Un homme se réveille d'un coma pour découvrir qu'il possède des aptitudes psychiques.Un homme se réveille d'un coma pour découvrir qu'il possède des aptitudes psychiques.Un homme se réveille d'un coma pour découvrir qu'il possède des aptitudes psychiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 4 nominations au total
Géza Kovács
- Sonny Elliman
- (as Geza Kovacs)
Avis à la une
It seems that movies starring Christopher Walken just can't go wrong! David Cronenberg's adaptation of Stephen King's "The Dead Zone" features him in one of his most interesting roles as literature teacher Johnny Smith, who becomes psychic after surviving a car wreck. He uses his newfound power to help people avoid danger, but soon faces a moral dilemma when it looks like political candidate Greg Stilson (Martin Sheen) may become the next Hitler.
This is one of those movies that has shades of everyone involved in it. Walken's eerie presence, Sheen's (apparent) "aw shucks" demeanor, plus the horrific feeling of Cronenberg and King. You're sure to love it. Also starring are Brooke Adams as Johnny's ex hubby, and Herbert Lom as a doctor (you may expect him to launch into an anti-Clouseau diatribe, but his role here is as far removed from Commissioner Dreyfus as possible).
Very well done.
This is one of those movies that has shades of everyone involved in it. Walken's eerie presence, Sheen's (apparent) "aw shucks" demeanor, plus the horrific feeling of Cronenberg and King. You're sure to love it. Also starring are Brooke Adams as Johnny's ex hubby, and Herbert Lom as a doctor (you may expect him to launch into an anti-Clouseau diatribe, but his role here is as far removed from Commissioner Dreyfus as possible).
Very well done.
The Dead Zone is one of those critically acclaimed movies which I'm astounded has taken me this long to get around to.
Starring Christopher Walken, Martin Sheen and the late great Herbert Lom this Stephen King adaptation tells the story of a man who upon coming out of a coma learns he has gained the power of premonition.
The interesting thing about the Dead Zone is it's almost like a mini-series squeezed into a single film as it doesn't have one solid storyline throughout and instead is a series of stepping stones to the brilliant finale.
The cast are on point and Lom who is famous for his villianous characters (Pink Panther for example) is highly likeable and steals every scene he's in.
I'm so glad coming out of this that I finally got round to it as it is yet another great King adaptation worthy of its acclaim.
The Good:
Opening a movie with an Edgar Alan Poe quote works for me
Perfectly executed from performances to writing
Great finale
The Bad:
Cheating protagonists, they never get old
Would have benefitted from at least 30 minutes more
Things I Learnt From This Movie:
It's scary how alike Martin & Charlie were around the same age
Starring Christopher Walken, Martin Sheen and the late great Herbert Lom this Stephen King adaptation tells the story of a man who upon coming out of a coma learns he has gained the power of premonition.
The interesting thing about the Dead Zone is it's almost like a mini-series squeezed into a single film as it doesn't have one solid storyline throughout and instead is a series of stepping stones to the brilliant finale.
The cast are on point and Lom who is famous for his villianous characters (Pink Panther for example) is highly likeable and steals every scene he's in.
I'm so glad coming out of this that I finally got round to it as it is yet another great King adaptation worthy of its acclaim.
The Good:
Opening a movie with an Edgar Alan Poe quote works for me
Perfectly executed from performances to writing
Great finale
The Bad:
Cheating protagonists, they never get old
Would have benefitted from at least 30 minutes more
Things I Learnt From This Movie:
It's scary how alike Martin & Charlie were around the same age
A schoolteacher Johnny Smith (Christopher Walken) a survivor of a road accident awakes from a five-year coma to discover he has psychic abilities, which he gets visions of the past, present and the deadly future. And how he does it, is through the use of touch. But life has changed within that time with his girlfriend (Brooke Adams) being married; he's basically crippled and no longer having a job. So now he uses his abilities to help a sheriff (Tom Skerritt) solve a murder case, to save a child's life and predicting world's fate from an evilly corrupt politician (Martin Sheen) who plans to be president.
It's definitely one of my favourite King adaptations and you could say Cronenberg at his best. This time around Cronenberg has taken a more mainstream (even though depressing) approach with none of his grotesque and disturbing visuals evident, but that doesn't take away from the experience - as on show is good story telling, performances and film-making. Visually the film does hold strong imagery (especially the vision scenes) and also the picture truly captures the unsaturated colours of the wintry backdrop, which makes the bleak atmosphere such a dour affair. Though the sharp stabbing sounds when Johnny gets a vision truly knocks you, but it's the stinging outcome that made the film for me. Distinctive photography by Mark Irwin was beautifully constructed and pretty smooth in the detail of the settings. While, the driving score stood out and was particularly on the spot with capturing the right mood. Sound performances are given by the likes of the sympathetic Christopher Walken and the innocent Brooke Adams. Martian Sheen delivers a rather hammy performance and Tom Skerritt's performance is the total opposite, being rather toned down. Cronenberg's solid direction paces the film swiftly and also creates some well-staged sequences of tension that stick in your head. In all you can always expect dashing film-making by Cronenberg and that's what you get in this picture.
The story is what I had some gripes with. At times it felt like writer Jeffrey Boam was trying to squeeze too much into the story. Some interesting and intelligent sub-plots (murder investigation) felt hurried and rather contrived - it was like it was concentrating and building more towards the final act instead. But then again time is money and it didn't take away from my overall enjoyment of this film. The plot is basically a portrait of a man coming to grips with his pain and accepting the fate his been chosen and also throw in some social commentary into the mix. Also added is the occasional dabbing of dry/witty remarks, but for me it was uncomfortable humour. That being pretty much the state of the film. One thing I noticed, but don't know if this symbolism was intended but the way Johnny is always wearing the black coat reminded me of death (fate). Especially with touch his can see into the future and actually alter what can happen (say death). Maybe it was just I?
It isn't gut wrenching stuff (visually speaking) we've come to expect by Cronenberg, but still he nails down a well drawn up and gripping drama/thriller.
It's definitely one of my favourite King adaptations and you could say Cronenberg at his best. This time around Cronenberg has taken a more mainstream (even though depressing) approach with none of his grotesque and disturbing visuals evident, but that doesn't take away from the experience - as on show is good story telling, performances and film-making. Visually the film does hold strong imagery (especially the vision scenes) and also the picture truly captures the unsaturated colours of the wintry backdrop, which makes the bleak atmosphere such a dour affair. Though the sharp stabbing sounds when Johnny gets a vision truly knocks you, but it's the stinging outcome that made the film for me. Distinctive photography by Mark Irwin was beautifully constructed and pretty smooth in the detail of the settings. While, the driving score stood out and was particularly on the spot with capturing the right mood. Sound performances are given by the likes of the sympathetic Christopher Walken and the innocent Brooke Adams. Martian Sheen delivers a rather hammy performance and Tom Skerritt's performance is the total opposite, being rather toned down. Cronenberg's solid direction paces the film swiftly and also creates some well-staged sequences of tension that stick in your head. In all you can always expect dashing film-making by Cronenberg and that's what you get in this picture.
The story is what I had some gripes with. At times it felt like writer Jeffrey Boam was trying to squeeze too much into the story. Some interesting and intelligent sub-plots (murder investigation) felt hurried and rather contrived - it was like it was concentrating and building more towards the final act instead. But then again time is money and it didn't take away from my overall enjoyment of this film. The plot is basically a portrait of a man coming to grips with his pain and accepting the fate his been chosen and also throw in some social commentary into the mix. Also added is the occasional dabbing of dry/witty remarks, but for me it was uncomfortable humour. That being pretty much the state of the film. One thing I noticed, but don't know if this symbolism was intended but the way Johnny is always wearing the black coat reminded me of death (fate). Especially with touch his can see into the future and actually alter what can happen (say death). Maybe it was just I?
It isn't gut wrenching stuff (visually speaking) we've come to expect by Cronenberg, but still he nails down a well drawn up and gripping drama/thriller.
