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Straight from the mid-80's comes the mild-mannered 'Nightmares,' a horror anthology of four seemingly unrelated tales of terror that hardly deserve the R-rating they so unjustly received (the film was released one year before 'Indiana Jones and the Temple of Doom,' which resulted in the PG-13 rating, a rating this film deserves, if not a PG).

Segment one, 'Terror in Topanga,' re-tells the old urban legend of a woman, an escaped psychopath, and a suspicious gas station attendant. In this case the woman is Lisa (Christina Raines), a cigarette smoker who needs a nic-fix so bad; she's willing to risk being horribly stabbed for some Marlboro 100's. I suspect the filmmakers were trying to comment on the health hazards of tobacco--something new in 1983. This is the third best, or second worst-depending on your point of view, segment of the film.

Segment two, 'The Bishop of Battle,' on the other hand, is undeniably the best! It stars none other than a very young Emilio Estevez ('the 'Mighty Ducks man himself!') as J.J. Cooney, a kid so good at arcade games, all the other kids stop playing to watch him. One game Cooney can't seem to beat is 'The Bishop of Battle,' which supposedly has 13 levels, although it is believed level 13 is a myth as nobody has gotten past level 12 (Cooney claims he heard about 'a kid in New Jersey' who did so…twice). Cooney becomes obsessed with surpassing level 12 and defeating 'The Bishop,' the digital master/boss of 'The Bishop of Battle,' he looks like an electronic-neon version of Magic Mirror from 'Snow White and the Seven Dwarfs.' So obsessed does Cooney become, that he alienates his parents, sneaks out of his bedroom in the middle of the night, and breaks back into the arcade to take on 'The Bishop' one more time. I won't spoil the funky ending; suffice to say it evokes 'Tron,' sort of a 'Tron-in reverse.' The most enjoyable aspect of Segment two is the lacquer of 1980's youth culture it evokes. Estevez sports a neon, sleeveless shirt and a Walkman the size of a toaster that blasts punk-rock as Cooney hustles amateurs in the tough arcades of Oakland. Back at the mall, one anonymously delivered line of dialog from an unseen member of Cooney's spectators is, I kid you not, 'Totally awesome!' At one point, a flirtatious female friend asks him if he wants to 'Get a pizza!' This isn't really the 1980's I remember, it's how I'd like to remember them.

Horror legend Lance Hendriksen gives arguably the best performance of all segments in #3, 'The Benediction,' as a priest in the American-Mexican wasteland who, after witnessing the pointless death of a child, loses his faith and begins the long trip home across the desert. On the way he encounters a demonic monster truck apparently intent on killing him 'Duel' style. The truck is loud and deep black, with an upside down cross hanging in its rear-view mirror. At the stories climax, we see the truck literally burst out from the desert earth as if it were a surfacing submarine. It's a surprisingly effective, and very cool, moment in the film.

Despite a well tuned cast, 'Night of the Rat,' the fourth segment, is terrible, the worst in the film, and a poor finale. It centers on the Houston family's encounter with, as the title so eloquently eludes, a giant rat. As if that weren't enough, the rat has psychic powers as well! Wife Claire is the protagonist, played by polished actor Veronica Cartwright, who tries to convince her arrogant husband Steven (mustached character actor Richard Massur, whose demeanor mirrors his dry-toast last name) to call an exterminator. But alas, Steve refuses, and it's not until the devil-rat almost kills their young daughter (future overdosee Bridgette Andersen in a phenomenal child performance) that he whips out the conveniently closet-stored shotgun and goes-a-rat huntin'. The finale of 'Night of the Rat,' is too awfully hilarious for words to define.

Overall, 'Nightmares,' is too gentle to be scary. It reminded me of Nickelodeon's soft-core, 'Are You Afraid of the Dark?' which also had happy endings and corny fables (although I remain a fan of that series). I would recommend this film only for the nostalgic 'The Bishop of Battle,' Hendrickson's performance in 'The Benediction,' and as an overall night of laughs for 80's horror connoisseurs. 'Creepshow,' and 'Creepshow 2' are far superior horror anthologies than this film.

However I must admit I enjoyed it, in some ways, more than 'The Twilight Zone, The Movie.'

Thanks to good writing and excellent casting choices, this is (imho) the best of the "horror serial" movies popularized in the 1980's by films like "Creepshow." Some genuinely creepy moments and quality acting make for an excellent ride, although the first of the four stories is basically a throwaway. The special effects could be better, but this was the early 80's after all. Watch it at night after 1AM for best effect.

