NOTE IMDb
6,4/10
25 k
MA NOTE
Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 4 nominations au total
Clifford A. Pellow
- Allen
- (as Clifford Pellow)
Avis à la une
I was dying to see this when I was 13 but I was too young to get in at the pictures. I saw the trailer when I went to see Superman 3. I finally hired it on video and loved it. I think at the time, it was the look of the helicopter that I was drawn too. Big bulky and menacing. (The scene where we first see Blue Thunder with the sun rising behind it is sheer class.) I've got the DVD and always enjoy watching this film, I love Roy Scheider in most films he's in and he's excellent in this one. Also thought Daniel Stern was great as Murphy's observer. The series was quite cheezy but enjoyable in it's own way. Universal latched on to the super hi-tech helicopter theme as Airwolf followed soon afterwards. The helicopter in Airwolf was a Bell 222 whereas Blue Thunder was a converted Gazelle helicopter that was given a facelift to make it look bulky and menacing, a little bit like an Apache. Back to the movie. The plot is quite thin and there are a couple of scenes that are a bit far fetched but if you're looking for a film with good helicopter chase sequences in it, they don't come much better than this. Catch you later.
I first saw Blue Thunder as a kid at the time of its release and enjoyed it purely as a slice of action/adventure typical of its time. I could name many films from the early 80s of a similar ilk, but this one stuck in my mind as a real favourite and it was only when I re-watched it recently that I understood why.
Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.
Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.
Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.
The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.
Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.
Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.
Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.
The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.
Very good action yarn made during the same year as the more intellegent and superior Badham film, WarGames(1983). Still an entertaining action thriller with three major set pieces. One, the chase among helicopters in the same area as the chase in Terminator 2(1991). Two, the climatic battlescene while at times seems ruthless is nevertheless cheorgraphed with some impressive effects for its time. Three, the final conflict chase between Roy Scheider and Malcolm McDowell.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.
Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.
Always liked this one. Well written and acted, with excellent aerial action sequences. It's a shame this was Warren Oate's last role - he was magnificent. Other reviewers made a valid point about this film presaging the use of military hardware against civilians. We already use airplanes to catch speeders on the ground - doesn't the aviation fuel cost more than the amount of revenue taken in through summonses?
A Vietnam vet police helicopter pilot is asked to test a new state-of-the-art helicopter.
If you appreciate Blue Thunder for its action sequences, 80s technology and a decent hit of LA nostalgia there is no reason not to enjoy it.
The plot is a passable excuse to get Roy Schneider and Daniel Stern into the titular chopper doing all kinds of mischievous things and there is plenty of amusement to be taken from this. Imagine a couple of teenage boys let loose with hi-tech surveillance kit in a vehicle that can hover anywhere, seemingly undetected, and that's the mentality on display.
Most of the characters and the dynamics between them are hugely clichéd and not really explored in much depth or with any particular interest to me.
The plot does get vaguely engaging when the main conspiracy starts to unfold. There is one foot chase sequence involving someone bound and gagged that works very well.
All the downtown LA set aerial sequences that carry the movie to its conclusion are very well made, with production values and practical effects that hold up to the modern era. The flight stunts and use of model aircraft are blended seamlessly so that virtually everything feels real, apart from the final stunt, which has been built up so much during the movie that you somehow accept it as something that has to happen.
Schneider has no real acting challenges, but his presence is enough to engage anyone who is a fan of his work. Stern compliments him well in their scenes together. Warren Oates, Malcolm McDowell and supporting cast are all solid.
It's a 6.5/10 for me but I round upwards.
If you appreciate Blue Thunder for its action sequences, 80s technology and a decent hit of LA nostalgia there is no reason not to enjoy it.
The plot is a passable excuse to get Roy Schneider and Daniel Stern into the titular chopper doing all kinds of mischievous things and there is plenty of amusement to be taken from this. Imagine a couple of teenage boys let loose with hi-tech surveillance kit in a vehicle that can hover anywhere, seemingly undetected, and that's the mentality on display.
Most of the characters and the dynamics between them are hugely clichéd and not really explored in much depth or with any particular interest to me.
The plot does get vaguely engaging when the main conspiracy starts to unfold. There is one foot chase sequence involving someone bound and gagged that works very well.
All the downtown LA set aerial sequences that carry the movie to its conclusion are very well made, with production values and practical effects that hold up to the modern era. The flight stunts and use of model aircraft are blended seamlessly so that virtually everything feels real, apart from the final stunt, which has been built up so much during the movie that you somehow accept it as something that has to happen.
Schneider has no real acting challenges, but his presence is enough to engage anyone who is a fan of his work. Stern compliments him well in their scenes together. Warren Oates, Malcolm McDowell and supporting cast are all solid.
It's a 6.5/10 for me but I round upwards.
Le saviez-vous
- AnecdotesOne reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in Les Dents de la mer 3 (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.
- GaffesCochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.
- Citations
[Icelan and Braddock are discussing Murphy]
Icelan: He checks his sanity with a wrist watch!
Jack Braddock: What do you check yours with, a dipstick? There are no paranoid schizophrenics in my department.
- Crédits fousThere are no opening credits after the title is shown.
- Versions alternativesWhen "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.
- Bandes originalesTheme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Relámpago azul
- Lieux de tournage
- City of Los Angeles Piper Technical Center - 555 Ramirez Street, Downtown, Los Angeles, Californie, États-Unis(Police helipad - Command Center)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 313 354 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 258 149 $US
- 15 mai 1983
- Montant brut mondial
- 42 313 354 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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