Zu, les guerriers de la montagne magique
Titre original : Suk saan: San suk saan gim hap
NOTE IMDb
6,6/10
3,3 k
MA NOTE
Ajouter une intrigue dans votre langueA Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.A Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.A Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Fung Hak-On
- Evil Disciple
- (as Hark-On Fung)
Kuang-Li Hsia
- Chi Wu-Shuang
- (as Kwan-Li Shen)
Avis à la une
Hark's action fantasy 'Xin Shu Shan Jian Ke' is a whole lot of fun. Needless to say one can expect lots of extravagant martial arts action sequences which are well choreographed (but some of them are so long that they tend to drag a little). The movie is loaded with special effects and even though they don't look as refined as movies of today, they're still fun to watch. The sets don't look particularly authentic but they hold a certain appeal and I like the way they appeared. The story isn't told in the traditional fashion and at some points question marks will appear in the mind but there's always something happening to keep the viewer engaged. Yuen Biao and Sammo Hung are simply great as they infuse humour and energy into their roles. Energetic, funny, bizarre, wacky, magical...these are just a few words that describe Tsui Hark's 'Xin Shu Shan Jian Ke'. Forget the abysmal 2003 remake. This is where the real fun is.
Set during a feudal period with many warring clans, Yuen Biao stars as a young warrior who deserts his army and , after falling off of a cliff, finds himself in a magical land in the middle of its own war. The forces of Good, lead by the ancient sorcerer White Brows (Sammo Hung), are at odds with the forces of Evil, lead by the Blood Demon (Corey Yuen). Biao teams up with a group of heroic warriors, including Adam Cheng and Brigitte Lin, to help defeat the evil menace.
Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.
The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.
Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.
The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.
I've got to say, this movie delivered exactly what I thought it would when I bought it. And I bought it simply on the strength of the box and how it said something really good about Tsui Hark. Ever since I have unfailingly watched any Tsui Hark movie that has come across my path. I love this movie. It's goofy in the extreme and at many points simply doesn't make sense. Maybe it's because I've been brainwashed by too many episodes of Mystery Science Theater 3000, but I love cheesy movies. The fight scenes are excellent, the scenery is superb and the story is spellbinding, (there I think I've but exhausted my list of critic cliché adjectives). It's especially good to watch if you're an enhancement smoker.
This film illustrates the major difference between Western and Eastern fantasy films. A western version of this same film would attempt for some level of realism, some element of grittiness and angst. This film ignores realism entirely. Hey, its a fantasy already! Swordsman and monks float and dive in aerial battle, an old man's eyebrows are deadly weapons, whole armies of guys in brightly colored uniforms run about attacking each other for very poorly explained reasons, and blue eyed jawa clones swoop about the inside of evil temples. Although the ending is almost unintelligible, the first hour of the film is just one cool scene after another. The editing of this film would certainly make an epileptic have a seizure, but after five minutes you stop caring about the plot and dialogue and just start enjoying the wacky surreal action. I wish I could see this one on the big screen.
If you are a fan of Hong Kong action films and you haven't seen this i would suggest you track a copy down right now.
As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.
Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.
The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.
He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.
The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.
As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.
Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.
The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.
He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.
The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.
Le saviez-vous
- AnecdotesAmerican filmmaker John Carpenter has stated that Zu, les guerriers de la montagne magique (1983) was an influence on his 1986 film Les Aventures de Jack Burton dans les griffes du Mandarin (1986).
- GaffesDuring many of the actors stunt scenes or where there are arrows flying around, you can spot the cables used by the sfx team.
- Versions alternativesThe international English language version, Zu Time Warriors, includes a 25-min. wraparound filmed in Canada with Yuen Biao as a modern day fencing champ transported via his dreams while in a coma to the Oriental fantasy setting of the film and awakening from the coma at the end. The Chinese version was released prior to this filming despite director's wishes.
- ConnexionsFeatured in The Best of the Martial Arts Films (1990)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Zu: Warriors from the Magic Mountain
- Société de production
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