Bad Boys: Les Mauvais Garçons

Prior to starring in the hard-edged 1983 drama Bad Boys, Sean Penn had proved his early promise in the TV movie The Killing of Randy Webster, played a memorable supporting role in Taps (with fellow newcomer Tom Cruise), and created the definitive California surfer dude as the perpetually stoned Jeff Spicoli in Fast Times at Ridgemont High. But it was Bad Boys that cemented Penn's reputation as a rare talent--an actor whose skill transcended his youth, revealing a depth and maturity that the majority of his acting peers could only aspire to. That gravity and emotional dimension is evident throughout Penn's performance here as Mick O'Brien, a chronic offender whose path to a Chicago juvenile corrections facility seems utterly preordained. The institution is hardly conducive to reformation--it's a jail for problem kids, and a cauldron for all the societal ills that sent kids there in the first place. Mick's there because he was involved in a shootout during a botched robbery of drugs from rival street gangster Paco Moreno (Esai Morales), whose little brother was killed when Mick accidentally ran him over with his getaway car. Overcrowding results in Mick and Paco's being sent to the same facility (one of the film's few stretches of credibility), and this leads to a rather predictable showdown that will take the jive prison's violence to its inevitable extreme. It's a shame this conclusion ultimately doesn't live up to the film's superior first hour, but Bad Boys remains a remarkably authentic, even touching portrait of troubled youth whose torment is conveyed through thoughtful and richly emotional development of characters. Director Rick Rosenthal (who had previously helmet Halloween II) maintains a vivid sense of setting within the correctional facility's cold walls, and through the performances of Penn and a superb supporting cast (including Ally Sheedy in her film debut as Mick's girlfriend), Bad Boys emerges as one of the best films of its kind, forcing the viewer to ask difficult questions about at-risk youth and the proper way to improve or at least preserve their endangered lives.

Sean Penn, Esai Morals, Ally Sheedy, and the other principles in this film deliver great, realistic, gritty performances. Certainly one of the great performances of Penn's career.

My only complaint is that the DVD release by ARTISAN ENTERTAINMENT & REPUBLIC PICTURES - Deletes 2 scenes from the original. (That may explain the bargain pricing). The deleted scenes I noticed are: 1. The scene in which Ally Sheedy's character picks Esai's character out of a line-up. 2. A scene inside the Juvenile facility where the inmates are watching the Richard Widmark film "KISS OF DEATH", where he pushes the old, wheelchair-bound lady down the stairs, much to the delight of the inmates!

Bad Boys and The Falcon And The Snowman are the first film that Sean Penn was taken seriously as an actor and not just a James Dean wannabe. A lot of people with that rebel persona have come and gone, but Penn's proved to have staying power in his adult roles.

But it was a part like Mick O'Brien, kid from the mean streets of Chicago that first attracted the movie going public to Sean Penn. Bad Boys is not your usual teen dream Brat Pack film. Penn's representative of some of the baddest of the bad from the Eighties.

Penn's a high school kid from Chicago, but the kind who only goes to school on occasion, maybe to get messages from his hoodlum friends. A heist he plans goes horribly wrong and the little brother of another tough kid, Esai Morales, is accidentally killed simply for being in the wrong place at the wrong time.

That last crime finally puts him in reform school and of course Morales winds up there as well. That's after raping Ally Sheedy who is Penn's girl friend. That sets up the final confrontation between them.

Bad Boys is one of a long line of films going back to Wild Boys Of The Road dealing with the juvenile delinquent problem and the incarceration thereof. It's interesting how rape is used as a weapon in two instances here and how it's thought of that way. Morales rapes Sheedy as a way of getting back at Penn and in the reformatory the two who run the cell block where Penn and later Morales is put, Robert Lee Rush and Clancy Brown, use it as a way of establishing their authority.

Brown who will tell you this is a method of enforcement belies his own gay nature with those muscle pictures in his cell. And O'Brien's cellmate, Eric Gurry is also a latent case, maybe more. His performance in many ways is the most interesting in the film. He's a nerdy kid who happens to be one unusual inmate for the place. He's been picked on and in retaliation bombed a bowling alley where his tormentors were hanging out. Not too many kids his age have the scientific knowledge to pull off that and what we see him do here.

