NOTE IMDb
4,7/10
4,9 k
MA NOTE
Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.Lorsque Dieu décide de détruire la Terre, quatre anges visent à racheter l'humanité à travers un jeune homme et une femme avec leurs propres problèmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
James Stephens
- Ron
- (as James Stevens)
Robert Costanzo
- Capt. Cinzari
- (as Bobby Costanzo)
Avis à la une
Two of a Kind is a 1983 American romantic fantasy comedy film directed by John Herzfeld and starring John Travolta and Olivia Newton-John. The film reunited Travolta and Newton-John who had appeared together in 1978's Grease. The original musical score was composed by Patrick Williams. Travolta plays a cash-strapped inventor while Newton-John plays the bank teller whom he attempts to rob. They must come to show compassion for one another in order to delay God's judgment upon the Earth. Despite being a critical and commercial failure, Two of a Kind yielded three popular singles for Newton-John and a Platinum certification for the soundtrack.
I expected the worst when I decided to watch Two of a Kind. I'm a huge fan of Grease and Olivia Newton-John so I thought even if it is dreadful, the soundtrack and Olivia may make it bearable. The film begins with four angels who have been in charge of Heaven for the last 25 years. God decides he is fed up with what he sees down on Earth and decides to start a fresh. The four angels persuade him to reconsider, reasoning that, if a typical Earth man can reform, it would prove that all mankind is capable of it.
Then comes in Zac (John Travolta), who decides to rob a bank served by Debbie, (Olivia Newton-John) who leaves her number on a bag supposedly filled with money which is empty, Debbie takes the money for herself and the two characters become infatuated.
With such a bizzare plot you'd think they'd have come up with something a little simpler to reunite the two leads, even an average romance comedy would've sufficed and probably been more successful than this. The film instead is plodding, 80s cheese - the cinematography of the film is ugly and it's generally a lifeless film to watch. The chemistry between the leads is virtually non-existent and a far-cry from Grease less than 10 years before this was filmed. There are also too many characters in the film we couldn't care less about. I can't imagine the disappointment of cinema-goers in 1983 when they sat down in a theatre to watch this. The ending is also laughably bad.
However, I didn't completely hate the film, it has a certain charm about it that I liked- the soundtrack is upbeat and fun although the energy didn't always match that of what was on-screen. It has that sticky-sweet 80s charm that always wins me over, no matter how bad the rest of the film is. I can't recommend the film completely, but it's nice to see the leads together again after Grease.
4/10
I expected the worst when I decided to watch Two of a Kind. I'm a huge fan of Grease and Olivia Newton-John so I thought even if it is dreadful, the soundtrack and Olivia may make it bearable. The film begins with four angels who have been in charge of Heaven for the last 25 years. God decides he is fed up with what he sees down on Earth and decides to start a fresh. The four angels persuade him to reconsider, reasoning that, if a typical Earth man can reform, it would prove that all mankind is capable of it.
Then comes in Zac (John Travolta), who decides to rob a bank served by Debbie, (Olivia Newton-John) who leaves her number on a bag supposedly filled with money which is empty, Debbie takes the money for herself and the two characters become infatuated.
With such a bizzare plot you'd think they'd have come up with something a little simpler to reunite the two leads, even an average romance comedy would've sufficed and probably been more successful than this. The film instead is plodding, 80s cheese - the cinematography of the film is ugly and it's generally a lifeless film to watch. The chemistry between the leads is virtually non-existent and a far-cry from Grease less than 10 years before this was filmed. There are also too many characters in the film we couldn't care less about. I can't imagine the disappointment of cinema-goers in 1983 when they sat down in a theatre to watch this. The ending is also laughably bad.
However, I didn't completely hate the film, it has a certain charm about it that I liked- the soundtrack is upbeat and fun although the energy didn't always match that of what was on-screen. It has that sticky-sweet 80s charm that always wins me over, no matter how bad the rest of the film is. I can't recommend the film completely, but it's nice to see the leads together again after Grease.
4/10
This was, effectively, John Travolta's last film before his near-decade long hiatus in the 1980's, and while it marks the end of the cheesy, romance genre with which he'd become synonymous at the time, it's not a bad vehicle in which to reunite the former "Grease" stars.
Travolta is a down-on-his-luck inventor who bungles a bank robbery to pay off gambling debts. Newton-John is the bored bank teller who takes pity on his predicament, teaming up as they dodge enemies and the law. Amid all the chaos, God has decided that the world is no longer worth the effort and plans to bring about its end. Only the intervention of a trio of well meaning angels (and Travolta and Newton-John as the saviours) can change God's mind. Encapsulating the unusual plot in a few sentences almost makes it sound complicated (not to mention absurd), but in reality, it's very light and entertaining.
Diverse cast in the supporting ranks (Reed, Durning, Crothers, Straight and Hudson most notable) provide madcap characterisations, and Travolta and Newton-John have an on-screen chemistry that is warming, if hopelessly corny at times. The soundtrack featuring some minor hits from Chicago, Journey and Boz Scaggs as well as Newton-John, is easy listening and fits the lighthearted mood well. There's some reasonable action sequences, stunts and set-work, and enough entertaining moments to fill out the 85-odd minutes.
