NOTE IMDb
6,4/10
25 k
MA NOTE
Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.Un flic fait un vol d'essai d'un hélicoptère de police expérimental et apprend les sinistres implications du nouveau véhicule.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 4 nominations au total
Clifford A. Pellow
- Allen
- (as Clifford Pellow)
Avis à la une
Old movies have it hard on ImDb. They got pushed in this database without all the benefits modern movies have to artificially boost their initial user score. Publicity stunts, media spin, false "user" feedback... They got none of that. How many bad movies have you seen start at 8,5 and end up being turds. To remedy that, Blue Thunder gets a solid 8 from me. It is a typical 80's flick, sprinkled with sexist and racist bits nobody would dare to approach today. Movies reflect their epoch; here we find a pre-olympic L.A. not very far from it's race crisis. More important, we find real helicopters doing real stunts above and inside the city. No production will ever get a permit to do all this anymore and only for that, that movie is worth watching.
Always liked this one. Well written and acted, with excellent aerial action sequences. It's a shame this was Warren Oate's last role - he was magnificent. Other reviewers made a valid point about this film presaging the use of military hardware against civilians. We already use airplanes to catch speeders on the ground - doesn't the aviation fuel cost more than the amount of revenue taken in through summonses?
I first saw Blue Thunder as a kid at the time of its release and enjoyed it purely as a slice of action/adventure typical of its time. I could name many films from the early 80s of a similar ilk, but this one stuck in my mind as a real favourite and it was only when I re-watched it recently that I understood why.
Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.
Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.
Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.
The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.
Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.
Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.
Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.
The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.
"Blue Thunder" . . . isn't this that movie where Roy Scheider uncovers a government conspiracy and then loops a wicked military chopper? You betcher sweet ass it is! And it's a shame the helicopter didn't talk. I mean, the comic potential of a reckless pilot and his snappy chopper is enough to salivate over. A more cynical person might find all of this silly, but not me. I was caught up in the whole thing; the car chases, the dofight through downtown L.A. It all works somehow, both as police procedural and conspiracy flick.
Scheider lends a great presence to validate the whole thing, Malcolm McDowell is a real slime of the first order, but neither one of these guys has a thing on the real star of the movie: ol' Blue, herself. That is one menacing attack helicopter, loaded for bear and still sleek. I can only imagine what it was like back in the '80s to be a bystander on the ground watching them film this beast in the air.
7/10
Scheider lends a great presence to validate the whole thing, Malcolm McDowell is a real slime of the first order, but neither one of these guys has a thing on the real star of the movie: ol' Blue, herself. That is one menacing attack helicopter, loaded for bear and still sleek. I can only imagine what it was like back in the '80s to be a bystander on the ground watching them film this beast in the air.
7/10
One of the things that really caught my attention about this film was the brief blurb at the beginning which stated something to the effect of "All of the surveillance equipment depicted in this film exists and is in use in the United States." Knowing what I do of technology, I am not surprised that those capabilities existed back then. However, I received a powerful demonstration of the stealth technology called "whisper mode" in the film, a couple of years after seeing it. I live near a major U.S. Army firing range, and our local airport hosts a considerable amount of military traffic. At this particular time, I was renting a house about one kilometer from the airport. I went out for a walk late one Sunday night, and, shortly after leaving the house, I heard a noise I could not identify. It was a loud hissing sound, 'which seemed very close at hand, but I could not locate the source, until I looked up. Passing overhead at about 200 meters was a Chinook helicopter, the type with two rotors, and fuselage that looks kind of like a banana. Normally, the rotor noise on these cargo helicopters will rattle windows, but this baby was tip-toeing out of town very quietly. If I had been indoors, I never would have heard it. This made me completely rethink the sequence where the helicopter was hovering right outside of a building, and the people inside couldn't hear it! I took it for artistic license at the time, but the demonstration I witnessed of "whisper mode" made it seem entirely feasible.
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.
I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"
Le saviez-vous
- AnecdotesOne reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in Les Dents de la mer 3 (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.
- GaffesCochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.
- Citations
[Icelan and Braddock are discussing Murphy]
Icelan: He checks his sanity with a wrist watch!
Jack Braddock: What do you check yours with, a dipstick? There are no paranoid schizophrenics in my department.
- Crédits fousThere are no opening credits after the title is shown.
- Versions alternativesWhen "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.
- Bandes originalesTheme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Relámpago azul
- Lieux de tournage
- City of Los Angeles Piper Technical Center - 555 Ramirez Street, Downtown, Los Angeles, Californie, États-Unis(Police helipad - Command Center)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 313 354 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 258 149 $US
- 15 mai 1983
- Montant brut mondial
- 42 313 354 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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