Un groupe de sept anciens amis de l'université se retrouve lors d'une réunion en week-end dans une maison de vacances en Caroline du Sud après les funérailles d'un autre de leurs amis de l'u... Tout lireUn groupe de sept anciens amis de l'université se retrouve lors d'une réunion en week-end dans une maison de vacances en Caroline du Sud après les funérailles d'un autre de leurs amis de l'université.Un groupe de sept anciens amis de l'université se retrouve lors d'une réunion en week-end dans une maison de vacances en Caroline du Sud après les funérailles d'un autre de leurs amis de l'université.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 3 victoires et 8 nominations au total
Jonathan Kasdan
- Harold and Sarah's Son
- (as Jon Kasdan)
Jake Kasdan
- Autograph Seeker
- (as Jacob Kasdan)
Avis à la une
There was something about this movie which I couldn't place my finger on. Although I barely made the 60's, of which all the characters are reminiscing of and therefore perhaps I maybe missed some subtle messages or didn't get some in-jokes about the 60's, this movie still applies to everyone. I guarantee every generation will have a time where they come back after 10 or 15 years and see friends that had been so important but are now barely on the radar. They will have a weekend of drinking and tears and fights and laughter. You will look at someone and remember a deep, hidden passion for them that you felt so long ago and never shared with anyone.
That is of course, the plot of the movie.
7 friends (who go wayyy back) one husband (who disappears pretty quickly) and a widowed girlfriend (who is barely known by anyone) come together after they learn that Alex, a friend formally part of the clique, had committed suicide (this part was infamously played by Kevin Costner). They have a weekend of sex, drugs, and good ol' fashioned rock and roll, the whole time bringing up past ghosts that had seemed long forgotten and faded. This is touchy subject, even in today's standards. Yet the movie handles it beautifully. My favourite section in the whole movie was when `You can't always get what you want' was played at his funeral. Not for the song, although it is a classic but for how the characters react. Each sit there in the church, some smiling quietly to themselves, while others have a sadden expression, remembering great times that were and never will be again. Every person has a song like that, one that makes you remember your friends, one that makes you sad or laugh and or grin to yourself as you remember the things you did. That to me clinches the movie. It shows how true the script is, and how humanly the characters react. There is a lot of angry hype about the movie, how there is too much talking and not enough sex or car chases or whatever people think is missing. Yet for me, it is reality. When something like this happens in real life, people do not over dramatise. Life is not a soap opera, although movie-goers seemed to want this movie to be. In a real-life situation, people would do exactly what the characters did, examine themselves and try to find a reason for the problems that have happened. Yet the hard truth is, especially about suicide, sometimes, there is no one you can blame. I think people didn't like this movie too much because it rang too true. It was too realistic. People go the movies to be entertained, to fall in love with the fairy-tales lives that movies have. This movie is honest. It seems, for now, people just want to be naïve and live in a fantasy world. If you want a true movie, see this one now.
That is of course, the plot of the movie.
7 friends (who go wayyy back) one husband (who disappears pretty quickly) and a widowed girlfriend (who is barely known by anyone) come together after they learn that Alex, a friend formally part of the clique, had committed suicide (this part was infamously played by Kevin Costner). They have a weekend of sex, drugs, and good ol' fashioned rock and roll, the whole time bringing up past ghosts that had seemed long forgotten and faded. This is touchy subject, even in today's standards. Yet the movie handles it beautifully. My favourite section in the whole movie was when `You can't always get what you want' was played at his funeral. Not for the song, although it is a classic but for how the characters react. Each sit there in the church, some smiling quietly to themselves, while others have a sadden expression, remembering great times that were and never will be again. Every person has a song like that, one that makes you remember your friends, one that makes you sad or laugh and or grin to yourself as you remember the things you did. That to me clinches the movie. It shows how true the script is, and how humanly the characters react. There is a lot of angry hype about the movie, how there is too much talking and not enough sex or car chases or whatever people think is missing. Yet for me, it is reality. When something like this happens in real life, people do not over dramatise. Life is not a soap opera, although movie-goers seemed to want this movie to be. In a real-life situation, people would do exactly what the characters did, examine themselves and try to find a reason for the problems that have happened. Yet the hard truth is, especially about suicide, sometimes, there is no one you can blame. I think people didn't like this movie too much because it rang too true. It was too realistic. People go the movies to be entertained, to fall in love with the fairy-tales lives that movies have. This movie is honest. It seems, for now, people just want to be naïve and live in a fantasy world. If you want a true movie, see this one now.