I'm a great admirer of David Cronenberg, and "The Dead Zone' could well be his most underrated movie. The problem is that it's just not very Cronenbergesque, and being "Deprave" Cronenberg's first mainstream Hollywood movie, and coming hot off his provocative and mind blowing 'Videodrome', many people regard it as some kind of sell out. I really cannot agree. If you forget your preconceived idea of what Cronenberg movies SHOULD be (and let's not forget his other career oddities 'Fast Company' or 'M. Butterfly'), and just accept it for what it is, you'll see that it is a very well made and well acted thriller, and is almost impossible to fault. In my opinion it joins Kubrick's 'The Shining' and De Palma's 'Carrie' as the most effective Steven King adaptations to date. Christopher Walken is on top form here, and I think gives one of his very best performances. The supporting cast are also excellent, the lovely Brooke Adams ('Invasion Of The Body Snatchers'), horror veteran Herbert Lom ('Mark Of The Devil'), Martin Sheen ('Badlands'), Tom Skerritt ('Alien'), Anthony Zerbe ('The Omega Man'), and Cronenberg regular Nicholas Campbell, who is involved in the movies most unforgettable sequence. I've lost track of how many times I've watched 'The Dead Zone' over the years, but it never fails to hook me in, and I always get something more out of Walken's performance every time I view it. This movie may not be typical fare from David Cronenberg, but it is one of his most straightforward and entertaining films. Highly recommended.
Starring Christopher Walken in a tour de force performance, the film weaves a tale of supernatural intrigue and moral complexity. Walken's portrayal of Johnny Smith, a man who awakens from a coma with psychic abilities, is a revelation - his ability to convey the weight of his newfound powers and the ethical dilemmas they present is nothing short of captivating.
Cronenberg's deft direction and the film's moody atmosphere create an eerie ambiance that lingers long after the credits roll. As Johnny grapples with his psychic visions and attempts to prevent impending tragedies, The Dead Zone delves into themes of fate, free will, and the moral gray areas that arise from possessing extraordinary gifts. With a riveting narrative and a thought-provoking exploration of the human condition, The Dead Zone solidifies its place as a must-watch in the realm of supernatural cinema, offering a chilling and introspective experience that transcends the boundaries of its genre.
Cronenberg's deft direction and the film's moody atmosphere create an eerie ambiance that lingers long after the credits roll. As Johnny grapples with his psychic visions and attempts to prevent impending tragedies, The Dead Zone delves into themes of fate, free will, and the moral gray areas that arise from possessing extraordinary gifts. With a riveting narrative and a thought-provoking exploration of the human condition, The Dead Zone solidifies its place as a must-watch in the realm of supernatural cinema, offering a chilling and introspective experience that transcends the boundaries of its genre.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Le saviez-vous
- AnecdotesDirector David Cronenberg fired a .357 Magnum loaded with blanks just off camera to make Smith's flinches seem more involuntary; this was Christopher Walken's own idea.
- GaffesAll the lights on the tanker stay lit even though it completely detaches from the rig.
- Citations
Johnny Smith: The ICE... is gonna BREAK!
- Crédits fousAs the opening titles roll, certain parts (or "dead zones") of the screen become blocked out, until the part of the screen you can see spell out the title "The Dead Zone."
- Versions alternativesAlthough the UK cinema version was 18-rated and intact in 1986 Thorn-EMI released a British home video version with 13 seconds cut to obtain a 15 certificate rating from the BBFC. A scissor suicide sequence was re-edited to remove shots of the preparation and aftermath, and shots of topless nudity and the descending scissors were removed from the gazebo murder. Later 18-rated releases feature the full uncut print.
- Bandes originalesThe Yankee Doodle Boy
(a.k.a., "I'm a Yankee Doodle Dandy") (uncredited)
Written by George M. Cohan
(Cohan included a snippet of "Yankee Doodle" (traditional) in his own composition)
Performed by Traditional
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La zona muerta
- Lieux de tournage
- Niagara-on-the-Lake, Ontario, Canada(Downtown and gazebo scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 766 616 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 556 083 $US
- 23 oct. 1983
- Montant brut mondial
- 20 766 616 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant