Un fauteuil pour deux

When it comes to great comic films, nobody recalls the magic between Murphy and Aykroyd in Trading Places. In the early 80's Eddie Murphy was considered the funniest black comedian next to Richard Pryor. Dan Aykroyd was one of the all time great cast members of Saturday Night Live. Both actors started on SNL and were ready to make their career in films. Trading Places is an example of a perfect comedy. It is funny yes, but there is so much more. With its story, the acting, and the political, racial, and economical plots in the film add to its greatness. One of the best comedies to come out of the 1980's, it stands as one of Eddie Murphy's best earlier films as well as Aykroyd's performances as a character actor. A wonderful and somewhat good family film. If you're that kind of family that is.

One of the best comedies of the 1980's, this stars Eddie Murphy in one of his best roles alongside Dan Aykroyd. The plot is great, a poor, homeless man who has resorted to a life of crime (Murphy) and an upper class yuppie involved in the stock market (Aykroyd) trade places when two devious brothers (Aykroyd's employees) have a bet. This is a very well written, well acted, and well executed comedy, that makes you laugh, but also grips you with a strong plot. Also has a satisfying ending.

Murphy and Aykroyd work well off each other. They both know how to deliver the punchlines. Supporting cast helps bring the comedy to fruition. Delightful performances by veterans Don Ameche and Ralph Bellamy knowing how to work with todays young talent.

This is probably one of the funniest films of the 1980's. It not only is a play on the classic nature vs. nurture theme, but it is also a somewhat comedic commentary on the "greed is good" decade of the 80's. However, it is also a nice bridging of the generations as it features two of the biggest stars to come from "Saturday Night Live" Eddie Murphy does a fine job as con man Billy Ray and Dan Ackroyd is great as Louis. Jamie Lee Curtis is also wonderful as Ophelia. In fact, it was good to see her do something other than the "scream queen" roles which she became famous for during the early part of her career. She definitely shows the comedic timing that she would display later in her career and would make her one of the finest comedic actresses in film today. However, the one that really steals it for me is Denholm Elliot as Coleman. He delivers a very low key performance that is befitting for that role. This is a real gem.

I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10