Les Prédateurs

I watched the Hunger in my teens as a young punk in the 80's. Honestly, back then the fact that Bowie, Peter Murphy and vampire lesbianism was in it made it a 'cool' movie.. flash forward to me now and it's nostalgic 80's with lots of bad makeup and a sub par plot. The lighting effects in the movie annoy me as they use a lot of shadows and dim lighting with blurred backgrounds and points of bright lights. I feel like I need to squint while watching it. Anyway the acting is good and the story is good (never read the book). Do you want to live forever? Do you like vampires, do you like over the top 1980's style ? If so then it's worth the watch.

I just watched this film again for the first time in maybe 15 or 20 years and I did forget how slow moving this film is. I don't mind a film taking its time to tell a story but there are so many scenes where nothing happens and the characters are just staring at one another. Lots of style and beautiful cinematography and great sets really set the gothic mood in a contemporary setting. But while all this looks great there really is not much in the way of characterization. Film could have benefited from that. The make-up is terrific as we watch David Bowie age in a short time. For you trivia buffs they're are some recognizable actors in small roles like Willem Dafoe, John Pankow, Ann Magnuson and Jane Leeves. Not a bad film. Well made technically and some effective music but little characterization. A real curio.

Vastly underrated, but it's easily the best vampire film. Seems to be regarded as some kind of a trashy lesbian story, with a little bit of horror and gore thrown in for good measure; well, that's nonsense. These critics would have us believe that some silly Dracula film from the 30s is a masterpiece while this original approach to vampirism is a cheap, exploitative, erotic tale. The film is visually terrific, very atmospheric, has a good cast (Sarandon is excellent), and a superb soundtrack. Sarandon and Deneuve naked in bed is not exactly a deterrent, either. The last scene - a combination of visuals and music, is the absolute highlight of the film. If you'd like to read my parody/biography of Susan Sarandon (and other Hollywood intellectuals), contact me by e-mail.

"The Hunger" opens with the by now familiar Goth anthem "Bela Lugosi's Dead" by Bauhaus. Not a bad way to open a vampire film, though nowadays it would seem almost a parody. "Undead undead undead" indeed. Enter Cathy and Bowie into a slick, sleek, neon nightclub, filled to the rafters with post-punks & pre-Goths playing dead. Too bad they weren't as ready for the real thing as they thought they were. You see, Cathy and Bowie are vampires.

This is a visually stunning film, making up for in effects what it sometimes lacks in coherence. It seems that lovely, immortal Cathy, called Miriam, is a vampire queen who has been around since the Sphinx was built, apparently. Bowie is her consort, a once mortal man whose two hundred-odd year lifespan is suddenly winding down at a frighteningly rapid rate. Desperate to find a cure, he seeks out scientist Susan Sarandon, who at first disbelieves Bowie's claims, but is soon convinced when the young and handsomely androgynous man suddenly ages over the course of a few hours time into a decrepit ruin. Miriam, who has had countless lovers over the centuries, gives Bowie the heave-ho and turns her attention to lovely young Sarandon. But Sarandon, though initially easy to seduce (in an erotic lesbian scene) proves to have a will stronger than Miriam's, and Miriam's habit of keeping her collection of ex-lovers cadavers close at hand, proves to be a mistake.

This is a strange film, almost as cold and dispassionate as one might well imagine a vampire to be. It seems to hold the viewer at arms length, not allowing them to experience the emotions of the characters...but the characters, for the most part, are severely lacking in emotion anyway, so the stark emptiness of the film becomes a brilliant mirror. Some vampire enthusiasts might find this boring and confusing, but it's a good effort and not a total loss.

The three main characters are worth watching simply for their amazing beauty and grace. Tony Scott (brother of Ridley) has made a nice, if somewhat bizarre and chilling, work of art here and, like most works of art, it's up for interpretation.

A film with lots of style, beautifully shot, almost like a dream. This must be Tony Scott's best film to date, why do you ask? The director shows vision, not only in its visual medium but the editing, the music, the production design, the classical costumes and the chance to work with some talent.

David Bowie is very good, almost perfect for his part and Catherine steals the whole film. Susan Sarandon is also very good, the infamous Lesbian scenes are highly erotic and also very artistic.

This film isn't your usual Vamp movie, the film adds depth to these so-called Vampires.

The film probably required a bit more plot but nevertheless, this is all about style, this film looks fantastic.

Do not watch this in pan and scan, make sure you see it in widescreen because the director and cinematographer make full use of the panavision width.