A group of seven former college friends gather for a weekend reunion at a South Carolina winter house after the funeral of one of their friends.
In some ways, this film is something like "Secaucus Seven", with various friends who drifted apart getting back together again. These seven had high hopes in the 1960s, but are now becoming disillusioned in the 1970s (with a shoe company named after a Chairman Mao quote and a public defender who has learned that most accused criminals truly are guilty).
Somehow, in the thirty years since this film was released, it has gone under the radar and has been forgotten. Despite many big stars and a notable director (Lawrence Kasdan, a protégé of George Lucas and Steven Spielberg), not to mention a great soundtrack, how has this film become forgotten?
In some ways, this film is something like "Secaucus Seven", with various friends who drifted apart getting back together again. These seven had high hopes in the 1960s, but are now becoming disillusioned in the 1970s (with a shoe company named after a Chairman Mao quote and a public defender who has learned that most accused criminals truly are guilty).
Somehow, in the thirty years since this film was released, it has gone under the radar and has been forgotten. Despite many big stars and a notable director (Lawrence Kasdan, a protégé of George Lucas and Steven Spielberg), not to mention a great soundtrack, how has this film become forgotten?
While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
As a member of Gen-X having just revisited this movie after several years, I have to say that the soundtrack took me down "memory lane" in a big way, and may be one of the best things about The Big Chill. My generation's experience with this music is very different than that of my parents', having been force-fed Three Dog Night, The Band, and all the rest as a young child. It remains a part of my psyche, buried deep in the most obscure and remote of my memories. It was fantastic to hear those songs again, in spite of how much my taste in music has changed over the years. A classic is a classic, and the soundtrack is LOADED with them. Music can make or break a movie, and in The Big Chill, the music is an integral part of the film, as important as the cast, the writing and the directing. Its hard to imagine different music, just as it's hard to imagine a different cast. The songs weave in and out of the movie as easily and naturally as the subplots weave in and out of the story.
22 years after being dragged to this movie by my parents (who LOVED it), I remain pleasantly surprised at what a good movie it is as a whole, and how much more I liked it as an adult. The acting is brilliant. The writing is excellent. The directing is fantastic. Everything snaps into place in ways that keep you from getting bored, irritated, or otherwise turned off. Sometimes melodramatic, sometimes hilarious, the characters are well-constructed by the writer(s) and beautifully brought to life by the cast. Two hours fly by without dragging, down time, misfires or backfires. The story unfolds in 1983 with a crew of Baby Boomers, college friends brought back together by tragedy, taking stock in their lives as they get reacquainted with each other after many years have passed. The story may be dated, but anyone, no matter their "generation," can find something to relate to in this film. The interpersonal relationships, the individual journeys, and the self-reckoning that comes with the death of a friend... all of us can grasp these concepts and drink them in, get lost in them, feel the pain, and feel the joy. We can relate to it because its themes are timeless... love, loss, sadness, joy, growing up and getting older. This happens to us all.
My only real criticism of this picture would be that once in a while the film was a little too poignant and too depressing for my tastes, but only for brief moments. It could be that no one else who sees this film will agree with me, or even notice. That's fine. Opinions...we all have them. For me, it went a little overboard, just a smidgen. This is the only reason I did not give this movie a 10. It is still a wonderful movie. Some might suggest that this "going overboard" was what made the movie effective. It was effective, very much so, but for me it was a bit too much from time to time. Once in a while, my heart strings need a rest.
