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Independence Day

  • 1983
  • R
  • 1h 50min
NOTE IMDb
6,5/10
612
MA NOTE
Independence Day (1983)
Mary Ann Taylor of Mercury, Texas loves the comforts of her hometown, but feels unfulfilled by a life of pouring coffee and grilling hamburgers in her father's diner. Her real passion is photography, but pursuing her dream of becoming a photographer means leaving Mercury. Despite her desperation to expand her horizons, Mary Ann hesitates to leave because of her mother's declining health and her own new romance with Jack Park, a mechanic who has just returned to town after realizing the cruelties of the outside world. She has a steady job as a waitress in her father's diner, yet feels unfulfilled by a life of pouring coffee and grilling hamburgers. Mary Ann's real passion is photography, but pursuing her dream of becoming a photographer means leaving Mercury behind. He experienced big-city living first-hand and wants nothing more than to settle down back home. But Jack and Mary Ann soon find that cruelties exist in their own little town when Jack discovers that his sister Nancy is being routinely abused and brutally beaten by her husband Les. While Jack struggles with how to help her, Mary Ann faces a crucial choice about her future: stay in town with Jack or pursue her dream in California without him.
Lire trailer2:09
1 Video
20 photos
DrameRomance

Mary Ann Taylor, de Mercury, au Texas, aime le confort de sa ville natale, mais ne se sent pas épanouie par une vie à servir du café et à faire griller des hamburgers dans le restaurant de s... Tout lireMary Ann Taylor, de Mercury, au Texas, aime le confort de sa ville natale, mais ne se sent pas épanouie par une vie à servir du café et à faire griller des hamburgers dans le restaurant de son père.Mary Ann Taylor, de Mercury, au Texas, aime le confort de sa ville natale, mais ne se sent pas épanouie par une vie à servir du café et à faire griller des hamburgers dans le restaurant de son père.

  • Réalisation
    • Robert Mandel
  • Scénario
    • Alice Hoffman
  • Casting principal
    • Kathleen Quinlan
    • David Keith
    • Frances Sternhagen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    612
    MA NOTE
    • Réalisation
      • Robert Mandel
    • Scénario
      • Alice Hoffman
    • Casting principal
      • Kathleen Quinlan
      • David Keith
      • Frances Sternhagen
    • 23avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:09
    Official Trailer

    Photos20

    Voir l'affiche
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    + 13
    Voir l'affiche

    Rôles principaux37

    Modifier
    Kathleen Quinlan
    Kathleen Quinlan
    • Mary Ann Taylor
    David Keith
    David Keith
    • Jack Parker
    Frances Sternhagen
    Frances Sternhagen
    • Carla Taylor
    Cliff De Young
    Cliff De Young
    • Les Morgan
    Dianne Wiest
    Dianne Wiest
    • Nancy Morgan
    Josef Sommer
    Josef Sommer
    • Sam Taylor
    Bert Remsen
    Bert Remsen
    • Red Malone
    Richard Farnsworth
    Richard Farnsworth
    • Evan
    Brooke Alderson
    • Shelly
    Noble Willingham
    Noble Willingham
    • Andy Parker
    Anne Haney
    Anne Haney
    • Rose Parker
    Judith Brown
    Judith Brown
    • Janis
    • (as Judy Brown)
    Jeff Polk
    • Billy Morgan
    Zachary DeLoach
    • Joey Morgan
    Scott Simpson
    Scott Simpson
    • Youngest Morgan Child
    Lane Simpson
    • Youngest Morgan Child
    Cheryl Smith
    Cheryl Smith
    • Ginny
    Kenneth E. Reynolds
    • Minister
    • Réalisation
      • Robert Mandel
    • Scénario
      • Alice Hoffman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    6,5612
    1
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    6
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    10

    Avis à la une

    7Olov_Liljeborg

    Well worth it if you are in a sentimental mood.

    This, I suppose, largely forgotten movie just aired on Swedish late-night television. I don't expect many people saw it. I only happened upon it myself. But it managed to catch my interest.

    It is a small, unassuming movie. Nothing remarkable, but well-acted and warm at heart. It paints a believable picture of small-town life, not just in America, but in most of the Western world. As I watched it I realized that it could very easily be adapted to Swedish conditions. You would really only need to change the names, and let it take place in the cold north of Sweden, with Stockholm the glowing city in the sun. The same longing for something more, and the same fear of the unknown exists right here. I guess it's universal.

    Anyway, the movie is well worth watching. It is far better than its recent over-hyped and under-acted namesake.
    10william.g.chapman

    Diane Weist steals this movie...

