To Be or Not to Be

I've been a big fan of the Jack Benny movie since I was 10 years old. Then, just earlier this year, I sought out the Mel Brooks version. I had become a huge Mel Brooks fan and he is now my favorite entertainer. So I thought I'd see this version just because I sorta kinda had to as a Mel Brooks fanatic. My grandfather (also a big Mel Brooks fan) had seen the film on its release back in 1984 and thought it was a kind of pale copy of the Jack Benny version, which he loves too. But I personally thought that the film was a brilliant motion picture and contained more laffs and better music than the original. This quickly became one of my favorite Mel Brooks movies (even though he didn't direct or write it!) The supporting cast is great, in a different way than the original. Instead of trying to merely copy the original performances, they create their own, equally-funny ones, especially Charles Durning and Christopher Lloyd. Jose Ferrer was great. That underrated Jewish character comic George Wyner was also as funny as ever. Even Ronny Graham had a role as Sondheim("Sondheim, send in the Klowns!") James Haake as Sasha gave a brilliant performance. I wish he'd won an Oscar. Tim Matheson was good in his kind of bland role as the Polish Flier. But of course, the stars are Mel Brooks and Anne Bancroft. Their highlights together include a Polish version of "Sweet Georgia Brown." Brooks sings "A Little Peace," "Ladies," and (on the soundtrack album only) "The Hitler Rap."

Actually, when interviewed about this movie, Mel Brooks said it was an homage to Jack Benny. And if you look, the Bronskis live on Kubelsky Street, Benny Kubelsky is Jack Benny's real name. There are many other touches that also show Brooks' love for the original. Anne Bancroft is a true treat. Her comedic talents shine, she was truly a rare actress, and will be missed.

It was well done, with Mel Brooksian flair, and respectful of the original. I won't add comments about the acting, there are so many pros and cons at this point, one more won't make a difference. But if you have some free time, see BOTH of the movies. It's not sacrilege to like them both.

TO BE OR NOT TO BE

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.

Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.

This is the great Mel Brooks at his best!.

He revisits this classic film and makes it even crazier than the original, adding a lot of new stuff... (there are 3 numbers where Mel dances and sings, there are clowns, jews and a homosexual hairdresser pursued by the evil and stupid nazis.)

All the actors in this movie, and I mean ALL, are just terrific.

I´d like to state that this is not a remake of the Ernst Lubistch classic, (at least that´s my opinion), to me this is a tribute to the great director and his masterpiece.

I´ve watched the Lubistch "To be or not to be" a lot of times for it´s one of my favorite films, and the Mel Brooks version is completely different from the original. It was made the Brooks way, which I really adore.

So watch this film, you´ll have a lot of fun and won´t stop laughing.

Oh, just one more thing...

This is an asking to 20th Century Fox: When you decide to release this movie in DVD, include the absolutely amazing video-clip: "To be or not to be - Hitler Rap" performed by Mel Brooks please!!. I can assure you that a lot of people will buy it just for that.

(9 out of 10)

This remake of Ernst Lubitsch's wartime comedy has often been dismissed as a ham-fisted and unnecessary vanity exercise. This is grossly unfair, as the Brooks' version is in fact a deft and funny comedy that stands up well in comparison to its forebear. Mel Brooks and Anne Bancroft make their own the roles of the Bronskis, a Warsaw theatrical duo ("world famous in Poland")who star in revues at the Bronski theatre. When war breaks out the Bronskis become brood-hens to an ever-growing community of Jewish refugees while staying one step ahead of the Nazis. Brooks and Bancroft are fine in the roles of the battling Bronskis, particularly Mel Brooks who finds a touching level of vulnerability beneath the bombast and bluster of Frederick Bronski. Despite the farcical and improbable plot twists, the narrative is sound and genuine pathos registers throughout the film. Those with fond memories of Jack Benny and Carole Lombard in the lead roles may have boycotted this on first release, but they have denied themselves a rare treat - a sure-footed and genuinely entertaining film.