NOTE IMDb
4,7/10
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MA NOTE
Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
James Stephens
- Ron
- (as James Stevens)
Robert Costanzo
- Capt. Cinzari
- (as Bobby Costanzo)
Avis à la une
God returns after 25 years and he's disappointed with humanity under the four angels; Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight). God proposes to start over but the angels convince him that there is goodness even in a man like Zack Melon (John Travolta), a failing inventor who owes money to gangsters. He tries to rob a bank but teller Debbie Wylder (Olivia Newton-John) switches the money with worthless slips. God agrees to bet that Zack would sacrifice himself for her and her for him... within a week's time. The Devil (Oliver Reed) has other plans.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
This was, effectively, John Travolta's last film before his near-decade long hiatus in the 1980's, and while it marks the end of the cheesy, romance genre with which he'd become synonymous at the time, it's not a bad vehicle in which to reunite the former "Grease" stars.
Travolta is a down-on-his-luck inventor who bungles a bank robbery to pay off gambling debts. Newton-John is the bored bank teller who takes pity on his predicament, teaming up as they dodge enemies and the law. Amid all the chaos, God has decided that the world is no longer worth the effort and plans to bring about its end. Only the intervention of a trio of well meaning angels (and Travolta and Newton-John as the saviours) can change God's mind. Encapsulating the unusual plot in a few sentences almost makes it sound complicated (not to mention absurd), but in reality, it's very light and entertaining.
Diverse cast in the supporting ranks (Reed, Durning, Crothers, Straight and Hudson most notable) provide madcap characterisations, and Travolta and Newton-John have an on-screen chemistry that is warming, if hopelessly corny at times. The soundtrack featuring some minor hits from Chicago, Journey and Boz Scaggs as well as Newton-John, is easy listening and fits the lighthearted mood well. There's some reasonable action sequences, stunts and set-work, and enough entertaining moments to fill out the 85-odd minutes.
An honest invention, not the typical self-indulgent romantic comedy that became stock standard of the nineties. Good cast, more comedy than romance, what's not to like?
Travolta is a down-on-his-luck inventor who bungles a bank robbery to pay off gambling debts. Newton-John is the bored bank teller who takes pity on his predicament, teaming up as they dodge enemies and the law. Amid all the chaos, God has decided that the world is no longer worth the effort and plans to bring about its end. Only the intervention of a trio of well meaning angels (and Travolta and Newton-John as the saviours) can change God's mind. Encapsulating the unusual plot in a few sentences almost makes it sound complicated (not to mention absurd), but in reality, it's very light and entertaining.
Diverse cast in the supporting ranks (Reed, Durning, Crothers, Straight and Hudson most notable) provide madcap characterisations, and Travolta and Newton-John have an on-screen chemistry that is warming, if hopelessly corny at times. The soundtrack featuring some minor hits from Chicago, Journey and Boz Scaggs as well as Newton-John, is easy listening and fits the lighthearted mood well. There's some reasonable action sequences, stunts and set-work, and enough entertaining moments to fill out the 85-odd minutes.
An honest invention, not the typical self-indulgent romantic comedy that became stock standard of the nineties. Good cast, more comedy than romance, what's not to like?
This movie is worth watching because it's easy to see how much fun John and Olivia are having working together. Plus there's Oliver Reed and some simple fun special affects; although the general plot-line is a very overused one.
With a cast this good, it's natural to expect a lot more than this script could deliver. John and Olivia are reunited for the first time since Grease, and the results were a big letdown for a great many people.
Our story centers around the fact that God, played by the voice of Gene Hackman, is fed up with humanity. He's so tired of all the crime and bad behavior on Earth that he plans on sending another huge flood to finish us all off. Four angels (who are perhaps the best part about the film) plead with God to give humanity one more chance. God agrees, but demands to see some kind of miracle within a week or so. Apparently it will only take a couple of mere mortals (Travolta and Newton-John) sacrificing something for each other to save all of man kind. Too bad both characters are self-centered and shady. Travolta is a struggling inventor(!) who owes a fortune to a violent loan shark. Newton-John is a struggling actress who also works at a bank that Travolta plans to rob for the money to pay off his debt. Olivia tricks him and takes the money for herself, setting up contrivance after contrivance for the remaining screen time. It looks like the world will come to an end since neither character trusts the other (why should they?) and the Devil is also on the scene to foul things up for them. I could go on and on about this plot, but you probably get the idea. This is pretty questionable material we're working with in terms of a screenplay.