An honest invention, not the typical self-indulgent romantic comedy that became stock standard of the nineties. Good cast, more comedy than romance, what's not to like?
Travolta is a down-on-his-luck inventor who bungles a bank robbery to pay off gambling debts. Newton-John is the bored bank teller who takes pity on his predicament, teaming up as they dodge enemies and the law. Amid all the chaos, God has decided that the world is no longer worth the effort and plans to bring about its end. Only the intervention of a trio of well meaning angels (and Travolta and Newton-John as the saviours) can change God's mind. Encapsulating the unusual plot in a few sentences almost makes it sound complicated (not to mention absurd), but in reality, it's very light and entertaining.
Diverse cast in the supporting ranks (Reed, Durning, Crothers, Straight and Hudson most notable) provide madcap characterisations, and Travolta and Newton-John have an on-screen chemistry that is warming, if hopelessly corny at times. The soundtrack featuring some minor hits from Chicago, Journey and Boz Scaggs as well as Newton-John, is easy listening and fits the lighthearted mood well. There's some reasonable action sequences, stunts and set-work, and enough entertaining moments to fill out the 85-odd minutes.
An honest invention, not the typical self-indulgent romantic comedy that became stock standard of the nineties. Good cast, more comedy than romance, what's not to like?
This movie's unintentional humor is just as funny as the real humor intended to be. There's a lot to watch for here, the once-hot trendy hairstyles hairstyles, edible sunglasses, an small role by an up-and-coming Kathy Bates, are all in here. John's physique was still lookin' hot from "Stayin' Alive" (waxed chest and all), and Olivia's "Physical" haircut had grown out to a nice length by this time. Their clothes and hair are classic mid-80s. I'm sure it was a refreshing change for ONJ from the peasant dress she wore in "Xanadu." The plot is incidental, but an added reason to see this film is the wonderful presence of the late actors Scatman Crothers, Oliver Reed, and Beatrice Straight (a dramatic actor who inexplicably made this one of her only comedic roles). Reed is a pleasure to watch, and Crothers is as jovial here as he was playing Kick the Can in "Twilight Zone: The Movie." They should have realized what they had and made it more campy; but hey, as long as we're in on the joke. This should play on local UHF stations Saturday or Sunday afternoons in a double bill with the Carol Burnett/Alan Arkin film, "Chu Chu and the Philly Flash"!
God returns after 25 years and he's disappointed with humanity under the four angels; Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight). God proposes to start over but the angels convince him that there is goodness even in a man like Zack Melon (John Travolta), a failing inventor who owes money to gangsters. He tries to rob a bank but teller Debbie Wylder (Olivia Newton-John) switches the money with worthless slips. God agrees to bet that Zack would sacrifice himself for her and her for him... within a week's time. The Devil (Oliver Reed) has other plans.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
Travolta and Olivia Newton-John reunite for this less-than-stellar follow-up. They are not as appealing as the first time. Their characters are a bit clunky. Their charisma and a few pop hits are the only saving grace. Everything else has that clunky muddle.
This movie didn't get as much credit as it deserves. I guess everyone expected it to have the same power as Grease because of its stars. This movie I think can stand on its own. It has a cute story and it does have that great star power. It has times when it's funny and it has times when it's romantic and it has times when it's dramatic. So it didn't have that same spirit as Grease if you give it a chance to prove itself you might actually enjoy it and not punish it for not living up to what people expected.
Le saviez-vous
- AnecdotesAlthough she'd starred in three theatrical movies and had made countless TV appearances in the 15-year period prior to this movie, Dame Olivia Newton-John was insecure about her acting abilities and decided to enroll in acting training in preparation for the film (and in fact her character is also part of an acting workshop).
- GaffesAs Zack leaves the bank, his mustache is almost all the way off. When he runs down the street, his mustache is completely back on his face, with no time to have fixed it.
- Crédits fousThe phrase "This film is Rated PG" is within the credits at the end before the PG rating tag actually shows after the movie.
- Versions alternativesOn older home video and TV versions, the 1953 20th Century Fox "Cinemascope" logo is oddly seen in place of the "then current" logo at the beginning of the movie. And at the end of the end credits, the tag "This film is Rated PG" is seen. Current home video and TV prints restore the "then-current" 20th Century Fox logo at the beginning and removes the "This film is Rated PG" tag at the end of the end credits.
- ConnexionsFeatured in Olivia Newton-John: Twist of Fate (1983)
- Bandes originalesHallelujah
(opening title)
from "Messiah" (uncredited)
Music by George Frideric Handel (as Georg Friedrich Händel)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Two of a Kind?Alimenté par Alexa
Détails
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 646 952 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 344 942 $US
- 18 déc. 1983
- Montant brut mondial
- 23 646 952 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant