Le chevalier d'outre-tombe

This entertaining effort from 1983 has everything you would expect from a Spanish horror movie: a) Paul Naschy, b) a low budget, c) a curse from the past and d) gratuitous gore to satisfy splatter freaks.

Even though the production values are rather low key, the film is always entertaining and keeps you interested from beginning to end. There are enough twists to develop a decent plot filled with surprises. And, as mentioned before, there are also a handful of gory moments that are well crafted and really nasty (but don't expect a movie focused on blood and guts).

The most remarkable aspect of the plot is its mix of crime thriller and ghost story elements, which fit together surprisingly well. And this is one of those movies, where Paul Naschy's character is NOT the ill-fated Valdemar Daninsky!

Recommended for all friends of European horror.

Jacinto Molina or Paul Naschy is actor, screenwriter and director of this film about his popular role ¨Alaric De Marnais¨ based on a real character , Gilles De Rais , a knight of the Dark age during XV century , under command of Charles VII of France in times of Joan of Arc and as well as a murderer of hundreds of children . The first film he appeared was ¨El Espanto Surge de la Tumba¨ (Horror rises from the tomb 1972) directed by Carlos Aured and where Alaric is beheaded in public execution , then he swears revenge facing the executioner and his descendants . Now is a ghostly presence that heckle his eternal rest for executing a merciless vengeance in a script plenty of gaslight , murders and adulteries at a countryside mansion .

It's a B series entertainment with abundant sensationalistic scenes and a ¨Naif¨ style . The movie has a bit of ridiculous gore with loads of blood similar to tomato . Revolting , horrible scenes and nasty images take place as slashing , decapitation , and bloody murders with axes and other tools . As usual , Paul Nashy exhibits breast , as he was a weightlifting champion . Julia Saly interprets as the suffered wife and Lola Gaos as the old servant . Abundant nudism in charge of gorgeous Pat Ondiviela . It's a sequel to ¨Devil's possessed¨ or ¨Mariscal del Infierno¨ based on the historic character Gilles De Rais . Gilles was a devoutly religious follower of Joan of Arc who fought valiantly on her side and was later trialed and executed by the Catholic Church for heresy and sexual crimes committed against children . As Rais served as a commander in the Royal Army , distinguishing himself by displaying reckless bravery on the battlefield during the renewal of the Hundred Years War . Rais's prosecution would be on charges which included murder , sodomy , and heresy. The precise number of Gilles' victims is not known, as most of the bodies were burned or buried. The number of murders is generally placed between 80 and 200 ; a few have conjectured numbers upwards of 600 . The victims ranged in age from six to eighteen and included both sexes.

The motion picture was regularly directed by Jacinto Molina , being produced , wrote and shot in his peculiar style . The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre . ¨Marshall of Hell¨ is written by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . The flick will appeal to Paul Naschy fans and horror genre enthusiasts . Rating : mediocre but entertaining .

Paul Naschy was quite an important contributor to the industry of European horror films, and I'm an unusually big fan of his work and persona, but he undeniably never accomplished anything major or classic during all his years of film-making. The titles in his repertoire provide large portions of gore and sleaze (thumbs up for that!) but his screenplays are generally uninspired and too often revert to the same old and repetitive basic premise. Apparently, Mr. Naschy just loves to play his own descendant in stories that revolve on ancient folklore legends and family curses. The entire "Hombre Lobo" cycle is based on this principle as well. "Panic Beats" is sort of like a re-telling of Naschy's earlier film "Horror Rises from the Tomb", as both films feature a murderously mad 16th Century knight - Alaric de Marnac - who supposedly returns from the grave to slay unfaithful women. In this film, 20th Century sleaze-ball Paul uses the petrifying myth to scare his wife to death, inherit her family fortune and marry a young & viral beauty. But, unfortunately for Paul, there's a lot more treason going on behind his back and he also never took into consideration that the myth of his malevolent ancestor might have some truth in it. The plot of "Panic Beats" is overall very dull and it doesn't feature a single story-element or twist that you can't see coming from several miles away. Every dire cliché and stereotype you can think of regarding isolated country mansions and medieval curses is predictably processed into the script, including the loyal old servant and the knight's armor that seemingly moves all by itself. But hey, as usual it was the high gore & sleaze factor that eventually convinced me to reward "Panic Beats" with a positive rating after all. There are a handful of truly nasty murders, committed with axes and other typically medieval armory. Beautiful feminine nudity is provided by luscious women such as Silvia Miró and Paquita Ondiviela, who both go full frontal without hesitating. I just wished Paul Naschy didn't insist on showing so much of his own naked and unusually hairy torso. Oh well … Recommended to all fans of trashy euro-horror, and the Mondo Macabro DVD is a real treat full of phenomenal extras!

