NOTE IMDb
6,6/10
34 k
MA NOTE
Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Bob Destri Hilgenberg
- Public Defender
- (as Robert Destri)
Avis à la une
When I went to my local video store a year and half ago, I noticed that there were no less than four "psycho" movies there. Having seen the original, I figured that they would all be cash-ins. Two weeks ago I finally hired psycho 2 in to finally prove my point to myself. I was wrong. This movie has everything a sequel to psycho could need. A great plot (probably better than the first one's), excellent direction, and great acting. Perkins is so much better here than in the original psycho that one can't help thinking it's a shame that he passed away. There are heaps of reasons to see this movie, and very few not to if you're a suspense fan. If you liked the original you'll love this, and even if you didn't you'll still love it.
A Sequel to Alfred Hitchcock's Cult-Classic 'Psycho', 'Psycho II' lives up-to the expectations & turns out to be A Terrific Sequel! Also, Anthony Perkins once again plays Norman Bates, amazingly.
'Psycho II' Synopsis: After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude... but the specters of his crimes -- and his mother -- continue to haunt him.
'Psycho II' has a superior start, middle & end. The Thrills are top-notch! Tom Holland's Screenplay is gripping & very well-written. Richard Franklin's Direction is eerie & unsettling. Cinematography is good. Editing is sharp. Art Design is excellent.
Performance-Wise: As mentioned before, Anthony Perkins once again plays Norman Bates, amazingly. He's impeccable in here! Vera Miles is first-rate. Meg Tilly is impressive. Robert Loggia leaves a mark. Dennis Franz is passable.
On the whole, 'Psycho II' is a High-Class Sequel, that Thrills, Scares & above all, Entertains Big Time!
'Psycho II' Synopsis: After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude... but the specters of his crimes -- and his mother -- continue to haunt him.
'Psycho II' has a superior start, middle & end. The Thrills are top-notch! Tom Holland's Screenplay is gripping & very well-written. Richard Franklin's Direction is eerie & unsettling. Cinematography is good. Editing is sharp. Art Design is excellent.
Performance-Wise: As mentioned before, Anthony Perkins once again plays Norman Bates, amazingly. He's impeccable in here! Vera Miles is first-rate. Meg Tilly is impressive. Robert Loggia leaves a mark. Dennis Franz is passable.
On the whole, 'Psycho II' is a High-Class Sequel, that Thrills, Scares & above all, Entertains Big Time!
Even though Sir Alfred Hitchcock left us in 1980, his honor and memory lives on in the film. "Psycho II" begins where we left off 22 years ago. Norman Bates(Anthony Perkins) is released after his stay in a mental institution for the murder of Marion Crane(Janet Leigh) and several others. His release draws the ire of the sister, Lila Loomis(Vera Miles). Norman goes back to his motel home, where the manager Warren Toomey(Dennis Franz) runs it while Bates was institutionalized. Prior to returning, he goes to work at a greasy spoon diner where he meets Mary(Meg Tilly). That night, Norman takes over his motel after he fires Toomey for turning it into an "adult motel". The next day, Toomey drunkenly accosts Bates. And just say, he was fired, permanently. Here we go again. The murders are back. Has Bates gone back to his murderous ways? Apparently. However, Mary does cover for him when the sheriff comes by. If Norman was locked in the attic, who killed the teenage boy and Toomey? Well, Lila did have a daughter, and she's helping Norman. Lila wanted Norman to suffer and re institutionalized, but Mary has other plans. In this movie, Norman was more victim than villain. If Alfred was alive, he would have been proud. It was not bad! 3 out of 5 stars.
Of course, PSYCHO II can't hold a candle to Hitch's original masterwork, but then what film can? The surprise is that it turns out to be a decent little film in itself, purely because it isn't a slavish copy but instead a stand-alone psychological thriller that takes its plot in a different direction to most.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
Norman Bates (Anthony Perkins) is released after over 20 years in an asylum, supposedly cured. He goes back to Bates Motel...but then he starts seeing his dead mother again, gets phone calls from her and the murders start up again. Is it Norman going crazy again or is someone trying to drive him to it?
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
Le saviez-vous
- AnecdotesThe reflection of young Norman Bates in the doorknob when he flashes back to his mother's poisoning is Anthony Perkins' son Osgood Perkins.
- GaffesThere is a vertical window on the side wall of the front entry (to the left as you face the door) which is often clearly seen illuminated in exterior shots. However when interior scenes of the front entry are shown, there are solid walls and no windows on either side of the entry way.
- Citations
Norma Bates: Remember, Norman. I'm the one who loves you. Only your Mother truly loves you.
- Crédits fousThe Universal Studios logo is in black and white.
- Versions alternativesThe television version includes various extra takes, including one when Norman is on the porch of the house and he says goodbye to Dr. Raymond.
- ConnexionsEdited from Psychose (1960)
- Bandes originalesPiano Sonata Op. 27, No. 2 'Moonlight'
(uncredited)
Written by Ludwig van Beethoven
Played by Anthony Perkins
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 34 725 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 310 244 $US
- 5 juin 1983
- Montant brut mondial
- 34 725 614 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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