Mister Mom - Profession : Père au foyer

Mr. Mom is, yet again, one of those movies that I have been watching since I was a kid. This is one of Michael Keaton's best movies I think, forget Night Shift and all that. Keaton's greatest strength is comedy. Mr. Mom is well put together, is always funny, and never lags. It does a brillant job of protraying role reversal and the rest of the cast makes this movie a joy to watch. Everyone is good, singling someone out for special praise is unnecessary. I hate kids in movies but I loved the kids in this one. It's because they are not annoyingly cute or naughty or too sweet, they're just normal kids. Bottom Line: This is a great movie and every movie fan and family should have it on the shelf.

I know it seems weird to say this about a John Hughes film, but I honestly think this is one of the great films of all time. There are so few movies that are so.. flawless. The script is hilarious. The editing is seamless. Every line is quote-worthy. The acting is spot-on. Michael Keaton is at the top of his game, Terry Garr is a comic genius, and the casting is perfect.

The story is both goofy, and rather deep. It conatins at least a dozen of my top 100 all-time favorite movie 'moments'. Its the kind of film you see late at night on TV, and you start watching a few minutes, then suddenly before you know it, you've watched the whole thing AGAIN. Obviously, I highly recommend this film, and encourage more filmmakers to study it, because they just don't make 'em like this anymore.

The family man Jack Butler (Michael Keaton) is happily married and lives with his beloved wife Caroline Butler (Teri Garr) and their children Alex, Kenny and Megan in a suburb of Detroit. Jack is an engineer that works in an automobile factory with his friends Stan (Tom Leopold) and Larry (Christopher Lloyd) and they go to the work in car pool with their boss Jinx (Jeffrey Tambor). When Jack loses his job, Caroline looks for a job and finds in the advertising agency that belongs to Ron Richardson (Martin Mull). Soon Caroline succeeds in holding an important account in the agency and climbs positions and responsibilities. Meanwhile Jack learns how hard the household chores and childcare are.

"Mr. Mom" is a funny 1983 film made in the period of the 1980´s recession and foresees the beginning of the decline of the Detroit´s automobile industry. The plot has many clichés but is entertaining and hilarious. Michael Keaton and Teri Garr show chemistry and have great performances. My vote is seven.

Title (Brazil): "Dona de Casa por Acaso" ("Housekeeper by Chance")

I spotted this on streaming last night and hadn't seen it in 30 years so I figured why not. And I wasn't disappointed, it still holds up pretty well, mostly.

The gags are still pretty solid, as long as you actually realise that they're 40 years old and definitely not the same as today's movie humour, with the only real culture shock is when Caroline walks into the pitch meeting and EVERYONE is smoking, and the air is thick with cigarette smoke. It's easy to forget now that back in the 80s was a very different time in that regard, as well as so many others.

Michael Keaton's and Teri Garr's performances hold up well, Jeffrey Tambor is his usual dryly funny self, Martin Mull is great, it was kind of a surprise to see Christopher Lloyd not really looking that much different to how he does now except a little less wrinkled and darker-haired. It was also a bit of a shock to realise that the youngest of the two boys was played by Taliesin "Percy" Jaffe!

All in all though it's still a good, solid watch even these 40 years later.

Simple-minded fun is ensured from this charmingly light-hearted suburban family comedy penned by John Hughes, produced by Aaron Spelling and starring the likes of Michael Keaton (after his break through performance in "Night Shift" the year before), Terri Garr and the comic actor Martin Mull. There's just something about "Mr. Mom", while it didn't have me in stitches it seemed to be a pleasant farce which remains quite likable with its repetitive, if accidental gags caught in real life situations (some being over dramatised e.g. the sitcom daydream sequences to enliven the humour) and the daily chores that fill a housewife's cycle. Keaton is a good sport finding him in plenty of red-faced and grinding situations that soon begin to affect his mental state of mind. Keaton balances the right moods in an amusingly bright turn and goes on to prove how well of a versatile actor he was. When the tables are turned for Garr's character… that's when she comes out with a wholesomely good performance and a fine show-in by Mull as her smarmy boss. Also in small parts are Jeffrey Tambor and Christopher Lloyd. Stan Dragoti's breezy direction lets it unfold and Hughes gimmicky material is quite snappy with its banter, but satirical with its vision (despite the silly slapstick) without losing any of its warm-hearted appeal.