Ajouter une intrigue dans votre langueWhen a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationshi... Tout lireWhen a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationship with his estranged wife.When a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationship with his estranged wife.
- Réalisation
- Scénario
- Casting principal
Avis à la une
The plot is good standard fare for an action movie. Ex cop turned private detective returns to LA where formerly served to solve the murder of a friend's daughter. He meets up with old enemies and his ex wife while things dont go as planned. The movie would have worked with a good healthy edit and better action sequences like the last one which didn't make sense. Alot of gloating to prolong it too long.
Might have been alot better with a good edit. Wings Hauser was good in the role. Also nice seeing Al Ruscio not playing the stereotypical bad guy for a change.
There's no surprises here, but it's well made in workman-like manner by director Paul Aaron ("A Force of One"). Fundamental is how you can describe the b-grade story, but it did somewhat change route in the back-end after what I thought was going to be your typical stalk and slash outing with a (ex-maverick) cop after a psycho serial killer. In away I probably would have preferred if stuck to that formula (something similar to Charles Bronson's "10 to Midnight"), then where it actually headed. Even the added love-interest with Joyce Ingalls's character felt like nothing more than padding. The narrative does have a scattered pattern going on, but everything is thinly examined when it comes to its finale. Pacing can be very uneven, but the action is physically tough and breakneck (as well as that pumping soundtrack) but you end up wishing there were more extreme dynamics than what's produced. Also showing up in the cast is Paul Shenar, Al Ruscio, Lincoln Kilpatrick and Arlen Dean Snyder.
Middle-of-the-road entertainment.
"You leave L.A, I'll have your ass!"
The story bounces to the left & the right at an uneven pace, but still manages to be quite coherent and even turn in a twist at the start of the third act (albeit one you'll probably see coming). Wings Hauser is in top shape in this one and pretty much owns the movie. One scene has him relaxing in a bath tub, and then going after the killer butt-naked after the whole loft has been shot to pieces during the killer's surprise attack. Even a pretty decent but obviously very standard climax is added to the mix (Wings vs. the killer, after his true identity is exposed). Other forms of entertainment, aside from shooting & killing, are included also, like a soft-core sex-scene (Wings & Joyce Ingalls) and an obligatory car crash/explosion. Yes, "Deadly Force" does its best to play it right.
Sadly, one of the worst aspects of "Deadly Force" is the musical score. The main theme - if you can call it that - doesn't work at all. It's too rocky & funky and is used too often & inappropriately (even during the climactic fight & chase scene at the end). It gives the film a much sillier & dated vibe than it should have. A more gritty & tense analog synth score would have worked wonders, I'm sure. But in the end, "Deadly Force" is much more entertaining than it's poor rating on here would lead you to believe. And it's mainly thanks to Wings Hauser and a typical B-movie script that at least tries to make things work.
Le saviez-vous
- AnecdotesProducer Sandy Howard had just worked with star Wings Hauser on 'Vice Squad' (1982) and was impressed with his ability and charisma. Howard immediately searched for a vehicle for his star and found it with this film. Howard hoped it would be the beginning of a Dirty Harry-like series, but plans for more Stony Cooper films fell through.
- Citations
[last lines]
Joshua Adams: We're two of a kind Cooper we both know violence is a means to an end... now hand over your gun... do it
- Crédits fousThe concluding credits roll over a stilled image of Wings Hauser, Joyce Ingalls and Al Ruscio moving away together outside the Canfield Institute.
- ConnexionsFeatured in The Cinema Snob: Deadly Force/The Big Score (2023)
- Bandes originalesI Can't Fight It
Music by Lori Lieberman and Gary S. Scott (as Lieberman/Scott)
Lyrics by Janus Cercone (as Janis Cercone)
Performed by Lorraine Devon Wilke (as Lorraine Devon)
Produced by Gary S. Scott (as Gary Scott)
Meilleurs choix
- How long is Deadly Force?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)