Under Fire

Three journalists (Nick Nolte, Gene Hackman, Joanna cassidy) covering political upheaval of the Sandinists against dictator Somoza (René Enriquez) in Nicaragua circa 1979 are involved in political intrigue during the last days of the corrupt regime . It begins in Nicaragua before it falls to a popular revolution , as in the Central American melting pot , the three newshounds -Nolte is a photo-journalist , the others news reporters- become too personally involved as the revolution boils over into fighting in the streets . Facing off the brutal battle - people versus army - it's often hard for him to stay neutral . Then the Guerillas kidnap Nolte to take a picture of the leader Rafael, who's believed to be dead. This wasn't their war but it was their story...and they wouldn't let it go! Dateline: Central America. The First Casualty of War is the Truth. Nick Nolte And Gene Hackman In A Riveting, High-Tension Thriller.

This tense and nail-biting thriller is packed with as much taut action , enjoyable message as the storyline will allow , but let down at times . Engaging and raw film being compellingly shot , adding some political moments and its allegedly wave flag of impartiality cannot obscure the tension dripping from every frame of such reconstructed immediacy . Nick Nolte, Gene Hackman and Joanna Cassidy are roving war correspondents found at the start in the process of moving from Chad to Nicaragua 1979 where things go wrong . Suffering the Nicaraguan revolt of the Sandinists and along the way , all of them become involved in a romantic triangle . ¨Under Fire¨ has its good moments starred by a superb main cast , as Nick Nolte who's terrific as photographer Russel Price who covers the civil war against president Somoza and gets drawn into the happenings , as well as Gene Hackman and Joanna Cassidy . And splendidly accompanied by nice supporting interpretations from Ed Harris as a grinning mercenary killer , Alma Martinez as a girl guerrilla , Richard Masur , Holly Palance : Jack Palance's daughter who married director Roger Spottiswoode , Enrique Lucero , Elpidia Carrillo's brief appearance , René Enriquez as dictator Somoza, all of them make their marks . And special mention for French actor Jean-Louis Trintignant , but you have to wade through a bit of sludge to get them . The movie belongs to sub-genre that abounded in the 80s about reporters all around the world covering dangerous political conflicts , such as Indonesia in ¨The Year of Living Dangerously¨(1982) by Peter Weir with Mel Gibson , Sigourney Weaver, Linda Hunt ; Salvador in ¨Salvador¨ by Oliver Stone with James Woods and James Belushi, and Libano in ¨Deadline¨ by Nathaliel Gutman with Christopher Walken and Hywel Bennett.

It packs a picturesque and evocative cinematography shot on stunning locations in Chiapas, Mexico , Oaxaca City , Oaxaca State, Mexico , splendidly photographed by cameraman by John Alcott . As well as imaginative and stirring musical score by the great Jerry Goldsmith , including Central America sounds and folklore . The motion picture was competently directed by Roger Spottiswoode , though it draws some gaps . Robert has made decent and successful films of all kinds of genres , such as : ¨Terror Train , Under Fire , The Best of Times , Turner and Hooch , Air America , Stop or My Mother will Shot , And the Band Played On, Tomorrow Never Dies , God's Favorite , The 6th Day¨and several others . The flick will appeal to Nick Nolte and Gene Hackman fans . Well worth seeing . Rating : 7/10 , better than average .

As a Nicaraguan-American who lived there during the opening thunderclaps of the full scale Sandinista revolt, I must say I was extremely impressed with this movie as a whole. Although it takes a slight turn to the political left, it manages to keep the story on an even keel and not embelish so.

It is interesting that by far the truest insight is delivered by the cynical French opportunist. Tyranny and oppression lay on both sides of the political fence. If the right hand doesn't get you, the left one will. When the FSLN took power in 1979, they immediately announced their communist regime much to the chagrin of the populace (personally, I believe in this crazy little thing called "freedom").

The people who were just liberated from 40 years of right wing (US supported) tyranny, now had it from the (Soviet supported) left, and then some. Proof of this was the mass exodus of Nicas to other places, and the (US backed, of course) "Contra" rebels, made up of former Sandinistas who immediately took up arms against their former comrades, and fought for a proper democracy, which was finally achieved when the USSR folded its cards in the late 80s.

Nicaragua was then free.

This film was a surprisingly quality portrayal of the difficulties faced by those in underdeveloped countries too often overrun by corrupt regimes.

It is presented through the eyes of a photo-journalist (played by Nick Nolte) & his contacts, as they pursue the news stories we in supposedly advanced nations, witness each day on our television screens. Of course, it is subjective but presented with an appropriate sense of the drama & courage that's needed to bring such coverage of gross injustice to the detached conscience of those whose governments often make insensitive contributions to the peoples, mainly peasants & the oppressed. These poor & downtrodden people cannot speak for themselves & rely on such photojournalism to be their mouthpiece to the wider world. It has applications far beyond Nicaragua, across all continents, for human rights' abuse was rife 20 years ago when the film was made, & is today, & likely will be far beyond.

