Ajouter une intrigue dans votre langueShortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.Shortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.Shortly after moving to Dallas, a young woman is raped at gunpoint. Her intense anger drives her to seek revenge, and she becomes a hunter on a vengeance mission.
Vince Zubras Jr.
- Lawyer
- (as Vincent G. Zubras Jr.)
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I remember back in the early 80's when home video was an exciting new concept, seeing a brochure from a local video rental store which featured a bunch of alluring looking movies, in amongst titles like Pia Zadora's Butterfly (1982) (yes, it is amazing what you can remember) was an interesting film called Handgun. The brief synopsis made it sound like an adult and challenging feature, i.e. something that I as a kid wanted to see! So it was strange for me to realise when I saw it for the first time just recently on a cable channel that it was in fact a very obscure movie. It seems to have not gotten too far beyond its home video release back in the 80's before more or less vanishing from sight. Well this seems like a criminal situation, as unlike a lot of movies I have anticipated seeing for many years, this one turned out to be an excellent and intelligent dramatic thriller. It follows a young woman who is a free-thinking teacher who begins a relationship with a charming gun-lover; on their second date he rapes her at gun point. She decides to turn the tables on him by learning to also become a crack shot with a handgun and with this new found skill she plans her revenge.
This definitely qualifies as one of the more intelligent rape-revenge thrillers out there. Part of its message is a criticism of American gun culture which seems more and more pertinent as each year goes by and another mass shooting happens in the name of gun ownership. Karen Young is excellent in the lead role and travels a wide arc of emotion in this one. She is very easy to get behind - let's be honest if you are not on her side in this movie, chances are you are a sociopath! Anyway, I am very pleased that this one is now doing the rounds on cable here in the UK as it certainly deserves to be re-discovered as it should never have become forgotten in the first place. A first rate thriller in my personal opinion.
This definitely qualifies as one of the more intelligent rape-revenge thrillers out there. Part of its message is a criticism of American gun culture which seems more and more pertinent as each year goes by and another mass shooting happens in the name of gun ownership. Karen Young is excellent in the lead role and travels a wide arc of emotion in this one. She is very easy to get behind - let's be honest if you are not on her side in this movie, chances are you are a sociopath! Anyway, I am very pleased that this one is now doing the rounds on cable here in the UK as it certainly deserves to be re-discovered as it should never have become forgotten in the first place. A first rate thriller in my personal opinion.
I was really deceived by this woke before its time movie, which I expected in the line of Neil Jordan's THE BRAVE ONE, starring a Jodie Foster more or less in the same kind of lead female character. This one is a piece of junk - not sh...though - talkative, very slow to begin, and finally lousy, cheesy. With some good scenes however, such as the shooting walk practice; I appreciated. Yes, this is purely WOKE before its time. Now in 2023, this kind of plot is very usual. But in the early eighties, it was a bit the heir of the vigilante fashion that emerged in the seventies. Bad acting and lame directing. Forget it.
Actress Karen Young (Jaws: The Revenge, Torch Song Trilogy, The Sopranos) made a very creditable starring film debut in this independent drama that is at once a tried-and-true rape & revenge tale, and an interesting look at gun culture in the United States. Young plays Kathleen Sullivan, a high school teacher in Texas who makes the acquaintance of macho lawyer / gun enthusiast Larry Keeler (Clayton Day (The Day After)). They seem to hit it off for a while, until he decides to force himself on her after a date at his apartment.
Since Kathleens' chances of actually getting justice through the legal system are slim to none, she undergoes a major change in her personality, deciding to take gun training and own her own handgun.
Although this well-intentioned and VERY well-acted (especially by Young) drama is reasonably intelligent & believable, it does ultimately lead to a predictable, inevitable finale, albeit one which does allow the viewer to feel some sense of satisfaction. Overall, the film is appreciably low-key and never over-emphatic, and its almost documentary-style approach in its second half is definitely effective.
Since Handgun (also known as Deep in the Heart) isn't too well known nowadays, I'd recommend that interested viewers give it a look - even if it's just for Youngs' compelling performance.
Seven out of 10.
Since Kathleens' chances of actually getting justice through the legal system are slim to none, she undergoes a major change in her personality, deciding to take gun training and own her own handgun.
Although this well-intentioned and VERY well-acted (especially by Young) drama is reasonably intelligent & believable, it does ultimately lead to a predictable, inevitable finale, albeit one which does allow the viewer to feel some sense of satisfaction. Overall, the film is appreciably low-key and never over-emphatic, and its almost documentary-style approach in its second half is definitely effective.
Since Handgun (also known as Deep in the Heart) isn't too well known nowadays, I'd recommend that interested viewers give it a look - even if it's just for Youngs' compelling performance.
Seven out of 10.
I caught this British made but American set and themed thriller on TV.
After it had been on for a few minutes i remembered that i seen this film on its original theatre release. Though essentially a low budget exploitation film with a message or two as it's justification, events since the movies 1983 release have made the film far more relevant today. What with the gun lobby at odds with the gun control debate raging in the USA, not to mention the sexual harassment question gripping the attention of this years movie awards season. There is a lot to think about, in this well made though clearly low budget but very effective little thriller, that play's out in a taught tense swift 90 minutes.
Handgun is an obscure little rape and revenge thriller that has more weight than many other films in the genre and actually tries to make some points outside of it. The film I would liken this one to most is the Swedish exploitation flick 'They Call Her One Eye' as it features an innocent young looking girl being wronged and then getting herself some weapons and some training to get back at her enemy. In fact, the two films are so similar that I would be very surprised if Handgun director Tony Garnett has not seen They Call Her One Eye. The major focal point here is course, rape. Kathleen Sullivan is a young woman who moves from Boston to Dallas. While there, she meets a man and starts seeing him; but shortly thereafter, the relationship turns sour when she refuses her advances, and he rapes her at gunpoint. She gets over the initial shock by getting angry and later buying herself a nice big gun and learning how to use it, all with the intention of hunting down and killing the man who raped her...
The film comes off as being slightly classier than the 'Video Nasty' style rape and revenge flicks such as The Last House on the Left and I Spit on Your Grave, although it's not as graphic, sleazy or nasty; and to be honest, I prefer the aforementioned classics to this film. The film is rather slow to start and nothing much happens for the first half hour. This is good in a way because it lets us get used to the central character, but on the other hand it's quite boring so becomes a bit of a problem. Otherwise, the plot flows fairly well; but there's never any secret made over where it's going so the film doesn't contain a lot of suspense. The rape scene is not particularly graphic either, which is a shame because it's what a lot of people will be tuning in for. There's a point thrown in there about guns and their usage, but it's not very potent. The film boils down to a good conclusion, despite the fact that it's obvious it was going to turn out that way - but it does pull an interesting little twist out at the end which is decent. Overall, I'm not surprised that this film isn't well known as it's not all that good and wont appeal to a mass market; but it's decent stuff and I can recommend it.
The film comes off as being slightly classier than the 'Video Nasty' style rape and revenge flicks such as The Last House on the Left and I Spit on Your Grave, although it's not as graphic, sleazy or nasty; and to be honest, I prefer the aforementioned classics to this film. The film is rather slow to start and nothing much happens for the first half hour. This is good in a way because it lets us get used to the central character, but on the other hand it's quite boring so becomes a bit of a problem. Otherwise, the plot flows fairly well; but there's never any secret made over where it's going so the film doesn't contain a lot of suspense. The rape scene is not particularly graphic either, which is a shame because it's what a lot of people will be tuning in for. There's a point thrown in there about guns and their usage, but it's not very potent. The film boils down to a good conclusion, despite the fact that it's obvious it was going to turn out that way - but it does pull an interesting little twist out at the end which is decent. Overall, I'm not surprised that this film isn't well known as it's not all that good and wont appeal to a mass market; but it's decent stuff and I can recommend it.
Le saviez-vous
- AnecdotesOf gun violence in America, the film's director Tony Garnett has said in an interview with Matthew Edwards of the 'Cinema-Retro' website: ''The place of guns is deeply embedded in American history. As I made clear in the classroom, America is built on genocide, has a macho culture and confuses owning guns with individual freedoms. This will take some shifting. It was all part of my attempt to understand America.''
- ConnexionsFeatures Project Twenty: The Real West (1961)
- Bandes originalesLay Down Your Arms
Written and Sung by Harry Nilsson
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- How long is Deep in the Heart?Alimenté par Alexa
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