NOTE IMDb
4,7/10
4,9 k
MA NOTE
Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
James Stephens
- Ron
- (as James Stevens)
Robert Costanzo
- Capt. Cinzari
- (as Bobby Costanzo)
Avis à la une
This movie didn't get as much credit as it deserves. I guess everyone expected it to have the same power as Grease because of its stars. This movie I think can stand on its own. It has a cute story and it does have that great star power. It has times when it's funny and it has times when it's romantic and it has times when it's dramatic. So it didn't have that same spirit as Grease if you give it a chance to prove itself you might actually enjoy it and not punish it for not living up to what people expected.
God returns after 25 years and he's disappointed with humanity under the four angels; Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight). God proposes to start over but the angels convince him that there is goodness even in a man like Zack Melon (John Travolta), a failing inventor who owes money to gangsters. He tries to rob a bank but teller Debbie Wylder (Olivia Newton-John) switches the money with worthless slips. God agrees to bet that Zack would sacrifice himself for her and her for him... within a week's time. The Devil (Oliver Reed) has other plans.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
The most important thing to remember when watching "Two of a Kind" is that is was really a vehicle for the two stars, based upon the idea that their chemistry in Grease would make for another hit, which sadly, in this case, it didn't. They were determined to do another film together and had looked through over 30 scripts before choosing this one - one wonders quite how dire some of those must have been...
Other reviewers have already written about the plot, so I won't concentrate on that, rather on the performances and the way the film comes across.
There is a pretty starry cast here - Gene Hackman plays God, Oliver Reed plays the Devil and angels include Charles Durning and Beatrice Straight. Unfortunately, as a film experience, it just doesn't seem to work - probably the reason why it did so poorly at the Box Office at the time, despite a $5m marketing budget. Lots of rewinding and stopping time, which can be confusing if you're not paying attention; Oliver Reed singing(badly); and minor characters (Olivia's flatmates, her landlord) that do nothing for the plot and tend to irritate when they appear.
However, Olivia and John do make a very cute couple - I spent the entire second half of the film with a grin on my face, feeling very soppy, once they get it together.
The acting on the part of the two stars is fine. If I'm nit-picking, ONJ gives a slightly uneven performance in TOAK - one or two scenes where she seems to be saying the words with a bit too much "acting", but very commendable otherwise. They both have a good sense of timing, and that comes though. There is even a "love" scene, although hardly x-rated - they keep most of their clothes on, although ONJ reported that she felt quite nervous about it at the time. She even swears in one scene, which is a bit weird the first time you hear it!
I always felt sorry that ONJ had a poor run with films after Grease and pretty much chucked the acting in, bar the occasional TV movie, although she seems to be making a slow return in a few indie films in the last 5 years. I think she could of gone on to a decent film career if she'd have picked some better films in the early 80's. She does have a good sense of comic timing (she is known in entertainment circles for a wicked sense of humour) - maybe in an alternate universe could have been the Meg Ryan of her generation...
The soundtrack is probably the strongest thing about TOAK - ONJ sings about half of what you hear in the film; she is head and shoulders above everything else. Olivia and John even do a duet - "Take a Chance", although it's not really anything to write home about. Give me "Twist of Fate" anyday.
I am a fan of both Olivia and John and I do love this movie. However, I appreciate its faults, and I'm not going to pretend that it's something it isn't. All in all, it's not a "great" movie in the traditional sense of the word. Where you are going to get rewarded watching TOAK is if you are a fan of Olivia and/or John (especially the two of them together.) It is a romantic comedy, and not a particularly good one at that, but that chemistry between them is certainly still there after "Grease", and that does give TOAK a certain something.
Other reviewers have already written about the plot, so I won't concentrate on that, rather on the performances and the way the film comes across.
There is a pretty starry cast here - Gene Hackman plays God, Oliver Reed plays the Devil and angels include Charles Durning and Beatrice Straight. Unfortunately, as a film experience, it just doesn't seem to work - probably the reason why it did so poorly at the Box Office at the time, despite a $5m marketing budget. Lots of rewinding and stopping time, which can be confusing if you're not paying attention; Oliver Reed singing(badly); and minor characters (Olivia's flatmates, her landlord) that do nothing for the plot and tend to irritate when they appear.
However, Olivia and John do make a very cute couple - I spent the entire second half of the film with a grin on my face, feeling very soppy, once they get it together.
The acting on the part of the two stars is fine. If I'm nit-picking, ONJ gives a slightly uneven performance in TOAK - one or two scenes where she seems to be saying the words with a bit too much "acting", but very commendable otherwise. They both have a good sense of timing, and that comes though. There is even a "love" scene, although hardly x-rated - they keep most of their clothes on, although ONJ reported that she felt quite nervous about it at the time. She even swears in one scene, which is a bit weird the first time you hear it!
I always felt sorry that ONJ had a poor run with films after Grease and pretty much chucked the acting in, bar the occasional TV movie, although she seems to be making a slow return in a few indie films in the last 5 years. I think she could of gone on to a decent film career if she'd have picked some better films in the early 80's. She does have a good sense of comic timing (she is known in entertainment circles for a wicked sense of humour) - maybe in an alternate universe could have been the Meg Ryan of her generation...
The soundtrack is probably the strongest thing about TOAK - ONJ sings about half of what you hear in the film; she is head and shoulders above everything else. Olivia and John even do a duet - "Take a Chance", although it's not really anything to write home about. Give me "Twist of Fate" anyday.
