NOTE IMDb
5,0/10
13 k
MA NOTE
On retrouve la bande de copains qui ont formé la bande des 'Angel Beach'. Leur nouvelle marotte : monter une pièce de Shakespeare.On retrouve la bande de copains qui ont formé la bande des 'Angel Beach'. Leur nouvelle marotte : monter une pièce de Shakespeare.On retrouve la bande de copains qui ont formé la bande des 'Angel Beach'. Leur nouvelle marotte : monter une pièce de Shakespeare.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Joseph Runningfox
- John Henry
- (as Joseph Running Fox)
Anthony Pena
- Bill Jumper
- (as Anthony Penya)
Avis à la une
I'm a bit sad that so many people hate this film... it's entertainment, guys, not social commentary. C'mon people, this is one of those films where you check PC at the door!
While it *is* crude, it has some truly great funny moments in it, such as the duel of Shakespeare/Bible quotes (I shamelessly admit I love it when the principal says "Get the fluck outta here!"), the duel on the stage replacing a sword with a female mannequin leg (the death moment is priceless), and Wendy's besequined tart role-play humiliating the handsome jerk politician at a high-profile restaurant ("It tastes much better going down...!" EEEEW!!!)
Another thing I love about the Porky's films is the male nudity. Female nudity not integral to the plot is rampant in most films, and while part of the story here, it's delightful to see more naked men than in any other non-"adult" film I know. Even The Full Monty doesn't show all *this*! Equality at last! And in the '80s to boot!
While it *is* crude, it has some truly great funny moments in it, such as the duel of Shakespeare/Bible quotes (I shamelessly admit I love it when the principal says "Get the fluck outta here!"), the duel on the stage replacing a sword with a female mannequin leg (the death moment is priceless), and Wendy's besequined tart role-play humiliating the handsome jerk politician at a high-profile restaurant ("It tastes much better going down...!" EEEEW!!!)
Another thing I love about the Porky's films is the male nudity. Female nudity not integral to the plot is rampant in most films, and while part of the story here, it's delightful to see more naked men than in any other non-"adult" film I know. Even The Full Monty doesn't show all *this*! Equality at last! And in the '80s to boot!
I understand it's a sequel but it had nothing to do with Porky. I still enjoyed it with the original cast.
It was the angel beach boys with the same story but not as good, taking down another villain.
I'm not hating on this movie but the writers could have been more creative.
It was the angel beach boys with the same story but not as good, taking down another villain.
I'm not hating on this movie but the writers could have been more creative.
Writer/director Bob Clark must've made a mint from his box office smash Porky's, so I can't really blame him for capitalising on his success with a guaranteed cash-cow sequel that repeats the same formula of dumb pranks and penis gags, while once again throwing in some racial tension to drive the story. What I do blame him for is making the film such a laugh-free mess, while toning down the raunchiness, one of the few factors that made the first Porky's bearable.
No-one in Porky's II gets laid: they're too busy prancing around on stage in a dreadful Shakespearian high-school production, which brings them to blows with a local evangelist Reverend Flavel (Bill Wiley), who deems the show obscene, the KKK, who object to Seminole Indian John Henry (Joseph Runningfox) playing the part of Romeo, and sleazy county commissioner Gebhardt (Edward Winter), who tries to seduce Pee Wee's girlfriend Wendy (Kaki Hunter). Cue lots of desperate gags that involve someone dressed as a George Romero-style zombie, an exotic dancer dubbed Graveyard Gloria (Cisse Cameron), a sword-fight with a mannequin's leg, a snake in a toilet bowl, and fake vomit.
3.5/10, rounded up to 4 for IMDb.
No-one in Porky's II gets laid: they're too busy prancing around on stage in a dreadful Shakespearian high-school production, which brings them to blows with a local evangelist Reverend Flavel (Bill Wiley), who deems the show obscene, the KKK, who object to Seminole Indian John Henry (Joseph Runningfox) playing the part of Romeo, and sleazy county commissioner Gebhardt (Edward Winter), who tries to seduce Pee Wee's girlfriend Wendy (Kaki Hunter). Cue lots of desperate gags that involve someone dressed as a George Romero-style zombie, an exotic dancer dubbed Graveyard Gloria (Cisse Cameron), a sword-fight with a mannequin's leg, a snake in a toilet bowl, and fake vomit.
3.5/10, rounded up to 4 for IMDb.