Paul Naschy films can be more than just a little bit hit and miss - and unfortunately there's a lot more misses than hits, but every now and again you happen upon a good one and this flick is certainly among the better Naschy films that I've seen. The film is directed by Naschy himself, and true to form (considering how a lot of his films are rather similar to each other) this one takes a hell of a lot of influence from Naschy's earlier works, particularly the boring Horror Rises from the Tomb. It's not original by any stretch of the imagination, but Panic Beats works well thanks to its atmosphere, gore and plot twists - it's almost verging on being a Giallo! The plot focuses on Paul; a rich descendant of a legendary knight named Alaric de Marnac. The knight has his own legend, and apparently he reappears every 100 years to batter any unfaithful women around his house. Paul decides to move his rich, but terminally ill wife up to the castle where the knight is reputed to have lived. Strange things start happening, and it appears the legend may be true...

The film gets off to a great start as we watch the knight chase down and slaughter a young woman. The film slows down from there and focuses more on the plot and characters. I won't say that it's all that interesting, but the film never gets boring and the way that we focus on the legend of the ancient knight is good. The film really picks up around the middle when the twist in the tale is revealed and it becomes obvious what the film is actually about. Naschy packs this flick with plenty of gore which is nice and the way that it's dished out is often unpleasant, which of course is also nice. There's a fair bit of bloodshed and the budget constraints were obviously a problem as it looks rather cheap - but it's still nice to watch. There's not as much nudity on display as some Euro-horror fans will be used to but Naschy is nice enough to cast some beautiful women and we do get some nudity. It all boils down to a predictable but well worked ending and while I cant say that Panic Beats is right up there with the best that Euro-horror has to offer - it's certainly a decent little film and above average for Naschy flick so I can recommend it.

This is a typical Paul Naschy movie and as such is difficult to describe to someone who hasn't seen one. On one hand, it is very old fashioned movie hearkening back to classic American thrillers like "Gaslight" or classic European thrillers like "Diabolique". On the other side, it opens with the scene of a completely naked women being chased through the woods by a knight on horseback and then brutally maced (in the medieval sense)into bloody pulp. (People who complain about the sexism and violence toward women in American films ought to take a gander at this).

Naschy has a way of combining disparate horror themes and subgenres in what seems like a very random, everything-but-the-kitchen-sink manner (his werewolf films, for instance, have involved everything from Dr. Jeckyl and Mr. Hyde to Countess Elizabeth Barthory to a Himalayan yeti). In this film he uses the evil Count Marnac he created for an earlier movie, "Horror Rises from the Tomb", but rather than making a conventional sequel he freely re-writes the legend making the knight an avenging figure who punishes unfaithful women (in "Horror" the count's wife was a conspirator in his crimes, here she is his first victim). Then he proceeds to ignore the supernatural elements of the story until the very end to tell a "Gaslight"-like tale of a man (Naschy himself, natch) who is only using the legend to frighten his wife to death. He wants to be with a mistress, of course, but just to needlessly complicate things he has TWO mistresses--the very sexy "bad seed" niece of his housekeeper(insert audible drooling sounds here) and another woman (who seems to only exist to provide additional nudity and and another gory killing, but oh well). The whole thing really shouldn't work, but somehow it does.

The recent Mondo Macabre disc this comes on is one of their best with a very interesting (but lamentably short) documentary that serves as an excellent primer for Spanish horror in general, and a longer, equally interesting interview with the erstwhile Spanish werewolf himself. This is neither the best or the worst Naschy movie I've seen, but this new disc should be a must-have for any Naschy/Spanish horror fan.