I am a fan of both Olivia and John and I do love this movie. However, I appreciate its faults, and I'm not going to pretend that it's something it isn't. All in all, it's not a "great" movie in the traditional sense of the word. Where you are going to get rewarded watching TOAK is if you are a fan of Olivia and/or John (especially the two of them together.) It is a romantic comedy, and not a particularly good one at that, but that chemistry between them is certainly still there after "Grease", and that does give TOAK a certain something.
This movie is worth watching because it's easy to see how much fun John and Olivia are having working together. Plus there's Oliver Reed and some simple fun special affects; although the general plot-line is a very overused one.
Two of a Kind is a 1983 American romantic fantasy comedy film directed by John Herzfeld and starring John Travolta and Olivia Newton-John. The film reunited Travolta and Newton-John who had appeared together in 1978's Grease. The original musical score was composed by Patrick Williams. Travolta plays a cash-strapped inventor while Newton-John plays the bank teller whom he attempts to rob. They must come to show compassion for one another in order to delay God's judgment upon the Earth. Despite being a critical and commercial failure, Two of a Kind yielded three popular singles for Newton-John and a Platinum certification for the soundtrack.
I expected the worst when I decided to watch Two of a Kind. I'm a huge fan of Grease and Olivia Newton-John so I thought even if it is dreadful, the soundtrack and Olivia may make it bearable. The film begins with four angels who have been in charge of Heaven for the last 25 years. God decides he is fed up with what he sees down on Earth and decides to start a fresh. The four angels persuade him to reconsider, reasoning that, if a typical Earth man can reform, it would prove that all mankind is capable of it.
Then comes in Zac (John Travolta), who decides to rob a bank served by Debbie, (Olivia Newton-John) who leaves her number on a bag supposedly filled with money which is empty, Debbie takes the money for herself and the two characters become infatuated.
With such a bizzare plot you'd think they'd have come up with something a little simpler to reunite the two leads, even an average romance comedy would've sufficed and probably been more successful than this. The film instead is plodding, 80s cheese - the cinematography of the film is ugly and it's generally a lifeless film to watch. The chemistry between the leads is virtually non-existent and a far-cry from Grease less than 10 years before this was filmed. There are also too many characters in the film we couldn't care less about. I can't imagine the disappointment of cinema-goers in 1983 when they sat down in a theatre to watch this. The ending is also laughably bad.
However, I didn't completely hate the film, it has a certain charm about it that I liked- the soundtrack is upbeat and fun although the energy didn't always match that of what was on-screen. It has that sticky-sweet 80s charm that always wins me over, no matter how bad the rest of the film is. I can't recommend the film completely, but it's nice to see the leads together again after Grease.
4/10
I expected the worst when I decided to watch Two of a Kind. I'm a huge fan of Grease and Olivia Newton-John so I thought even if it is dreadful, the soundtrack and Olivia may make it bearable. The film begins with four angels who have been in charge of Heaven for the last 25 years. God decides he is fed up with what he sees down on Earth and decides to start a fresh. The four angels persuade him to reconsider, reasoning that, if a typical Earth man can reform, it would prove that all mankind is capable of it.
Then comes in Zac (John Travolta), who decides to rob a bank served by Debbie, (Olivia Newton-John) who leaves her number on a bag supposedly filled with money which is empty, Debbie takes the money for herself and the two characters become infatuated.
With such a bizzare plot you'd think they'd have come up with something a little simpler to reunite the two leads, even an average romance comedy would've sufficed and probably been more successful than this. The film instead is plodding, 80s cheese - the cinematography of the film is ugly and it's generally a lifeless film to watch. The chemistry between the leads is virtually non-existent and a far-cry from Grease less than 10 years before this was filmed. There are also too many characters in the film we couldn't care less about. I can't imagine the disappointment of cinema-goers in 1983 when they sat down in a theatre to watch this. The ending is also laughably bad.
However, I didn't completely hate the film, it has a certain charm about it that I liked- the soundtrack is upbeat and fun although the energy didn't always match that of what was on-screen. It has that sticky-sweet 80s charm that always wins me over, no matter how bad the rest of the film is. I can't recommend the film completely, but it's nice to see the leads together again after Grease.
4/10
Le saviez-vous
- AnecdotesAlthough she'd starred in three theatrical movies and had made countless TV appearances in the 15-year period prior to this movie, Dame Olivia Newton-John was insecure about her acting abilities and decided to enroll in acting training in preparation for the film (and in fact her character is also part of an acting workshop).
- GaffesAs Zack leaves the bank, his mustache is almost all the way off. When he runs down the street, his mustache is completely back on his face, with no time to have fixed it.
- Crédits fousThe phrase "This film is Rated PG" is within the credits at the end before the PG rating tag actually shows after the movie.
- Versions alternativesOn older home video and TV versions, the 1953 20th Century Fox "Cinemascope" logo is oddly seen in place of the "then current" logo at the beginning of the movie. And at the end of the end credits, the tag "This film is Rated PG" is seen. Current home video and TV prints restore the "then-current" 20th Century Fox logo at the beginning and removes the "This film is Rated PG" tag at the end of the end credits.
- ConnexionsFeatured in Olivia Newton-John: Twist of Fate (1983)
- Bandes originalesHallelujah
(opening title)
from "Messiah" (uncredited)
Music by George Frideric Handel (as Georg Friedrich Händel)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Two of a Kind?Alimenté par Alexa
Détails
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 646 952 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 344 942 $US
- 18 déc. 1983
- Montant brut mondial
- 23 646 952 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant