Getting It On

Wow is this a bad film,even by T&A standards. Other reviews have said it well...Not funny at all,creepy/sleazy story (this coming from a fan of R rated teen sex comedies),bland acting and ALMOST NO NUDITY. To make things even worse the film is shot poorly and the print is very dark and flat,i'm sure at least partly due to next to zero budget.

Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?

I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.

This was filmed in my neighborhood when I was a Freshman in High School. I was an extra in the school auditorium scene where the "sex tape" is shown, Want to know more, email me. This was originally called 'American Voyeur' when I went to the premiere where the mayor of Hickory, NC gave Olsen a key to the city, with a crowd full of people dressed to the 9's. Then, a coming-of-age flick movie came up on the screen; nice surprise for that crowd.

Originally titled "American Voyeur" but released as "Getting It On", this North Carolina-lense teenage comedy nimbly pumps new life into the overdone high school hijinks genre. Though marketed as another raunchy "Porky's" followup, the William Olsen production is a well-acted, sweet and funny picture.

Filmmaker Olsen targets our consumerist and video-obsessed culture for some ribbing in this story of high school freshman Alex Carson (Martin Yost), with a crush on the girl next door, Sally (Heather Kennedy). Devising a video software business to earn money, Alex borrows his startup capital (at 15% interest) from his very businesslike dad, and with the help of his cutup classmate Nicholas (Jeff Edmond) takes the video equipment to record hidden camera footage of Heather and other pretty girts. When Nicholas is kicked out of school by mean principal White (Charles King Bibby), the heroes enlist he services of a friendly prostitute (Kim Saunders) to record footage of White in flagrante delicto.

What makes this material work is a fresh, enthusiastic cast, witty writing and direction by Olsen that bears no hint of malice. Though Alex's parents are caricatures, more interested in getting the latest satellite dish installed in the backyard than in their son's future, they are drawn as ingratiating characters, and even the practical joke directed against the principal turns out to benefit everyone, with no hard feelings. The script even includes a subplot reminiscent of the Matt Dillon-starrer "Tex", concerning Nicholas and his older brother Irving without parental supervision.

Young, attractive cast members match the teenage role requirements, though the pleasant lead player Martin Yost, an empathetic Timothy Hutton type, is of course older than the virginal 14-year-old in the script. Of special note is Bryan Elsom, very funny in a small role as a loquacious young Southern cab driver.

Tech credits for this modestly-budgeted effort are fine.

My review was written in August 1983 after a Times Square screening.

The phrase "so bad, it's good" gets thrown around way too much. A lot of movies like this one are not really THAT bad, and they're certainly not "good" in any sense of the word. But due to their very low-budgets, independent origins, and, yes, some amount of film-making ineptitude, they manage to be kind of, uh, well, different in a kind of interesting way. Although this is called "Getting It On", for instance, the two teen protagonists never do technically get around to really "getting it on". Most of the sex here actually involves the two heroes' balding, middle-age principal who they set up with a hooker, and the principal's sexy daughter who is involved with one of the protagonist's older brother.

The main protagonist, "Alex" (Martin Yost), is a video voyeur who uses early 80's video technology to spy on all the neighbor girls, including the pretty new-girl-next-door (Heather Kennedy) , who he also openly romances at the same time, and who somehow doesn't find his voyeurism the least bit creepy at all. However, when his best friend,"Nick", an orphan who lives with his older brother is in danger of being sent to a juvenile hall (for stealing a porno magazine!), he decides to take action by using his video equipment. In perhaps the weirdest scene in this weird movie, the protagonist, his friend, and the friend's brother--in order to put their crackpot plan into action--sneak into a local community costume party all dressed as Ku Klux KLANSMAN(!) and nobody even NOTICES!! I don't know if this is wry subversive genius or complete ineptitude on the part of the filmmakers, but it sure is different.

Of course, there is a smattering of female nudity involving the principal's daughter, and some neighborhood girls who are having a slumber party that turns into a sexy topless pillow fight (as girls' slumber parties invariably do). The two protagonists also spend a lot of time watching the girls' P.E. class, who wear VERY short gym shorts and seem to do A LOT of stretching. But what I really liked about this movie was it's sheer indie weirdness. I don't mean "indie" in the pretentious modern-day sense--most modern-day "indie" films are actually backed by Hollywood--I mean these old, truly independent exploitation films made by Middle American regional filmmakers who would never come anywhere NEAR legitimate Hollywood, and really had a COMPLETELY different sensibility. Anyway, if you like this movie, also check out another very bizarro early 80's teen comedy called "Incoming Freshman".

Simple-minded sex farce aims for sly smiles. On that level, it is amiable enough. All the actors seem to be having a genial enough time. There's not much else to tell -- just silly suburban hijinks, but nothing I found particularly offensive, or particularly interesting. But it was on a local UHF station while I worked out at a hotel gym, and for that it filled the bill nicely.