L'étoffe des héros

I have to correct "mrbsico" for not paying attention to the very things he comments on. It's not that he turned down the opportunity to apply to be an astronaut, it's that Chuck Yeager wasn't allowed to apply. When seraching for astronauts Harry Shearer's character praises Yeager as the ace of aces, but goes on to say that he "doesn't fit the profile" of the type of man Washington is looking for because he never went to college. This was a true pre-requisite which the Mercury Program had. Also, the scene at the end where Yeager crashes his NF-104 doesn't bring him down, it glorifies him. Gordo Cooper even comments that he gets on the cover of magazines, gets a free car, free lunches all across America, a free home with all the furnishings and loads of money and "I ain't even been up there yet". He's famous because he's an astronaut alone - not because of anything he's done. Kaufman cuts back and forth between the scene where Cooper is with Yeager's flight in the desert for reason. Yeager's almost alone with no media around, out in the desert attempting a record which won't put him on Life Magazine's cover. He's trying to set a record because that's what he's made of. He has The Right Stuff; which is something Cooper reazlies as we cut back to the reception and Gordo is asked by the reporters who the best pilot he ever saw was. Yeager may have crashed his plane in his last flight of the movie, but he emerges as a fearless man ever up for the challenge. And that he's not doing any of it for fame or fortune (although in real life the real Yeager cashed in with TV ads and a best-selling autobiography after both the book and the movie were released!!). That's what's rare about this movie for Hollywood to have made. Films are almost never about measuring a man's inner desires, but rather his being able to win the fight at the end. Yeager in contrast doesn't win the flight record at the film's end, but he is still the hero. This is because he dares to do what we never would. And even after his plane crashes he walks out of the gulf of fire and smoke with a severely burned face as if he will be back; you can't keep him down. This is why as the rescuer driving the ambulance as he sees Yeager's figure walking out of the fire in the distance asks, "Is that a man?", Jack Ridley replies, "You're damn right it is!". Ridley isn't merely remarking that it's a man over there, he is commenting that in our world Yeager is one of the few true "men". This film is not about the space program. That is merely a pretext to explore the type of men who have what it takes to volunteer for dangerous missions - even in times of peace. It's about men who have The Right Stuff - and of all those men whom we see in the movie it is Yeager who shines about all others.

An interesting insight into the United States' space program, beginning with the exploits of fighter pilot Chuck Yeager (Sam Shephard) and concluding with the dramatic flights of the first astronauts.

Those astronauts - the Mercury 7 pilots - are a varied group of aviators and they are all pretty interesting guys. John Glenn (Ed Harris) gets favorable treatment in here among the group. Gordon Cooper might be the wildest with the cocky and humorous Dennis Quaid playing him. Overall, it's a good cast including not just the fliers but their wives. I also enjoyed Scott Glenn as Alan Shepard and Barbara Hershey as Yeager's wife.

Yeager's feats were perhaps the most interesting and they set a fast tone to this 3-hour film as we witness him breaking several sound-barrier records prior to the formation of the astronaut team. Then we are treated to a long-but-interesting segment of how those first astronauts were trained.

The only unnecessary and ludicrous parts of this film were the ones on Lyndon Johnson, where they made him into a total fool. It was as if the screen writers had a personal vendetta against him, to make him look almost like a cartoon figure. And the bit with the Australian Aborigines smacks too much of Hollywood's love affair with tribal religions. I sincerely doubt some sparks from a fire on earth could be seen miles and miles above in space.

At any rate, this was an informative look at a period in our history than came-and-went way too fast. Sad to say, most people know very little about those first astronauts, who were true heroes. At least this film gives them their due, as well as to Yeager, who deserved this tribute, too

This picture was selected as Best Picture of its year by 2 of the best movie reviewers in recent memory, Siskel & Ebert. They both chose this film because "it showed how things get done in America."

This is one of my favorite films. If you remember the space race (and not fantasize you do like some other reviewers on this page) and the Mercury astronauts were your heroes too, then watching this movie is like going home again.

As for the younger crowd? Watching this true story will be a lot of fun, and there are a lot of laughs. But more importantly, it will give you a look into a time when your country actually tried to do important things: not b/c they were easy, as President Kennedy said, but b/c they were hard. A concept so sadly lacking these days.

Watch everyone, and enjoy. It's quite a ride, and it all really happened.

An incredibly under-rated director, Philip Kaufman adapted Tom Wolfe's best-selling tale of the Mercury astronauts in 1983 and, since that time, he has been unable to top himself (he came very very close with Unbearable... and Quills, but The Right Stuff is very much out of their league).

Why? The Right Stuff is a perfect blend of intelligence and wit and action. At just three hours long, it occasionally feels too short. The audience comes to know the characters through terrific performances by Ed Harris, Dennis Quaid, Sam Shepard, and Fred Willard and Kaufman's deft pen (which, no doubt, Wolfe's novel helped guide). We are sad when the story ends; we want more. It's rare that a movie creates such an inviting and intriguing world that, after three hours, we still do not want to leave.

This movie is absolutely one of a kind. Its critical patriotism shows that films can show their love of country without wandering into nationalistic or jingoistic propaganda. It is very rare that a film this indebted to America and American history can be so ambivalent.

That, in my mind, is a positive rather than a negative. The filmmaker and actors understand that the Space Race was not a simple process; they understand that heroes have a dark side.

They all refuse to let the heroism cover the unsavory aspects of a person's life and, simultaneously, they do not let those aspects darken their contribution to mankind.

The Right Stuff is really an amazing filmic experience. It's an expert adaptation, an expert recreation of the early US Space Program, and an expert entertainment. Apollo 13 wanted so very much to be the Right Stuff. It's not; nothing will ever beat the Right Stuff.

Outstanding film from 1983 that was honored with four Academy Awards and is often called the second-best film of the 1980s behind only Scorsese's "Raging Bull". The movie is a 190-plus minute extravaganza which honors the U.S. Mercury 7 Astronauts. The all-star cast includes Sam Shepard (as Chuck Yeager in an Oscar-nominated role of a lifetime), Ed Harris (John Glenn), Scott Glenn (Alan Shepard), Fred Ward (Gus Grissom), Lance Henriksen (Walter Schirra), Dennis Quaid (Gordon Cooper), and Donald Moffat (Lyndon Baines Johnson). The film is solid in so many respects. It is meticulous and tries to go for drama and humor and succeeds in everything it wants to do. Veronica Cartwright, Barbara Hershey, Pamela Reed, Kathy Baker, and Mary Jo Deschanel are also along for the ride as several of the wives who attempt to keep their heads about them while they fear that their husbands are losing theirs. "The Right Stuff" is a historical lesson told in a way that is so clever and convincing that few will find fault with anything when it comes to the story-telling. Writer-director Philip Kaufman easily does the best work of his career with this masterpiece. Look for Cincinnati Bengal Hall-of-Famer Anthony Munoz in a cameo appearance. Arguably the best film of the 1980s and should have been the Best Picture Oscar winner over "Terms of Endearment" in 1983. 5 stars out of 5.