As often happens, this sequel to PORKY'S (1982) is inferior to the original - but, then, neither is it as bad as Leonard Maltin claims in his esteemed Film Guide!
It does cheat by forsaking the titular establishment entirely, though the formula is pretty much the same as before - except that here some of the characters from the original disappear and are replaced by new ones, while the girl who was involved with the protagonist in the first film gets a bigger part this time around. Again, the film pits a certain minority - in this case, American Indians - against a bigoted community.
While the film's major asset has to be the over-the-top characterization of the hypocritical Reverend, there are almost as many belly laughs here as in the original. Scenes that particularly stand out are the 'Shakespeare v. Bible' quoting duel (even if it's kind of silly and out-of-character to have the boys involved in putting on a show of the Bard's work in the first place) and the individual come-uppance of the gang's various antagonists - the KKK (in the school gymnasium), the duplicitous board member (humiliated in a restaurant prior to re-election) and the aforementioned evangelist and his flock (at their own rally).
P.S. Interestingly, co-writer Alan Ormsby had previously collaborated with Clark on his first two horror outings - CHILDREN SHOULDN'T PLAY WITH DEAD THINGS (1972; which I've never watched) and DEATHDREAM (1972)!
It does cheat by forsaking the titular establishment entirely, though the formula is pretty much the same as before - except that here some of the characters from the original disappear and are replaced by new ones, while the girl who was involved with the protagonist in the first film gets a bigger part this time around. Again, the film pits a certain minority - in this case, American Indians - against a bigoted community.
While the film's major asset has to be the over-the-top characterization of the hypocritical Reverend, there are almost as many belly laughs here as in the original. Scenes that particularly stand out are the 'Shakespeare v. Bible' quoting duel (even if it's kind of silly and out-of-character to have the boys involved in putting on a show of the Bard's work in the first place) and the individual come-uppance of the gang's various antagonists - the KKK (in the school gymnasium), the duplicitous board member (humiliated in a restaurant prior to re-election) and the aforementioned evangelist and his flock (at their own rally).
P.S. Interestingly, co-writer Alan Ormsby had previously collaborated with Clark on his first two horror outings - CHILDREN SHOULDN'T PLAY WITH DEAD THINGS (1972; which I've never watched) and DEATHDREAM (1972)!
When a movie is succesful, there will be sequels. It's almost astonishing there were only two sequels to the success of the original Porkys. But then again as they say, you can't capture lightning in a bottle. Or more accurate "erection" in a bottle. Now if you are offended by this, you probably should not watch this movie (although why you would come here after not having seen the mayhem of the first Porkys will probably always remain your secret).
Having said that and while this tries to be different but also maintain the sentiment of the group of boys (now even older than in the first one, but playing that teenage age they are moste definitely not anymore). It succeeds to a degree - some jokes hit home but not as many as in the first one. Even though the creator came back for this one, it never reaches the height it set itself.
Having said that and while this tries to be different but also maintain the sentiment of the group of boys (now even older than in the first one, but playing that teenage age they are moste definitely not anymore). It succeeds to a degree - some jokes hit home but not as many as in the first one. Even though the creator came back for this one, it never reaches the height it set itself.
Le saviez-vous
- AnecdotesBob Clark directed this film at the same time he was working on Christmas Story (1983). A similar leg to the "major award" (the lamp fashioned out of a racy mannequin's leg in fishnet stockings) makes an appearance when the kids are performing the sword-fighting scene of Macbeth onstage. A Christmas Story's leg lamp had a black shoe, whereas the leg in this movie had a red shoe.
- GaffesThe film takes place the day after the events in Porky's (1981). In the original film, both Mickey and Tim were roughed up late in the film. Both can be seen with cuts and bandages on their faces. In Mickey's case, he is also seen limping and with crutches. All wounds have disappeared the next day.
- Citations
Reverend Flavel: Blaspehmy! Shakespeare must go! So sayeth the Shepherd!
The Flock Members: SO SAYETH THE FLOCK!
Reverend Flavel: And what sayeth you, Mr. Carter?
Carter: [very angry at this point] Get the Flock out of here!
[the students all start cheering]
Reverend Flavel: This means war! HOLY WAR! Flock! FOLLOW!
- Versions alternativesIn broadcast TV versions, when the tape recorder is played at the revival, a different part of the conversation in the basement is played.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Porky's II: The Next Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Porky's II: Al día siguiente
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 33 759 266 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 054 988 $US
- 26 juin 1983
- Montant brut mondial
- 33 759 266 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant