haunting wolf howls ever recorded.
Of special note is Iwona Bielska, who plays a dual role as the witch and the Countess. She's quite beautiful, and her long, perfect teeth are truly wicked! She's as seductive as she is demonic.
A solid, slow-building occult horror movie with a gory finale...
I don't recall having seen any Polish films before, let alone any Polish werewolf films, so I unfortunately heaped expectation upon Wilczyca, especially since it is rather well reviewed here. In some ways it does well, but overall I felt a little let down by the experience. The story is a classic Gothic one, a lady, Maryna dies cursing her husband, and the curse is visited upon him and upon a younger lady. Emphasis on traditional elements brings a cosy, pleasing feel to the film, with its spooks delivered in measured fashion, while all round solid performances bring a welcome sincerity. The setting really helps things too, frozen paths, snow fleeced fields, and domiciles of rustic grandeur captured with chilly beauty in the cinematography of Janusz Pawlowski , the film clutches with a feel of Eastern European winter and this feel helps ease the film along even in its weaker moments. Of which there are regrettably too many, the film is overlong and there are several stretches that could have been cut down with little harm. These longeurs are all the more hurtful since the film lacks much in the way of twists or turns and the screenplay is fairly simplistic during the first hour or so I was led to glancing at my watch far more often than I like to. The film also largely eschews exploitative elements outside of a spot of effective violence in the close, more would have been nice, as would nudity, though the cold climate is probably a good reason for the lack in that department. There are some good acting turns to keep things moving though, Krysztof Jasinski makes for a cold gnarled and dignified protagonist, noting mounting strangeness and cowed by things not all as they should be, while Iwona Bielska is terrific as Maryna and her later counterpart, striking features and a performance of wolfish sensuality give the film its best moments, she captivates in the classic European tradition of sinister femininity. Things eventually pick up after a sluggish hour and the final block is fairly good sailing, but still by the end it had the feel of too little too late, the film needed fireworks but what it delivers isn't much more than a campfire. Altogether, this isn't one that I'd especially recommend. Technically able and sporadically fun and intriguing, but generally not much more than a more or less skippable detour, one for European horror completists only I'd say.
I was expecting rather more from this 80s vampire tale from Poland but perhaps my experience was affected by some of the worst subtitles I have encountered. Clearly a labour of love for some amateur film buff but not just sweet mistakes like 'bumpkin' instead of 'peasant' but whole sections in the wrong tense with some events being anticipated when they were actually references to past happenings. Very confusing. Then there was all the fighting and presumably defending of the homeland. Along with all this was a fairly simple tale involving curses, a wolf, rather a lot of blood and a silver bullet, oh and some rather extreme gore right at the end. Snowy landscapes looked attractive but far too much talking in boring looking rooms.
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