Conquest

An old man in a dollar store Santa wig and beard bestows a magic bow on wimpy young adventurer Ilias (Andrea Occhipinti), who ventures into the smoke-shrouded wilderness to fulfil his destiny, which involves befriending barbarian Mace (Jorge Rivero), and fighting evil, topless sun-ruler Ocron (Sabrina Siani) and her beastly minions.

Lucio Fulci, the Italian 'godfather of gore', tackles the then-very-popular fantasy genre in his own distinctive style, keeping splatter fans happy with a wonderfully gory scene early on as Ocron's pig-faced henchmen attack a peaceful tribe, tearing a woman in half by pulling her legs apart and cracking open her skull so that their leader can feast on the brains. A later revolting scene sees Ilias struck by a poisoned dart, his body erupting with oozing sores (cured by a handy dandy magical flower that grows in a nearby valley!). Fulci also throws in not one, but two totally unexpected and gory demises for two of the characters, which makes up somewhat for the remainder of the film, which comprises of a series of not-very-thrilling altercations in which the bad guys launch themselves off trampolines in the direction of the heroes.

In addition to the gore and the tiresome fights, we also get a hilarious moment when a school of friendly dolphins rescue Mace from a watery grave - a silly underwater scene to rival that of the shark vs. Zombie in Zombie Flesheaters.

5/10. Not one of Fulci's better films, but worth a go for fans of the director and for those who enjoy dumb trashy movies.

"Conquest" is a typical case of a "love it or hate it" movie. The crossover which Fulci tried was: take some of the barbarian hero stuff popular in the 80s (Conan, Beastmaster), combine it with the splatter horror the director is well known for, and give this a psychedelic edge with blurred, constantly foggy visuals and haunting synthesizer music. Surely not everybody's taste, not even for many fans of Fulci's other works. However, if you are in the right mood, "Conquest" is an experience that compares to no other fantasy horror movie...except maybe Bava's "Ercole al centro della terra"! The story can be given in a few lines: Ilias, a young man from a comparatively civilized country, travels to a barbarian land of many terrors. He meets the warrior Mace, and together they fight an evil sorceress who claims to be responsible for the rising of the sun, and is worshiped like a goddess by everyone who believes her (surprisingly many).

Fulci doesn't give any explanations, but lets us dive in head first. Don't ask "why do those zombies exist in the swamp?", "why does Zora appear out of thin air?" or "how can Sabrina Siani be beamed from the mountain top into the cave without Scotty around?". This is not the point. What Fulci shows us is a dream where everything is possible. Meet the creatures that lurk in your nightmares, and when there are no more arrows for the bow, it shoots lightning beams. A dream does not require logic. Even death is not certain here. I perfectly understand when people don't like this movie, because it is opposed to what one normally expects from a movie. However, I don't see this as a dumb or sloppy script - to me it appears to be a purposeful experiment that did not succeed entirely, but is unusual and challenging. As I said at the beginning: love it or hate it.

Sword and Sorcery flicks had their heyday in the early 80s, with "Conan The Barbarian" as the absolute highlight of the sub-genre, and tons of mostly immensely crappy low-budget flicks to follow. These films were so popular then, that even the godfather of gore himself, Lucio Fulci, decided to dabble in Fantasy's trashiest, and most entertaining sub-genre. Fulci's take on the Sword And Sorcery genre, namely this "Conquest" of 1983 is definitely not one of Fulci's masterpieces (more precisely, it is probably his dumbest movie), but it nonetheless outshines most other contemporary low-budget films of the kind. The storyline is extremely silly, and in spite of its flatness it is often confusing and makes little sense. People shouldn't watch Sword'n'Sorcery flicks and expect logic, however, and "Conquest" certainly has its qualities too. The film is atmospheric, and often quite bizarre, even more so than most other films of the genre, which is a quality in my book. I also liked the (quite strange) characters. The main villain is a nearly naked woman wearing a bizarre golden mask, who commands an army of beasts who are something in-between bears, wolves and men. While one of the heroes, Ilias (played by Andrea Occhipinti) looks like a total wuss, the other main character, Mace (played by Jorge Rivero) is basically a trashier version of Conan the Barbarian. Director Fulci also implicates the trade-mark gore, among other things heads are being crushed and people are torn into pieces.

What especially makes this film watch-worthy, however, is the ingenious score by Claudio Simonetti, known to Horror buffs and Progressive Rock fans as the creative head of "Goblin", the ingenious band responsible for some of the greatest Horror film scores ever, most prominently those to Dario Argento's masterpieces. Simonetti always stands for brilliant film scores, and the progressive Rock score fits in with Sword and Sorcery better than one might expect. I would even go further, and say that the score to "Conquest" may very well be the single coolest soundtrack to any film of the genre. All things considered, "Conquest" is well worth watching. Fans of trashy 80s flicks, especially lovers of Sword And Sorcery should definitely give it a try!

Fans of Fulci, you will love this! This film is no Zombi or Beyond but it has the feel and atmosphere of a Fulci masterpiece. He may be the Godfather of Gore, but if your just looking for that certain aspect in the film, then turn away. With the exception of one or two scenes(which are pretty decent), Conquest has little gore to offer. What Conquest does have to offer tho is a great atmosphere and music score. Around the time of Conquest's release, the sword and sorcery genre was very popular. This film is merely Fulci's take on the genre and he pulls it off brilliantly. The story may be simple and seem generic yet it is pulled off well enough to make the plot of the film enjoyable and entertaining through the use of great settings, creatures, cheesy special effects and a cool techno score of the early 80's. If you're a fan of Fulci or even a fan of cheesy 80's movies, then Conquest would probably be a great film for you. 8 out of 10!

If there's any movie Lucio Fulci made that inspires equal love and hatred, it must be this, the director's lone fore into the Sword and Sorcery subgenre. The general opinion of its detractors seems to be that "Conquest" marked the beginning of Fulci's descent into both commercial and artistic mediocrity, and while the former may be true, I'm not understanding the latter. In light of what Fulci's work aspires to be, "Conquest" can in many ways be seen as a culmination of his style, and if your best criticisms of the movie are that it's "plotless and cheap," I wonder why you're watching a Fulci movie in the first place.

Sure, the plot is a rudimentary blob that in the end amounts mostly to characters wandering back and forth as an excuse to get them into perilous situations involving traps and monsters, but Fulci's visual sensibilities are positively ON FIRE here, so much so that the limitations of the story become pretty much inconsequential. They take a back seat to the otherwordly mythic fantasy environment that Fulci is able to create with the most frugal materials. It is the foreboding fog-shrouded swamps, ancient stone temples, grotesque creatures and lurid-colored alien skies that will linger in the mind as the work of an artist who clearly has an eye for distinctive visuals. You could only accuse this of being a movie derivative of "Conan the Barbarian" if you completely ignored this aspect of it, because I can't think of another film that looks anything like this.

Other aspects of "Conquest" work to its advantage in subtle ways. The spare, monosyllabic dialogue helps to create the sense of a primitive and brutish world and the minimalist pulses of Claudio Simonetti's electronic score mesh well with the stunning visuals. Bizarre details - the villainess' gold mask and fascination with snakes, the enchanted bow that glows blue, the dolphin rescue - border on the surrealistic. The effect achieved, at least to this viewer, is hypnotic. I find myself wondering how so many filmmakers today, when they are given all the resources in the world and can't give us one interesting thing to look at, can be treated so leniently by critics who would jump on the bahnwagon to slam Fulci without a second thought.