I liked Oliver Reed quite a bit as the Devil. If the Devil walked the streets of New York, I suppose that's how he'd look or act. I also enjoyed watching he and the Charles Durning's angelic character square off by moving time back and forth to suit their respective needs. The film gets a few laughs out of a restaurant scene where the two demolish the place before God appears to reign in Durning for "abusing his powers".
The film is full of 80's clichés and scenes that only serve to date the material. There is little or no chemistry between the two leads, and that was the main reason behind this film's failure. Travolta's body is bound to be a plus for the ladies in the audience. He was still buff from his work in "Staying Alive". Olivia looked better in Xanadu with her longer hair, if I may be so bold. The film did virtually nil at the box office, and Travolta's career went south in a hurry shortly thereafter.
I'll give it 4 stars mostly for the great cast. And any film with Scatman Crothers always gets a bonus star from the Hound. I loved that guy.
5 of 10 stars total.
Our story centers around the fact that God, played by the voice of Gene Hackman, is fed up with humanity. He's so tired of all the crime and bad behavior on Earth that he plans on sending another huge flood to finish us all off. Four angels (who are perhaps the best part about the film) plead with God to give humanity one more chance. God agrees, but demands to see some kind of miracle within a week or so. Apparently it will only take a couple of mere mortals (Travolta and Newton-John) sacrificing something for each other to save all of man kind. Too bad both characters are self-centered and shady. Travolta is a struggling inventor(!) who owes a fortune to a violent loan shark. Newton-John is a struggling actress who also works at a bank that Travolta plans to rob for the money to pay off his debt. Olivia tricks him and takes the money for herself, setting up contrivance after contrivance for the remaining screen time. It looks like the world will come to an end since neither character trusts the other (why should they?) and the Devil is also on the scene to foul things up for them. I could go on and on about this plot, but you probably get the idea. This is pretty questionable material we're working with in terms of a screenplay.
I liked Oliver Reed quite a bit as the Devil. If the Devil walked the streets of New York, I suppose that's how he'd look or act. I also enjoyed watching he and the Charles Durning's angelic character square off by moving time back and forth to suit their respective needs. The film gets a few laughs out of a restaurant scene where the two demolish the place before God appears to reign in Durning for "abusing his powers".
The film is full of 80's clichés and scenes that only serve to date the material. There is little or no chemistry between the two leads, and that was the main reason behind this film's failure. Travolta's body is bound to be a plus for the ladies in the audience. He was still buff from his work in "Staying Alive". Olivia looked better in Xanadu with her longer hair, if I may be so bold. The film did virtually nil at the box office, and Travolta's career went south in a hurry shortly thereafter.
I'll give it 4 stars mostly for the great cast. And any film with Scatman Crothers always gets a bonus star from the Hound. I loved that guy.
5 of 10 stars total.
This movie didn't get as much credit as it deserves. I guess everyone expected it to have the same power as Grease because of its stars. This movie I think can stand on its own. It has a cute story and it does have that great star power. It has times when it's funny and it has times when it's romantic and it has times when it's dramatic. So it didn't have that same spirit as Grease if you give it a chance to prove itself you might actually enjoy it and not punish it for not living up to what people expected.
Le saviez-vous
- AnecdotesAlthough she'd starred in three theatrical movies and had made countless TV appearances in the 15-year period prior to this movie, Dame Olivia Newton-John was insecure about her acting abilities and decided to enroll in acting training in preparation for the film (and in fact her character is also part of an acting workshop).
- GaffesAs Zack leaves the bank, his mustache is almost all the way off. When he runs down the street, his mustache is completely back on his face, with no time to have fixed it.
- Crédits fousThe phrase "This film is Rated PG" is within the credits at the end before the PG rating tag actually shows after the movie.
- Versions alternativesOn older home video and TV versions, the 1953 20th Century Fox "Cinemascope" logo is oddly seen in place of the "then current" logo at the beginning of the movie. And at the end of the end credits, the tag "This film is Rated PG" is seen. Current home video and TV prints restore the "then-current" 20th Century Fox logo at the beginning and removes the "This film is Rated PG" tag at the end of the end credits.
- ConnexionsFeatured in Olivia Newton-John: Twist of Fate (1983)
- Bandes originalesHallelujah
(opening title)
from "Messiah" (uncredited)
Music by George Frideric Handel (as Georg Friedrich Händel)
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- How long is Two of a Kind?Alimenté par Alexa
Détails
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 646 952 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 344 942 $US
- 18 déc. 1983
- Montant brut mondial
- 23 646 952 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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