    ...with her performance as Cliff De Young's battered wife. When I saw it in the Greenwood Theater in North Seattle the whole audience cheered and clapped when David Keith hauled De Young out of the bar and beat the crap out of him for hitting his sister (Weist) - Weist had grabbed the audience so effectively. The only "Independence Day" anybody remembers today is the flying saucer movie, so this film is nearly forgotten - a tragedy.
    6GMJames

    OK drama with an outstanding performance by Dianne Wiest

    On the IMDb message board of The Sweet Hereafter, a writer asked users what was the most bone chilling moment in a film. I mentioned the little seen, small town drama Independence Day (a.k.a.: Follow Your Dreams, and not to be confused with the 1996 sci-fi blockbuster). Although Kathleen Quinlan and David Keith were the leads, I thought their somewhat interesting but not very compelling small-town romance was overshadowed by a subplot that could have been a main story in another movie.

    As Keith's suicidal and physically-abused sister, Dianne Wiest gave a heartbreaking performance. The dramatic decision she makes that directly affects her abusive husband (Cliff DeYoung, who also does a great job with his despicable character) and indirectly affects the lead characters, definitely chilled my bones.

    Weist's performance here was three years before her first of three supporting Oscar nominations, with 2 wins for Hannah and Her Sisters and Bullets Over Broadway.

    Although I had mixed feelings for Independence Day, I would recommend checking out the movie for Dianne Wiest's outstanding supporting performance.
    6moonspinner55

    "You'd better watch out for her...she usually gets what she wants."

    Carefully-considered character piece, a solid drama and a genuine sleeper, has a would-be auto racer returning to his small hometown in Texas after his dreams have hit a dead-end; he meets up with a girl his knew back in high school, a waitress and shutterbug who still lives with her parents and has aspirations to go to an art school in Los Angeles. Subplot with the young man's suicidal sister, trapped in a bad marriage to an abusive lout, nearly takes precedence over the main story, though all the performances are equally strong. Kathleen Quinlan is the sassy, headstrong photographer who makes firm statements about herself and her future--and then second guesses her own words and instincts (the contrivance with Quinlan waiting for the school's letter of invitation to come in the mail can be overlooked). As her new beau, David Keith is still being used as a substitute for Kurt Russell, yet his character's quiet strength (and his slow-building frustration and anger) shows him off to a fine advantage here. As the alternate couple, Dianne Wiest is a wonderful "born victim" who turns the tables, but Cliff De Young--while completely convincing as Wiest's repugnant husband--fails to come up with anything fresh (he's the eternal substitute for Dabney Coleman). Barely released by Warner Bros. in 1983, the film attained a small cult on cable and video, and it's a worthwhile film for fans of human drama. **1/2 from ****
    8phantom110

    All around good movie

    This movie is pretty darn good. Quinlan does a good job as a woman who grows up in a small town and has big dreams of moving to a big town. The true break-out performances, though, go to Diane Weist and Cliff De Young as the abused wife and abuser. Wait 'till you see how she gets him back! Good movie, watch it when you get a chance.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Cheryl Smith's final film.
    • Citations

      Jack Parker: [about Les] You could leave him.

      Nancy Morgan: He'd find me.

      Jack Parker: Change your name.

      [Nancy laughs]

      Jack Parker: Go on, pick one! Pick a new name. Pick a name, any name. Come on.

      Nancy Morgan: Oh... uh. I can't think of any.

      Jack Parker: How about Laura?

      Nancy Morgan: [laughs] Oh, God! That's worse than the one I've got!

      Jack Parker: Hey, what's wrong with your name? It's beautiful just like you are. You're beautiful.

      [cradles her face in his hands. Nancy suddenly bursts into tears]

      Jack Parker: Nancy, what's wrong?

      Nancy Morgan: [sobbing] I can't go anywhere! I don't want to go anywhere! I don't wanna go home!

      Jack Parker: Okay, you don't have to!

      Nancy Morgan: [crying more and more hysterically] I don't wanna go home! I don't wanna go home! I don't wanna go home!

    • Connexions
      Featured in The Cinema Snob: Independence Day (1983) (2016)
    • Bandes originales
      Follow Your Dreams
      Written, Produced and Performed by Jim Messina

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    FAQ16

    • How long is Independence Day?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 septembre 1983 (Danemark)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Riders on the Storm
    • Lieux de tournage
      • Anson, Texas, États-Unis
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 151 462 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 40 685 $US
      • 23 janv. 1983
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 50min(110 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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