Unlike too many modern movies that are action-filled with special effects but largely without plot, this movie does deliver. The central figure portrayed engages in a series of hit & run encounters with the authorities & its mostly ruthless army of foot soldiers. He & his associates live on their individual & collective wit's end. Within seconds, the victims can go from pursuer to the pursued. Let alone the predicament that local peoples find themselves in, for they would rarely if ever, be accepted into the supposedly developed nations whose propaganda currently rules the world, no matter how unjustly or offensively or insensitively it is applied.

Likewise, the survival of the photojournalists & their associates, are caught in dilemmas of conscience. For the oppressed peoples they dare to cover the struggles & injustice & suffering of, seem to be meat in the sandwich of leaders who use & abuse such locals, as puppets. Journalists often depend on the contacts they form, however transcient their interaction. The woman who beckons him into a backyard sanctuary; the woman who refers a request for directions to the authorities; a priest tortured & suffering unjustly while sharing a jail cell; the occasional compassionate soldier with heart enough for his potential victims vs dictatorial unjust judgements; people willing to bravely die for their cause in the name of their causes of their heart. Such as these present unpredictable twists adding to the unfolding drama, where war is being found & fought on many levels, personal & within or beyond organisations.

As such, "Under Fire" gives the viewer a reality in which to help a viewer to understand much more than it presents, or dares to represent. The roles of friendship, empathy & compassion present in many unlikely forms, so too, the consequences, even fatality, from the slightest failure to read the signs or sense danger, while the ruthless pursue goals without concern but for their hierarchy of self-made regulations & adherence to them.

All up, a quality movie not to be missed, and one which is likely to linger & enrich your appreciation of war correspondents of integrity & conviction, willing to lay their lives on the line.

"Under Fire" is a well-written, well-acted piece, showing photo-journalists operating in the milieu of insurrections in Chad, then Nicaragua. Watching Gene Hackman, Nick Nolte and Ed Harris perform together was a treat. And the writers gave them terrific lines. "This is a great war: good guys, bad guys, and lots of cheap shrimp." I especially liked when Hackman's character asked if Nolte's character had slept with Hackman's woman when their relationship hits the skids, and Nolte answers directly, "Hell no, Alex. We're friends." And you just know Nolte's character meant it, man to man. Great moment. Also appealing was the way third-world conflicts were portrayed as global brushfires; put out one here, while another flares up over there. Using the real civil war in Somoza's Nicaragua gives the film unexpected credibility. And probably in keeping with reality, Ed Harris has several memorable scenes as a pure mercenary, a globe-trotting soldier-for-hire, who shows up where the gun-battle action is. His last line is something like "See you in Laos". The beat goes on. -ejpede

Nicaragua 1979 sees the rebel uprising reaching a peak and causing an inflow of foreign journalists including photojournalist Russell Price and Claire. As the conflict rages around them Russell and Claire fall in love, despite her relationship with anchorman Alex Grazier.

My plot summary of this feels a little false - it makes it sound like a romantic drama rather than a political drama. However it's closer to that than it is to being a look at the conflict in Nicaragua. The story made me think it would be a look at the conflict, but rather this is a look at the conflict through the eyes of foreigners including CIA and journalists. It's still interesting - but would have been better looking at it from the rebel's point of view - but then I guess the American audience wouldn't have been interested. The focus on the US stars makes this a drama with the war as a backdrop, this takes away from the impact of the conflict onscreen.

One of the last scenes of the films has an elderly lady talking to Claire following the death of an American journalist at the hands of the Government. Due to this death the USA has thrown their support behind the rebels and the Government has fallen. The lady essentially says that "50,000 Nicaraguans have died but it took only one American death to convince the US of the true nature of the Government here - we should have killed one a long time ago" (rough quote!). This is a good point, made in criticism of the USA's foreign policy and how they value lives of different nationalities. However this criticism can also be levelled at the film itself - it focuses on the Americans more than the Nicaraguans, the American characters are more important than the Nicaraguan characters - you can't have it both ways, you can't criticise someone else for something you're guilty of. The story is still interesting but it's so USA focused that it almost forgets the main players in the story (the rebels & the Government) and relegates them to bit parts.

Nolte is good in the lead, but I thought Joanna Cassidy was a bit outclassed by the rest of the cast. Hackman is good as always but had very little to do. Ed Harris is good, but again his character was the only soldier really given a character or a story (and of course, he's an American mercenary).

Overall an interesting story but the main point of the film (as voiced by the elderly lady) is also a criticism of the film itself. I wanted to know more about the conflict but instead knew more about the love triangle - a political drama that manages to cheapen the very political war that it sought to highlight.