Outsiders

I might have enjoyed this a bit more if I didn't know Coppola directed it. I mean the guy who already made the Godfather films and Apocalypse Now didn't know how to properly adapt a novel seems ridiculous. One of the main problems with the film is that every frame of it tells you that it's based on a book. There really doesn't seem to have been any effort in the script other than shooting the important part of the novel and without all the details in the novel that is a disastrous choice.

Still, even with all those problems, it does manage to be pretty decent. Even though a lot of stuff does seem stupid, it tries to explore a handful of themes in a way that is also appealing to teenagers without completely losing its footing. The ensemble teenage cast is such a wonder to look back now, who would've thought a lot of them would go on to become some of the biggest names in the industry, let alone the delinquent friend side character would go on to become one of the biggest stars in the whole world. The issues dealt with seems a bit heavy-handed and artificial which wouldn't have felt as problematic if the direction was a bit more cleaner and more importantly if the writing was better.

I had to read the book in seventh grade and we also watched the movie. I though both of them were fabulous. Francis Ford Coppola has adapted almost every detail of the book into this movie. I thought the acting was great and the plot was good for teenagers, which is the movie's, as well as the book's, target audience. I was surprised on how many stars were in this movie (seven) and it was much better than I thought it would be. It didn't seem cheesy and small but you felt like you were watching a real film. Even though the Greasers seem to be born into undesirable lives, watching this movie makes you want to go back to 1967 in the Southwest and be a Greaser, too. Fabulous movie and perfect for teenagers.

A terrific tweener for kids of any era. Serious but sweet, and refreshingly free of cynicism.

Godfather Coppola has a real way with family, go figure. But here he keeps the themes and emotions simple. One of the reasons for this story's lasting power is that it was written by a teenager, and so accurately reflects kids' perspective. It would have been very tempting to try and infuse an adaptation with "layers," to comment on the action and show yourself superior, but Coppola exercises great restraint and appropriate respect for the material. He knows it isn't profound stuff, but he understands that it *feels* profound to kids who identify with it. In walking this tightrope, he creates a rare thing: a movie that's for kids but neither talks down to or indulges them.

Lowe, Dillon, Estevez, Howell, Macchio, Garrett, Swayze. Only Cruise and Lane (and Sofia!) seem bigger now than they are here. That, and the 20-some years since, makes The Outsiders all the more poignant.

This lovely film was universally trashed and smashed by all the critics. FF Coppola directed it, but they still smashed it. I don't get that.

The then unknown cast was: Patrick Swayze, Matt Dillon, C. Thomas Howell, Rob Lowe, Ralph Macchio, Tom Cruise, Emilio Estevez, Diane Lane, and Leif Garrett. All these actors went on to fame, but the whole movie, the performances, the writing, were trashed.

I thought the cinematography was exceptionally lovely. The "Nothing Gold Can Stay" sunrise scene was gorgeous. The camera angles during the hair cutting scenes were creative and intimate. The music was "epic" sounding, yeah, but this film had a huge tie in with Gone With The Wind, remember. I thought the soft lighting and the creamy edging made the film look very much like IT was filmed in 1939!!!

I don't know. I thought the chracters were very engaging and the performances excellent. Lots of people loved this film, regular people like myself, that is.

With this adaptation of S. E. Hinton's debut novel "The Outsiders", Francis Ford Coppola introduced a whole new generation of actors, who would go on to become some of Hollywood's biggest stars over the course of the next few years and decades. The story is a coming-off-age tale set in an unspecified American town during the early 1960s, where the dividing line between the north and south side of town, between the working-class "greasers" and the upper-class "socs", defined the upbringing, youth years and prospects for the future for all the characters we get to meet. Focusing on the greasers - and more on the ties and comradery between them than on the greaser culture as such - The Outsiders is a tenderhearted, unobtrusive film full of semi-obvious observations and character-developments. As such, it feels like the school essay that the novel more or less started out as. Still, the film has a perception and understanding for these kids, their time and their surroundings that makes it resonant and believable. Artistically, this is by no means Coppola's best work, and all of these actors would go on to deliver better work later on in their careers, but their characters and their performances have stood the test of time quite well. Look for Coppola's pal Tom Waits in a cameo as a bouncer in a bar. C. Thomas Howell won the Young Artist Award for Best Young Motion Picture Actor for his performance as Ponyboy Curtis.