NOTE IMDb
6,6/10
34 k
MA NOTE
Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.Après vingt-deux ans de soins psychiatriques, Norman Bates tente de reprendre sa vie de solitude, mais les spectres de ses crimes - et de sa mère - continuent de le hanter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Bob Destri Hilgenberg
- Public Defender
- (as Robert Destri)
Avis à la une
Of course, PSYCHO II can't hold a candle to Hitch's original masterwork, but then what film can? The surprise is that it turns out to be a decent little film in itself, purely because it isn't a slavish copy but instead a stand-alone psychological thriller that takes its plot in a different direction to most.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
The 1960 'Psycho' is one of Alfred Hitchcock's greatest films and while it is high up in my list of "scariest films of all time" it doesn't stop it from being a personal favourite. Mainly for the cinematography, Hitchcock's direction, the music score and Anthony Perkins.
Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected.
'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film.
On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding.
Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists.
As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit.
In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox
Hearing that 'Psycho' had three sequels, my immediate reaction was what's the point especially considering the fiasco that was the 1998 remake. It did strike me initially that 'Psycho' was perfect as it was and didn't need a sequel, let alone three as well as a telefilm spin-off and remake. The first sequel, finally getting round to watching the sequels after a little arm twisting, turned out to be surprisingly good. Not just being a worthy follow-up but also a well above average film in its own way. Is it as good as Hitchcock's film? Not a chance, not as scary or as suspenseful. But considering that expectations were dubious 'Psycho II' was so much better than expected.
'Psycho II' starts to drag ever so slightly towards the end and occasionally feels a touch over-plotted. Sadly too the ending is ridiculous and undermines the actually very neat execution of the rest of the film.
On the other hand, 'Psycho II' boasts some very stylish and moody cinematography and the setting is still eerie even in colour. Jerry Goldsmith proves himself to be a more than worthy successor to Bernard Hermann, enormous shoes to fill considering Hermann's score in the 1960 film is one of the most iconic chilling music scores in cinema. Goldsmith's score here is lush and ominously haunting without ever intruding.
Franklin directs beautifully, having a real knack for creating a creepy atmosphere and suspenseful touch, not quite the unequalled Hitchcockian touch but it is the closest the sequels ever get to having anything resembling it. The script is clever and taut with some touches of darkly wicked humour, while the story is on the most part very neatly paced, highly atmospheric and always coherent with some very imaginative twists.
As for the performances, they are also strong. Anthony Perkins returns in his most iconic role and proves that only one person can play this character. Meg Tilly and Vera Miles are very credible too while Dennis Franz and Robert Loggia provide some necessary grit.
In summary, surprisingly good and worthy first sequel to a classic. Doesn't disgrace it at all. 7/10 Bethany Cox
Safe to say that Psycho II suffers from all the prejudices possible. Numberless elements could be used as an excuse to avoid this movie and to place it among other pointless and money-making sequels. Brought out 22 years after the original masterpiece by Hitchcock himself, I can imagine that many fans refuse to give a subjective look at it. Very wrong, though!! Number two is a very worthy and underrated sequel, which brings perfect homage to the Master of Suspense best film. Even though Franklin can't fully live up to Hitchcock's style, he shows a pretty intense and mind-blowing story here. Franklin obviously worships Hitchcock (which was also clear in one of his previous films - Patrick) and this sequels is made with nothing but respect and goodwill. The very creative script - written by Tom Holland - has more than enough positive aspects and perplexing twists to consider the entire movie a triumph. Sure, some of the twists are far-fetched but overall the continuation of the Psycho couldn't be better. It actually takes place 22 years later with Norman Bates judged sane and released from the mental institution. Some people immediately want to forgive and forget but some others are convinced that Norman will soon go crazy again. This last group of people also has a complete plan worked out to make Norman snap again. Soon there are people dying again in the infamous Bates ' Motel but who is the vicious murderer this time??? Psycho II manages to keep you guessing the entire movie and the terrific acting performance by Anthony Perkins keeps you even closer to the screen. If you were a fan of the original masterpiece ( and I can't imagine anyone isn't a fan of that ), make sure you catch this sequel too!! There were made two more sequels after this but you can easily skip then....and whatever you do...keep your hands off the Gus Van Sant remake of 1998. I wish I had!!
When I went to my local video store a year and half ago, I noticed that there were no less than four "psycho" movies there. Having seen the original, I figured that they would all be cash-ins. Two weeks ago I finally hired psycho 2 in to finally prove my point to myself. I was wrong. This movie has everything a sequel to psycho could need. A great plot (probably better than the first one's), excellent direction, and great acting. Perkins is so much better here than in the original psycho that one can't help thinking it's a shame that he passed away. There are heaps of reasons to see this movie, and very few not to if you're a suspense fan. If you liked the original you'll love this, and even if you didn't you'll still love it.
The original "Psycho", directed by Alfred Hitchcock, is one of the seminal horror films of all-time. However, Hitch didn't believe in sequels, so it took about two decades and a new director (Richard Franklin) to revive this franchise. Surprisingly, it is an entertaining re=entry into the world of Norman Bates.
For a basic plot summary, "Psycho II" picks up with Bates (Anthony Perkins) being released from prison after his earlier murders. After being brought back to his motel business, Norman begins to struggle once again with the demons of his past.
What really gives this film credence is the return of Perkins as Bates. He does a remarkable job of playing a supposedly "reformed" Bates, both tortured by past memories yet trying to get back on the right mental track. A major role for Vera Miles is also a nice nod to the original.
I can't say much about the plot without giving things away, but suffice it to say that it is very thoughtful as horror flicks go. It's never stale, and the ending easily recalls the "shock factor" of the first effort.
Thus, "Psycho II" is a solid addition to one of the stalwart thriller/horror franchises. It is well- acted, has an engaging plot, and will at least make you curious about checking out part three.
For a basic plot summary, "Psycho II" picks up with Bates (Anthony Perkins) being released from prison after his earlier murders. After being brought back to his motel business, Norman begins to struggle once again with the demons of his past.
What really gives this film credence is the return of Perkins as Bates. He does a remarkable job of playing a supposedly "reformed" Bates, both tortured by past memories yet trying to get back on the right mental track. A major role for Vera Miles is also a nice nod to the original.
I can't say much about the plot without giving things away, but suffice it to say that it is very thoughtful as horror flicks go. It's never stale, and the ending easily recalls the "shock factor" of the first effort.
Thus, "Psycho II" is a solid addition to one of the stalwart thriller/horror franchises. It is well- acted, has an engaging plot, and will at least make you curious about checking out part three.
Le saviez-vous
- AnecdotesThe reflection of young Norman Bates in the doorknob when he flashes back to his mother's poisoning is Anthony Perkins' son Osgood Perkins.
- GaffesThere is a vertical window on the side wall of the front entry (to the left as you face the door) which is often clearly seen illuminated in exterior shots. However when interior scenes of the front entry are shown, there are solid walls and no windows on either side of the entry way.
- Citations
Norma Bates: Remember, Norman. I'm the one who loves you. Only your Mother truly loves you.
- Crédits fousThe Universal Studios logo is in black and white.
- Versions alternativesThe television version includes various extra takes, including one when Norman is on the porch of the house and he says goodbye to Dr. Raymond.
- ConnexionsEdited from Psychose (1960)
- Bandes originalesPiano Sonata Op. 27, No. 2 'Moonlight'
(uncredited)
Written by Ludwig van Beethoven
Played by Anthony Perkins
Meilleurs choix
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- How long is Psycho II?Alimenté par Alexa
- A NOTE ABOUT SPOILERS
- Is this movie based on Robert Bloch's "Psycho II"?
- What is Mary reading during her first night in the Bates house?
Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 34 725 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 310 244 $US
- 5 juin 1983
- Montant brut mondial
- 34 725 614 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Psychose II (1983) officially released in India in English?
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