NOTE IMDb
4,9/10
517
MA NOTE
Ajouter une intrigue dans votre langueA safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.
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The story of a safe cracker hired to help find a lost scepter thats hidden in a lost tomb is nothing more than an entertaining diversion. No, its no where near the level of say an Indiana Jones film or some of the great Hollywood action films, however it is an entertaining little film, perfect for a rainy weekend afternoon. An Italian/Turkish co-production this film sports sights that are not the sort you've seen a thousand times before, indeed it appears to have been filmed in the much under used cities and county side of Turkey. The story is good and moves along nicely. The actors, many of which are Euro-trash and exploitation regulars handle themselves nicely. You'll forgive the lack of detail, but this is a simply a good mindless movie thats worth seeing, even though it will disappear from your brain not long after.
The dream team of Antonio Margheriti, David Warbeck and John Steiner reunite for a thematic sequel to Hunters Of The Golden Cobra, and its a beauty, as good if not better than the earlier film. Warbeck is on top form and John Steiner is as magical as ever in a rip roaring adventure that will keep you hooked until the credits fade. Good guys, bad guys, fisticuffs, car chases and a lovely in joke about Roger Moore. This is a wonderful film.
This has lots of action and there is a modern setting, just too many overcast cloudy weather scenes, where is sunlight, for the Istanbul setting which is the city of many movies of intrigue and a welcome cinematic return. Highlight is a cat burglar sequence.
My review was written in July 1986 after watching the film on Trans World Entertainment video cassette.
After filming the fantasy "Yor, the Hunter from the Future" there, Italian filmmaker Antonio Margheritti returned to Turkey in 1983 to shoot "The Ark of the Sun God", a subpar entry in his series of imitative adventure films. Pic debuted domestically on video cassette.
British thesp David Warbec (veteran of 10 Italian films to date) gets to play a British character for a change, sa Rick Spear, a London cracksman sent to Istanbul on a cockeyed mission: he's to find the temple of the Sun God which is the resting place of Gilgamesh. A legendary jeweled scepter of the king is inside and can be used as a limitless source of power to the bearer. Because the golden door is booby-trapped (with the entire temple set to self-destruct), a master burglar like Spear is needed for the job.
If this sounds a bit like "Raiders of the Lost Ark", it's because Margheritii earlier raided that hit with an interesting variation, "The Hunters of the Golden Cobra". This time there's too much padding, as Sperar is tested and then goes hunting for the site, aided by a survivor of a mission over 40 years earlier, Beetle (Alan Collins).
The Turkish locations are again impressive, but this "Ark" doesn't pic up steam until the final reels containing cliffhanger derring-do in the em=emple and caverns surrounding it.
Soundtrack features a lovely romantic theme but elsewhere pointlessly includes the main theme from "Battlestar Galactica".
After filming the fantasy "Yor, the Hunter from the Future" there, Italian filmmaker Antonio Margheritti returned to Turkey in 1983 to shoot "The Ark of the Sun God", a subpar entry in his series of imitative adventure films. Pic debuted domestically on video cassette.
British thesp David Warbec (veteran of 10 Italian films to date) gets to play a British character for a change, sa Rick Spear, a London cracksman sent to Istanbul on a cockeyed mission: he's to find the temple of the Sun God which is the resting place of Gilgamesh. A legendary jeweled scepter of the king is inside and can be used as a limitless source of power to the bearer. Because the golden door is booby-trapped (with the entire temple set to self-destruct), a master burglar like Spear is needed for the job.
If this sounds a bit like "Raiders of the Lost Ark", it's because Margheritii earlier raided that hit with an interesting variation, "The Hunters of the Golden Cobra". This time there's too much padding, as Sperar is tested and then goes hunting for the site, aided by a survivor of a mission over 40 years earlier, Beetle (Alan Collins).
The Turkish locations are again impressive, but this "Ark" doesn't pic up steam until the final reels containing cliffhanger derring-do in the em=emple and caverns surrounding it.
Soundtrack features a lovely romantic theme but elsewhere pointlessly includes the main theme from "Battlestar Galactica".
The ever likable David Warbeck headlines in this highly enjoyable Raiders Of The Lost Ark inspired yarn as a professional burglar/safe cracker hired by a rich British Lord (John Steiner) to locate and retrieve a priceless artifact (a sacred sceptre) from a lost temple somewhere deep in the Turkish desert.
This being tauted as an all action film however, you can probably imagine that the task proves far more complex and dangerous than initially sounding as the artifact is also craved by some less than pleasant individuals who wish to get hold of the sceptre for their own nefarious ends and who most certainly do NOT wish to share it with anyone else.
Plenty of the promised action inevitably ensues with a plethora of high speed car chases (which utilise some cool looking Gerry Anderson style model work), fist fights, shoot outs and James Bond style intrigue together with a healthy dose of humour which all add up to produce a highly satisfying 90 or so minutes.
Warbeck is on top form here and is ably supported by a great cast which includes the previously mentioned and always great value John Steiner, and perennial favourite Luciano Pigozzi (who appears to be in pretty much EVERY Italian B-movie ever made!!!)
Tremendous fun from beginning to end, this is typically rip roaring stuff from the ever dependable Antonio Margheriti and is certainly well worth watching.
This being tauted as an all action film however, you can probably imagine that the task proves far more complex and dangerous than initially sounding as the artifact is also craved by some less than pleasant individuals who wish to get hold of the sceptre for their own nefarious ends and who most certainly do NOT wish to share it with anyone else.
Plenty of the promised action inevitably ensues with a plethora of high speed car chases (which utilise some cool looking Gerry Anderson style model work), fist fights, shoot outs and James Bond style intrigue together with a healthy dose of humour which all add up to produce a highly satisfying 90 or so minutes.
Warbeck is on top form here and is ably supported by a great cast which includes the previously mentioned and always great value John Steiner, and perennial favourite Luciano Pigozzi (who appears to be in pretty much EVERY Italian B-movie ever made!!!)
Tremendous fun from beginning to end, this is typically rip roaring stuff from the ever dependable Antonio Margheriti and is certainly well worth watching.
Le saviez-vous
- AnecdotesDirector Antonio Margheriti was famed for his usage of scale models and miniatures as special effects for his films. This movie features two car chase sequences (one set on an abandoned railway and the other set in the desert) that almost look like they were big-budgeted stunt set pieces, but were actually filmed with radio-controlled models racing on specifically built small-size dioramas.
- GaffesAt the end of the movie when the tomb is collapsing and debris is falling you can clearly see a crew member push a column over as soon as David Warbeck runs past it.
- ConnexionsEdited into Cop Game (1988)
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- How long is The Ark of the Sun God?Alimenté par Alexa
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