The Bill

I have followed this series from its earliest episodes and have rarely found it hard going until recently. Although it still delivers good entertainment, the show has lost much of its grittiness (although in many ways it is probably more realistic).Up until the recent dramatic changes (the bombing of Sun Hill and resultant death of many of the main characters)there was little shown of the violence, blood etc that is part and parcel of real police work. The show has suffered considerably for those of us who remember the good old days of Burnside, Tosh Lines et al. Serialising the episodes is not in itself a bad thing, for that makes it more believable than the old concept that each case was tied up in the half hour - or one hour episode, it does however mean that much of the crispness of the show is lost in the process. For the undedicated, the focus on private lives (and romances in the station)turns it very much into a "soap" and less of a serious show. I am still recovering from the first time Jim kissed June - it was a bit like watching someone kiss his sister! I suppose that the Old Bill is gone for good, but it still is good entertainment - and I suppose this is what we watch TV for.

I have been watching The Bill since it started back in 1983. It is always hard commenting on a long running show because most shows have their good and bad patches.

The early Bill episodes were fantastic. Unlike the 21st century Bill, the early Bill focused entirely on the officer's work lives-you never got to see their private lives except in rare cases where their work impacted on their private lives. There were several different stories within each hourly episode usually split between the beat officers, C.I.D. cases and the politics of being a copper in the Met Police. The stories focused on all ranks from the constables to the Chief Superintendent. The first Chief Superintendent was Charles Brownlow, a man more interested in politics and PR and ensuring that justice was seen to be done. The first head of C.I.D. was Detective Inspector Galloway, a short tempered and stern cop who didn't think twice about shouting at his men but who was a good copper underneath. The early Sergeants were Alec Peters, Tom Penny and Bob Cryer. Bob Cryer was a veteran copper who the officers looked up to-he didn't suffer fools gladly but would support his men through and through. The constables included Jim Carver, a naive young probationer whose heart was in the right place but ended up putting his foot in it on occasion. Each of the early episodes were self contained.

In the 80's the Bill switched to a half hour format. Whilst there were some good stories, half an hour doesn't allow for much character development and at times, investigations seemed rushed. It would not revert to an hourly show until 1998.

There have been many memorable characters at Sun Hill Police Station. After D.I. Galloway left, he was replaced by D.I. Burnside, a copper who did whatever he could to achieve a result and would happily rough up a suspect to ensure justice was done. Other great D.I.'s include D.I. Deakin, a veteran old school copper and the intense D.I. Cullen. Let's not forget the old school copper Chief Inspector Conway whose job was mainly desk based but who got his hands dirty when necessary. Conway was killed off in 2002 when a petrol bomb was thrown into his car.There have been three bosses in the series, first there was Chief Superintendent Brownlow. He left in 2000 and was replaced by Superintendent Tom Chandler who seemed the right man to lead Sun Hill but who left in 2002 after he shot himself dead after being caught up in a scandal. The current boss is Superintendent Adam Okaro who is set to clean up Sun Hill and isn't afraid to go out on the streets with the troops.

The current Bill is far different to the early episodes. The show is now more of a soap and there are not really any self contained stories. The show, in my opinion, has suffered due to it's heavy emphasis on the officers private lives and the constant sexual liasons between officers. Another thing that has not helped The Bill is the constant axing of popular characters such as the crooked D.S. Beech, the intense D.I. Cullen and Supt. Chandler. Whilst their replacements have on the whole been good, The Bill needs to take more time to listen to it's fans and to give newer characters a chance before axing them.

Where does The Bill go from here? I definitely think it needs to tone down on the officers private lives and have less sex and more police work. It needs to give new characters a chance to find their feet before deciding they need to go. And it needs to be bold and have the odd self contained story as well.

All in all, The Bill is a decent enough programme which can steadily improve it it takes note of the above points. I hope it continues for a long time.

I am now 25 and religiously watched 'The Bill' since I was about 8 years old. I loved the show. It probably was a bit biased in showing cops as virtual angels but it was tightly scripted with good solid acting and was not too soapy.

But ever since the changes made in the late 1990s I have not been able to watch this pile of drivel. The pathetic unbelievable plots are a joke. The characters are a bunch of sissies and it is more like an episode of 'Home and Away' than 'The Bill'. I cannot believe my mum still loves this show; but I know even she struggles to enjoy it.

So thanks to the morons who changed a great show into a pile of crap. If I ever get cable TV it will be to watch the old episodes, not the rubbish on today.

The Bill was an integral part of my youth, the amount of evenings I would sit down with my family, and watch The Bill, good memories.

Iconic opening credits, big characters, and good stories, I've picked up some dvds, and caught the odd episode on drama, it's true the early years were better, it had a bit more grit. It did become a little more soap like in its later years, but it was still an enjoyable show.

Lots of good characters over the years, who didn't love June, Reg, Polly and Tony. In later years I grew to adore McAlister and Bradford, two big characters that added to the drama. I will always remember the live episode.

I know that fans such as myself have always hoped for the show's return, and who knows, maybe the rumours about Sun Hill are true, time will tell.

Worked for me, 8/10.

A few years ago I would not have hesitated to state that this was beyond the shadow of a doubt the most wonderful and high quality show on television. The realistic and hard hitting nature of the show, the believable dimensions of genuine police work that were incorporated into the script, the strict attention to police procedures and protocol in the show and the wonderful and comprehensive portrayal of the characters all made this show a pleasure to watch. The storylines were, more often then not, very intriguing and interesting and the script was second to none. Characters such as DI Frank Burnside, DS Ted Roach, DCI Jack Meadows, DCI Kim Reid and several others provided the show with an intriguing and very gripping dimension and the acting was superb and also second to none. It stood in a category of its own as a police drama and was far better than the American (and even British) police dramas in the same genre

Unfortunately, in recent years, the show has taken a dramatic turn for the worse and now would have to be categorized as one of the worst shows that is presently on TV. For some reason that I'll never quite understand, the TV executives decided that they had to dumb down the show and all of its characters to a primitive soap level and make a perfectly good show into a sleazy and pathetic joke. Now the scripts are appalling, quite a lot of the acting weak and disjointed (probably because good actors are being provided with pathetic scripts), the storylines thoroughly boring and there is almost no serious police work at all in the show. It is exceedingly painful to watch for the reasons outlined above and it unfortunately cannot even be taken seriously as a TV show. Every aspect of the show has become so juvenile and pathetic and I would now have to concede that the American TV police dramas are now much better than the present format of `The Bill' ever could be. It is a disappointing turnaround for such a wonderful show. Whatever happened to high quality television?