However, the music remains the most memorable part of the film. I had to look The Big Chill up on the internet to be reminded of the general story line, but the music has stayed with me all these years, and will remain with me, from the first notes of Joy to the World through the rest of the soundtrack and back. I would watch this movie again, and recommend it to anyone, no matter how cynical they are or what generation they belong to. Its that good.
22 years after being dragged to this movie by my parents (who LOVED it), I remain pleasantly surprised at what a good movie it is as a whole, and how much more I liked it as an adult. The acting is brilliant. The writing is excellent. The directing is fantastic. Everything snaps into place in ways that keep you from getting bored, irritated, or otherwise turned off. Sometimes melodramatic, sometimes hilarious, the characters are well-constructed by the writer(s) and beautifully brought to life by the cast. Two hours fly by without dragging, down time, misfires or backfires. The story unfolds in 1983 with a crew of Baby Boomers, college friends brought back together by tragedy, taking stock in their lives as they get reacquainted with each other after many years have passed. The story may be dated, but anyone, no matter their "generation," can find something to relate to in this film. The interpersonal relationships, the individual journeys, and the self-reckoning that comes with the death of a friend... all of us can grasp these concepts and drink them in, get lost in them, feel the pain, and feel the joy. We can relate to it because its themes are timeless... love, loss, sadness, joy, growing up and getting older. This happens to us all.
My only real criticism of this picture would be that once in a while the film was a little too poignant and too depressing for my tastes, but only for brief moments. It could be that no one else who sees this film will agree with me, or even notice. That's fine. Opinions...we all have them. For me, it went a little overboard, just a smidgen. This is the only reason I did not give this movie a 10. It is still a wonderful movie. Some might suggest that this "going overboard" was what made the movie effective. It was effective, very much so, but for me it was a bit too much from time to time. Once in a while, my heart strings need a rest.
However, the music remains the most memorable part of the film. I had to look The Big Chill up on the internet to be reminded of the general story line, but the music has stayed with me all these years, and will remain with me, from the first notes of Joy to the World through the rest of the soundtrack and back. I would watch this movie again, and recommend it to anyone, no matter how cynical they are or what generation they belong to. Its that good.
10kal1
After reading several of the user comments on this movie, it is clear that many people missed quite a bit. Those "funny one-liners" (and there are plenty!) are much more than that: they tell us volumes about the characters. This movie certainly does not spell anything out to the viewer (except, perhaps, the obvious), so you must be able to find the meaning behind the words. If you listen to what the characters are saying, then you can understand their past relationships, their present feelings, which friends have stayed close, etc. Remember, these are old friends: the script is very realistic so the characters are not going to explain every line to one another. I believe to truly enjoy this movie you need to pay close attention to all of the details and understand a bit about the attitudes and ideals of the two eras the movie depicts.
Wonderful, intelligent movie!
Wonderful, intelligent movie!
Le saviez-vous
- AnecdotesKevin Kline met future wife Phoebe Cates when she auditioned for the part of Chloe.
- GaffesHarold tells Nick that a big company is going to buy his company, so Nick should trade on that info so he can clean up his life. Harold also gives that info to Alex, and Alex was able to leverage that info to make the money that he used to buy the house. Alex couldn't have profited from that info, because it hadn't happened, yet.
- Versions alternativesCBS edited 6 minutes from this film for its 1986 network television premiere.
- ConnexionsEdited into The Pitchfork Retreat
- Bandes originalesI Heard It Through the Grapevine
Written by Norman Whitfield and Barrett Strong
Performed by Marvin Gaye
Courtesy of Motown Records and Jobete Music
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- How long is The Big Chill?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Reencuentro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 399 659 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 662 152 $US
- 2 oct. 1983
- Montant brut mondial
- 56 399 792 $US
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By what name was Les Copains d'abord (1983) officially released in India in Hindi?
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