Still the film builds up to the climax between Penn and Morales and Bad Boys does not disappoint in the end. Bad Boys might have some charter Brat Pack members in the cast, but John Hughes wouldn't be doing a project like this.

Bad Boys certainly has a lot going for it on many levels, but there are enough implausible moments in the script that keep it from any type of "classic" status. The story centers around Sean Penn playing an angry and violent young hood from the streets of Chicago getting sent to a tough juvenile detention center after accidentally killing a young boy during a botched robbery attempt. The balance of the story deals with Penn adjusting to his new confinement and having to prove how tough he is again and again. Once he has established himself as the toughest kid in the place, the plot is turned on its side. The older brother of the boy he killed (Morales) is also sent to the facility... for raping and almost killing Penn's girlfriend as revenge for the boy's death! From the moment he arrives, everyone knows that the score will have to be settled once and for all. Who will survive??

Yes, its a pretty good premise, but too many detours are taken before the anticipated climax finally arrives. And many of them just don't make sense. First of all, there is no doubt that Penn's character is one tough punk. Yet he is just not physically imposing enough to be the "barn boss" as the toughest inmate is called. Yes, he whips the two punks who once held the title in a crafty manner, but there would no doubt have been many others waiting in line for that title. Another problem deals with Penn's escape attempt. After learning of his girlfriend's rape, he actually breaks out of the facility and somehow is able to make it all the way back to Chicago from the location several miles out in the country. Even if he were actually able to do this (which wouldn't be likely), notice how once he's captured and returned to the lockup, they don't even punish him!! Uh huh! I'm guessing the escape and brief rendezvous with the badly bruised girlfriend were meant to establish some sort of motivation for Penn wanting to kill Morales. But honestly, would this type of character need such motivation? Not likely. In addition, Penn is momentarily taken to the state prison for adults and warned that this is the path he is headed down if he screws up again. And apparently this is why he initially refuses to fight Morales when he first arrives at the facility. Penn just wants to do his remaining time and split. Again, not likely. A guy like this would not hesitate to accept a challenge from any man who violated his woman. Another problem deals with how Morales and Penn are left in the same cell block right up to the moment Morales is about to be transferred to another facility. Wouldn't it have been a better idea to keep the two sequestered from one another, even if it meant putting one of them in the hole for a while??? But then we couldn't have had our final fight then, could we? Oh, well.

There are a lot of good aspects of this film, too. The acting is outstanding, the casting is picture perfect, and the locations look authentic. The film is full of surprises, and a lot of them work. The Jewish whiz-kid who shares a cell with Penn steals every scene he's in. Look for a young Clancy Brown as the yard boss de-throned by Penn. Ally Sheedy gives a good performance, but she doesn't look like she belongs in that neighborhood! And I like the fact that the film doesn't try to make Penn or any of the others out to be misunderstood kids. They are all rotten to the core and deserve their punishment! Despite some flaws with the script, Bad Boys is still worth at least 7 of 10 stars.

The Hound.

When this was released in 1982, I remember the movie title "Blackboard Jungle" being tossed around, but this movie was the 80's updated version. The innocence of the 50's no longer applies to these kids.

Esai Morales and Sean Penn were terrific in this movie! I saw it in the theaters as a youngster, and since I'm from Chicago and most of the exterior shots were from reform schools in and around the city I was scared straight quite early. One is really drawn into the characters here; it's easy to empathize with Mick O'Brien (Penn), but it's also easy to empathize with Moreno (Morales) who wants revenge. Keep in mind that these guys are both hoodlums of the highest order and we shouldn't feel anything for either of them. For me, this adds to the story.

I've long held this movie high in script, casting (look for an uncredited cameo from Jamie Lee Curtis walking with an afro in the street in the opening sequence), and its timelessness, whereas movies like "Colors" or "8 Mile" simply tap into the urban vein yet again for substance.

Bad Boys was party where it began...urban north Chicago, 1982! See this film - you'll not be sorry!

Thanks for reading...