Zu, les guerriers de la montagne magique

"Zu Warriors" certainly pushed wuxia to its limits; it has such a relentless air of enthusiasm, especially given its limited budget, that its incredibly easy to dismiss any faults it does have just because of its overwhelmingly extravagant nature. Its glorious, vivid production design and intentionally camp attitude makes it very difficult not to be totally drawn into its colourful images while completely forgetting the film has a plot.

Tsui Hark has included just about everything in this one. The special effects may not be up to much but that is a sideline; the wonderful swordplay starts almost immediately and the films rarely lets up as it jumps from one operatic martial art display to another, helped by an impeccable cast featuring iconic stars such as Sammo Hung and Brigitte Lin.

Unfortuantly it still took some work before films of this sort were appreciated in the west. Despite the efforts of John Carpenter, it still took over a decade and Crouching Tiger to truly bring this wonderful form of entertainment to the masses. There's only so much praise you can give a film before saying it has to be seen to be appreciated fully. This is certainly a landmark in wuxia and an essential showpiece of Hong Kong action at its finest. (A testament to this is the fact the DVD has a Bey Logan commentary.)

This film illustrates the major difference between Western and Eastern fantasy films. A western version of this same film would attempt for some level of realism, some element of grittiness and angst. This film ignores realism entirely. Hey, its a fantasy already! Swordsman and monks float and dive in aerial battle, an old man's eyebrows are deadly weapons, whole armies of guys in brightly colored uniforms run about attacking each other for very poorly explained reasons, and blue eyed jawa clones swoop about the inside of evil temples. Although the ending is almost unintelligible, the first hour of the film is just one cool scene after another. The editing of this film would certainly make an epileptic have a seizure, but after five minutes you stop caring about the plot and dialogue and just start enjoying the wacky surreal action. I wish I could see this one on the big screen.

Because this movie was made in the 1980s, I did not expect the special FX to be the equivalent of anything made in the states, or even up to the level of The Stormriders. However, I found this film a lot more enjoyable than the latter. This film is almost a non-stop ride full of swordfights, optical FX battles, flying people, and it still leaves room for some interesting themes also.

The plot deals with a soldier being disillusioned by the endless civil wars that have been fought. He goes to a mountain where he joins a swordsman, a monk and his apprentice, Sammo Hung, and some lovely ladies in a quest to defeat the Blood Demon, a being of pure evil. On the way, the soldier (Yuen Biao) and the monk's apprentice (Mang Hoi) must find some swords to use in the battle.

The action is nearly non-stop. It first starts out with some basic swordplay. Once Yuen reaches the mountain, than everything shifts into overdrive. Optical FX fly across the screen at dizzying speeds. Humans and demons fly across the screen at dizzying speeds. People get frozen alive. Women fly around with swirling cloth in their wake. Men fly around chained to boulders. Eyebrows are used to contain evil. All I can say is...wow. Only Ching Siu Tung could come up w/ some as imaginative as this.

As I mentioned earlier, there are some interesting themes involved. Tsui Hark seemed to make a statement against world leaders who start senseless wars and kill innocent people. Also, he talks about how battles become futile when people won't set aside their differences for a common cause. If we want to save the world or even ourselves, we all have to work together.

Of interesting note is the International dubbed version. That version makes the film into a dream sequence and turns the war parable into a love story spanning many generations. A lot of scenes are cut and shortened, giving the Zu mountain segment a very rushed feel. Overall, the subtitled version is a lot more preferable.

This is a visual masterpiece that outdoes the special effects of later movies with sheer artistry, because it is a magical piece.

It is a larger than life movie about a fight against evil. It begins with a "scout" giving two leaders a report. They each give him conflicting orders, and then ask which he'll obey. He says "Both", so they both call him insubordinate and condemn him to die.

He finds himself on the run. This sets the pace for the film, which is nonstop action and breathtaking visuals. It helps that the visuals are perfectly placed, and logical in their Magic.

The scout finds comrades, at first another warrior from an opposing side, and then later some monks who work in a very magical world.

The film manages to be the best of all worlds. In spite of the magic, the comedy of human errors is always there. The characters fly in the air, fight demons, and do outrageous acrobatics, yet bump their noses, can't swim, and get smacked by pretty girls. They engage in battle, but play dead at the first opportunity, only to find dozens of others also playing dead.

It is one of the funniest films of all time, and also one of the most passionate.

This is how to make a masterpiece.

This eye-popping, special-effects-laden Asian fantasy is a real feast for the eyes. It stars Yuen Biao as a soldier who, fed up with the constant and seemingly pointless civil war, deserts his platoon only to find himself caught in another battle. He escapes the battle by falling off a cliff, but descends unharmed into a cave, where he is rescued from an attack by glow-eyed flying demons by a fantastic warrior with a magical flying sword. He goes under the tutelage of the warrior, who is reluctant to take on a new pupil. What follows, words cannot aptly describe. Suffice it to say, it's an absolutely frenzied mix of action, special effects and bizarre, magical occurrences. The action is non-stop and the editing is laser-paced. I was absolutely exhausted by the end of the film. The cast is likewise first-rate. I was impressed especially by Sammo Hung in a dual role: as Yuen Biao's soldier buddy, and as Long Brows, the ancient priest who holds the Blood Monster at bay using his "sky mirror" and magical extending beard and eyebrows...You'd have to see it to understand. Suffice to say that there's many moments in this film that will have you thinking, "I have no idea what's going on, but it sure *looks* cool." Trust me, you won't be able to tear your eyes from the screen.