8/10

Salvaged from an unsold TV pilot for an untitled horror anthology series for NBC, Nightmares consists of four stories or "chapters" as the film refers to them, of varying degrees of quality.

The first chapter, Terror in Topanga, follows a stressed wife and mother who goes out to get cigarettes while an escaped killer is on the loose. It's based off the old gas station attendant urban legend and will hit all the beats expected, but its competently told if unexceptional.

The second chapter, The Bishop of Battle, follows video game hustler J.J. (Emilio Estevez) as he tries to reach the fabled 13th level of the titular video game, only for said level to be more frightening than he could imagine. It's a fun time capsule showing the 80s video arcade scene and the way it takes the Polybius urban legend and turns it into something that feels like an intverted Tron turned into a horror movie does lead to some fun visuals even if they aren't particularly scary.

The third chapter, The Benediction, follows Frank (Lance Henriksen) a priest who has lost his faith and hits the road abandoning his parish. Once on the road Frank squares off against a jet black pick up truck with tinted windows that is hellbent (quite literally) on killing him. As usual Henriksen delivers a good performance and convincingly portrays a man struggling with his faith. The actual story on the other hand plays like a compressed and sillier version of Steven Spielberg's Duel albeit with a smaller truck and supernatural bent. The short plays itself so over the top in tying itself to Frank's crisis of faith that when the reveal of what the pick up truck is happens I found myself laughing uncontrollably, not only at an over the top symbol telling us, but also an action the truck does that seems like it's "making a wrong turn in Albuquerque". While the short is carried by Henriksen's performance, it undermines itself by going over the top, but its still reasonably entertaining.

The fourth and probably weakest of the chapters, Night of the Rat, follows a family as they're tormented by a giant rat in their home as the father refuses to accept help and insists on handling it himself. Not only is it a repetitive short with the rat bumping objects and messing with the wiring, it's also unpleasant as it lingers on scenes of gross out, mutilated cat corpses, and on more than one instance puts child Brooke (played well by the gone too soon Bridgette Andersen) in mortal danger or situations of distress and terror simply to get cheap knee jerk reactions out of the audience. There's nothing wrong with having children in horror stories face the actual horror, my favorite horror films like The Shining and Something Wicked This Way Comes did that quite well, but here she's not the focus of the movie, the story isn't from her perspective, and there's a genuine nastiness that makes the short a punishing sit. The rat itself is also not that well done as its brought to life with a mixture of unconvincing puppetry and spotty green screen that makes the rat seem like it's floating.

Nightmares as a whole is okay. It's got one good short, two okay shorts, and one bad short. The movie suffers from not having a linking device like other contemporary anthologies of the time like the comic book in Creepshow or General the Cat in Cat's Eye, and while the movie does seem like it's trying to have a "moral" associated with its stories there's no recurring theme passed the first two shorts where characters are ruled by their vices and there's not much cohesion among the film as a whole. With that said I think Nightmares is worth a watch at least once for horror fans if only for curiosity's sake.

A good horror movie anthology which has four stories about people caught in some of their worst nightmares. The first is about a woman who just has to have a pack of cigarettes late at night and gets chased by a serial killer. The second is about a teen who desperately wants to beat a video game and when he does finds out this video game is alot more then it seems. The third is about a priest being chased by a truck from hell(literally). And the fourth is a family being terrorized by a giant rat. They are all pretty good but is the R rating really necessary?????? I mean with maybe one scene taken out this could have easily been a made for tv movie. Still worth seeing though.

For those not afraid of cheapo 80's television horror comes Nightmares. Essentially this was the remainder of the filmed episodes of Universals anthology series "The Darkroom", you know, the short lived one that was on ABC in the early eighties, had James Coburn as the host. Oh well, I tried. Anywho, the 4 story movie was very "un-scary" to most, but entertaining enough to sit through if you enjoy speculative fiction type stories. Of course the staple memory from this movie is the segment with E.Esteves called "The Bishop of Battle". After TRON failed to bag box office reciepts in the upper millions, I guess Universal thought they could do better with a video game nightmare story replete with computer graphics. Must have worked for this film as mentioning this segment, jars memories even in this day. Trivia bit: Eighties icon Moon Unit Zappa makes a guest appearance in the film, see if you can spot her.